‘Downstairs’ Theater Review: Tyne Daly and Tim Daly Play Siblings Plagued With Demons Past and Present

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Jerry Frankel, Legendary Broadway Producer of ‘All the Way’ and ‘La Cage aux Folles,’ Dies

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Peter Bart: A Final Toast To Screenwriter Extraordinaire William Goldman

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‘The Prom’ Review: Broadway Comedy Razzle-Dazzles Small Town Bigotry

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‘The Prom’ Broadway Review: Indiana’s Back on the LGBT Chopping Block

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MoviePass Parent Company Lost $137 Million in Q3 as Financial Future Looks Grim

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‘Wild Goose Dreams’ Theater Review: When Computers Upstage a North Korean Defector

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‘The Resistible Rise of Arturo Ui’ Theater Review: Raul Esparza Sends Up Hitler in the Age of Trump

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‘Network’ Previews, ‘King Kong’ Opens As Broadway Scores $37M

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Broadway’s Next Evan Hansen Will Be 16-Year-Old High School Junior

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Mike Birbiglia’s ‘The New One’ Delivers: Broadway Review

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‘Thom Pain (Based on Nothing)’ Theater Review: Michael C Hall Turns Nothingness Into High Art

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‘The New One’ Broadway Review: Mike Birbiglia Now Sleepwalks With a Stroller

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‘King Kong’ Broadway Review: Giant Puppet Upstages the Mere Humans

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Broadway’s $35 Million ‘King Kong’ Roars When It Roars, Slips When It Sings: Review

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‘Eve’s Song’ Theater Review: Are You Woke Enough for Patricia Ione Lloyd’s Dark Comedy?

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Broadway’s 10 Top-Grossing Non-Musical Plays of All Time, From ‘War Horse’ to ‘Harry Potter’ (Photos)

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Kerry Washington Raises Broadway’s ‘American Son’: Review

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‘American Son’ Theater Review: Kerry Washington Brings #BlackLivesMatter Debate to Broadway

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‘Torch Song’ On Broadway: Michael Urie & Mercedes Ruehl Tune Things Up – Review

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Broadway’s ‘Hillary And Clinton’ Finds Its Barack; ‘Veep’ Vet To Play Mark Penn

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