Steve Pond – Morning Dailies

‘Family Romance, LLC’ Film Review: Love’s for Sale in Werner Herzog’s Odd New Film

‘The Whistlers’ Film Review: Romanian Wild Ride Runs on Black Humor

‘Port Authority’ Film Review: Searching for Family in New York’s LGBT Ball Scene

‘Pain and Glory’ Film Review: Antonio Banderas Plays Pedro Almodóvar – Sort Of

‘Sorry We Missed You’ Film Review: Once Again, Ken Loach Sings the Working Class Blues

‘Rocketman’ Film Review: Elton John Gets a Musical Fantasy That Sometimes Achieves Liftoff

Sharon Waxman and Steve Pond Reflect on 10 Years of TheWrap, and 10 Years of Cannes (Video)

‘Bacurau’ Film Review: Bloody Brazilian Fever Dream Has More Than Gore on Its Mind

‘For Sama’ Film Review: Syrian Documentary Finds Wrenching Personal Take on Conflict

How Antonio Banderas Learned to Relax and Play His Old Friend (and Director) Pedro Almodóvar

Cannes Market Preview 2019: What Are Buyers Looking for This Year?

Elle Fanning, Yorgos Lanthimos, Pawel Pawlikowski Get Jury Duty at Cannes

‘Apocalypse Now Final Cut’ Film Review: Francis Ford Coppola’s New Version Might Be the Best One Yet

‘Blow the Man Down’ Review: Film Noir Gets a Female Spin With Margo Martindale, June Squibb

‘Linda Ronstadt: The Sound of My Voice’ Review: Rock Doc Starts and Ends With the Music

‘The Apollo’ Launches Tribeca Film Festival With a Look at a Theater, a Community – and Politics

Directors’ Fortnight Will Bring 16 Directors to Cannes for the First Time

Cannes Critics’ Week Section Includes Jesse Eisenberg Sci-Fi Drama ‘Vivarium’

Heavyweight Cannes Lineup Ties Record for Female Directors in Competition

Bruce Springsteen’s Unused ‘Harry Potter’ Song Finally Finds a Home in New Movie

Golden Globes Set 2020 Date for Earliest Ceremony Ever

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