Emmys Get Sentimental on the Way to Saluting ‘Game of Thrones’ and ‘Marvelous Mrs. Maisel’

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‘Green Book’ Wins Toronto Film Festival’s People’s Choice Award

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‘Roma’ Enters Oscar Foreign-Language Race, Becomes the Instant Favorite

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Emmy Predictions: With ‘Veep’ Gone and ‘Game of Thrones’ Back, Expect a Real Dogfight

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Alfonso Cuaron Says Yes, People Told Him He Was Nuts to Make ‘Roma’

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‘Green Book’ Film Review: Viggo Mortensen and Mahershala Ali Take a Perilous Road Trip Through the Deep South

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‘Jeremiah Terminator LeRoy’ Film Review: Literary Hoax Makes for a Frustrating Film

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‘Woman at War’ Film Review: Goofy Icelandic Ecoterrorism Thriller Is a Beautiful Hoot

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‘Icebox’ Film Review: Child Immigrant Drama Takes Timely Look at Border Crisis

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Toronto So Far: ‘First Man’ and ‘A Star Is Born’ Lead a Crop of Films With Heart and Dazzle

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‘Never Look Away’ Film Review: ‘Lives of Others’ Director Returns With Bold Tale of Art and Love

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‘Ben Is Back’ Film Review: Julia Roberts Goes for Broke in Another Troubled Teen Movie

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‘Widows’ Film Review: Viola Davis, Steve McQueen Team Up for a Curious Heist Movie

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‘Sunset’ Film Review: ‘Son of Saul’ Director Keeps His Characters, and Audience, Off Balance

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‘Gloria Bell’ Film Review: Julianne Moore Shines Quietly in Remake of Chilean Drama

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‘Beautiful Boy’ Film Review: Timothee Chalamet and Steve Carell Shine in Harrowing Look at Addiction

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‘Teen Spirit’ Film Review: Elle Fanning Sings – Boy, Does She Sing – in Indie Musical

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‘Fahrenheit 11/9’ Review: Michael Moore’s New Movie Is About a Lot More Than Donald Trump

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Will Oscar Season’s Early Contenders Survive the Toronto Film Festival Onslaught?

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’22 July’ Film Review: Paul Greengrass Calms Down but Still Packs a Powerful Punch

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