‘Capernaum’ Director Left Out ‘Shocking’ Details About Kids on the Streets That Audiences Couldn’t Handle

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Nadine Labaki’s ‘Capernaum’ Selected by Lebanon for Foreign-Language Oscar Race

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Female Filmmakers Share War Stories, From Breast Feeding on Set to Male Insubordination

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Cannes Film Market ‘Healthy’ as New Players Fill Streaming Giant Void

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Jury Prize Winner Nadine Labaki’s ‘Capernaum’ Captures The Reality Of A Life in Hell For Lebanon’s Invisible Generation – Cannes Studio

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‘Knife + Heart’ Film Review: Gay Porn Murder Story Pays Tribute to Exploitation Cinema

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Cannes 2018 Has Its First Genuine Sure-Fire Oscar Contender – And Maybe A Palme d’Or Winner Too

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Cannes Film Review: ‘Capernaum’

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‘Capharnaum’ Film Review: Nadine Labaki’s Searing Drama Brings Tears, Ovations

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Nadine Labaki’s ‘Capernaum’ Earns Massive Cannes Standing Ovation and Instant Palme d’Or Winner Predictions

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Cannes So Far: The Spotlight Belongs to the Women

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Cannes Report, Day 3: Women Rule, ‘Cold War’ Hailed as ‘Best Film’ Yet

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Cannes: Arab Filmmakers Thrive Despite Regional Upheavals

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Sony Pictures Classics Nabs Nadine Labaki’s Palme d’Or Contender ‘Capernaum’

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Cannes: Sony Pictures Classics Buys Nadine Labaki’s ‘Capernaum’ In Advance of Competition Premiere

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Sony Classics Picks Up Lebanese Director Nadine Labaki’s ‘Capernaum’

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Sony Pictures Classics Lands Nadine Labaki’s ‘Capernaum’ In $1.3 Million Cannes Deal

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Cannes’ Female Troubles: Women Directors Have Always Been Scarce

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