‘Life Itself’ Film Review: Canned Tear-Jerker About Destiny Is a Jaw-Dropping Mess

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‘Smallfoot’ Film Review: Fun Ideas Get Buried Under Avalanche of Mediocrity

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‘House With a Clock in Its Walls’ Film Review: Eli Roth Directs a Fun, Family-Friendly Halloween Frolic

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‘Bel Canto’ Film Review: Julianne Moore Thriller Hits All the Wrong Notes

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‘American Chaos’ Film Review: Day-Late, Dollar-Short Doc Traces Trump’s Rise to the White House

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‘Mandy’ Film Review: Nicolas Cage Takes a Big Bite Out of This Mad, Metal Midnight Movie

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‘Unbroken: Path to Redemption’ Film Review: Low-Budget Sequel Oversells Its Message

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‘A Boy. A Girl. A Dream.’ Film Review: New Lovers Clash on Election Night 2016

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‘The Land of Steady Habits’ Film Review: Nicole Holofcener Turns Her Sharp Eye Toward Masculine Identity Crises

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‘Hold the Dark’ Film Review: Frigid Missing-Child Thriller Disappoints

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‘Green Book’ Film Review: Viggo Mortensen and Mahershala Ali Take a Perilous Road Trip Through the Deep South

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‘White Boy Rick’ Film Review: Real-Life Drug Saga Bolstered by Strong Performances

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‘The Predator’ Film Review: Shane Black Further Dumbs Down This Sci-Fi/Horror Franchise

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‘Jeremiah Terminator LeRoy’ Film Review: Literary Hoax Makes for a Frustrating Film

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‘Woman at War’ Film Review: Goofy Icelandic Ecoterrorism Thriller Is a Beautiful Hoot

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‘Icebox’ Film Review: Child Immigrant Drama Takes Timely Look at Border Crisis

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‘Where Hands Touch’ Film Review: Amandla Stenberg Packs Emotion in Earnest Holocaust Drama

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‘Never Look Away’ Film Review: ‘Lives of Others’ Director Returns With Bold Tale of Art and Love

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‘Ben Is Back’ Film Review: Julia Roberts Goes for Broke in Another Troubled Teen Movie

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‘Widows’ Film Review: Viola Davis, Steve McQueen Team Up for a Curious Heist Movie

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‘God Bless the Broken Road’ Film Review: Faith-Based Drama Offers More Facile Homilies

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