South Africa Picks Real-Life Robin Hood Tale ‘Sew the Winter to My Skin’ for Oscars

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Kenyan Judge Lifts Ban on LGBT Film ‘Rafiki,’ Enabling It to Qualify for Oscars

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Olivier Assayas’ ‘Non-Fiction’ Snubbed by France’s Oscar Committee

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Movistar + Has a Very Good Year for Scripted Productions

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Latido Films Proves There’s Still Life in the Arthouse Market (EXCLUSIVE)

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San Sebastian: Basque Distributor Barton Films Nabs Spanish Rights to 3 New Directors Contenders (EXCLUSIVE)

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San Sebastian: ‘An Unexpected Love’ Continues to Roll Out Sales (EXCLUSIVE)

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Netflix Gives Second Season to Indian Crime Series ‘Sacred Games’

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Tokyo Festival Sets Japan Film Pair in Main Competition

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Luc Besson’s EuropaCorp to Sell Roissy Films’s Library to Gaumont

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France Introduces Special Subsidy for Films With Women in Charge

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San Sebastian: Loco Films Boards Celia Rico’s ‘Journey to a Mother’s Room’(EXCLUSIVE)

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Sundance-Winning ‘The Guilty’ Picked by Denmark for Foreign-Language Oscar Race

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China-U.S. Tariff Battle Spells Long-Term Pain for Entertainment

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Visual Effects Firm Vividthree Heads for Singapore IPO

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Sky Takeover: Auction Set for Comcast, Fox to Duke It Out

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San Sebastian: Filmax Swoops on Competition Title ‘Between Two Waters’ (EXCLUSIVE)

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