‘MFKZ’ Director Adapts His First Comic Book, Bringing Hard-Edged Dystopian Vision To The Screen

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Oscars: Few Surprises Reflected In Foreign Language Shortlist During “Exceptionally Strong” Season

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How ‘Roma’ Production Designer Eugenio Caballero Recreated The Corpus Christi Massacre

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With ‘Maquia: When The Promised Flower Blooms,’ Producer Kenji Horikawa Stands Behind Talent Of Visionary Newcomer

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‘Cold War’ Cinematographer Lukasz Zal Brings High-Contrast Black And White To Emotionally Volatile Love Story

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With ‘Buñuel In The Labyrinth Of The Turtles’, Director Salvador Simó Delves Into Origins Of Iconic Filmmaker

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With Little Money & Even Less Time, ‘Border’ Makeup Designers Transform European Talents Into Trolls

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Yalitza Aparicio’s Unlikely Journey From Aspiring Preschool Teacher To Oscar Hopeful In Alfonso Cuarón’s Roma

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Filmmaker Teemu Nikki’s Inspiration For Finland’s Oscar Entry ‘Euthanizer’: “I Wanted To Make ‘Dirty Harry’ With Animals”

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Before Trump Entered Presidential Race, ‘Tito And The Birds’ Director Cast Him As His Villain, Teaching Kids About The Weaponization Of Fear

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How Director Javier Fesser Built His ‘Champions’ Team Into Spain’s Foreign Film Oscar Entry

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‘Rifiki’ Ban Temporarily Lifted By Kenyan Government; Film Held Out Of Cannes Now Eligible As Oscar Submission

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Director Olivier Assayas On The Long Road To ‘Non-Fiction’ – Toronto Studio

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