Marvel’s ‘The Eternals’ Finds Its Director in ‘The Rider’ Helmer Chloé Zhao

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‘Eternals:’ Marvel Studios Sets Chloe Zhao to Direct

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‘The Rider’ Director Chloé Zhao Lands Marvel’s ‘The Eternals’

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Marvel’s ‘The Eternals’ Taps ‘The Rider’ Director Chloe Zhao

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‘The Rider’ Director Chloé Zhao Treats Non-Actors Like Pros: ‘Once Upon a Time, Our Greatest Actors Were Discovered’ – Podcast

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Marvel Wants to Hire Indie Directors, But a Lot of Them Don’t Fit the Gigs — Analysis

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‘The Rider’: How Composer Nathan Halpern Captured the Fragile Mental State of a Broken Cowboy – Watch

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‘The Rider’ Director Chloé Zhao to Helm Biopic About Bass Reeves, the First Black U.S. Marshall, for Amazon Studios

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Amazon Studios Lands Biopic on Bass Reeves, First Black U.S. Deputy Marshal, From ‘The Rider’ Helmer Chloé Zhao

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‘Lean on Pete’ and ‘The Rider’: Two Bold Westerns Show What Foreign-Born Directors Can Bring to the Genre

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‘Borg vs McEnroe’ Flounders at Indie Box Office While ‘The Rider’ Shines

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‘The Rider’ Puts a Female Lens on Toxic Masculinity

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‘The Rider’ Film Review: Lyrical Tale of Injured Rodeo Star Heralds a Major Talent

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How This Year’s Oscars Became a Feminist Game Changer (Guest Blog)

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Indie Spirit Awards: Restrained #MeToo and Time’s Up Conversations Look to the Future and ‘Manifesting Change in Deeper Ways’

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‘The Rider’ Trailer: Chloé Zhao’s Cannes Prizewinner Isn’t Her First Rodeo — Watch

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Chloe Zhao’s ‘The Rider’ Follows A Rodeo Rider On His Real-World Recovery – Sundance Studio

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‘The Rider’ Director Chloe Zhao Receives Inaugural Bonnie Award

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‘The Florida Project,’ ‘The Rider’ Nominated by Cinema Eye Honors (Exclusive)

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‘The Rider’ Review: This Cannes Winner Is Part Truth, Part Drama, and Completely Heartrending

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Westerns, Redefined: How Two New Movies Provide Fresh Meaning to a Dated Genre — NYFF

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