‘The Romanoffs’ & ‘Camping’ Review: Matt Weiner & Lena Dunham Go ‘Full Frontal’

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‘First Man’ Review: Damien Chazelle & Ryan Gosling Land Another Triumph

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Dakota Fanning Talks ‘The Alienist’, Empowerment & Allure Of Binge TV – Next Generation TV

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‘Patrick Melrose’ Review: Benedict Cumberbatch Brilliant As Damaged & Decadent Toff In Showtime Limited Series

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‘The Seagull’ Review: Annette Bening & Saoirse Ronan Lead Sterling Cast In Smart Take On Chekhov Classic

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‘Safe’ Review: Dodgy Accent Aside, Michael C. Hall’s UK Thriller Is Uneventful

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‘RBG’ Review: A Truthful, Inspiring & Relevant Docu About The One And Only Ruth Bader Ginsburg

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‘Avengers: Infinity War’ Review: The Most Surprising Marvel Movie Yet Is Also One Of The Best

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‘Come Sunday’ Review: Chiwetel Ejiofor’s Performance Main Reason To See Netflix’s Preachy Religious Drama

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‘Beirut’ Review: Jon Hamm Delivers Best Work Yet In Compelling International Thriller

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‘First Match’ Review: SXSW Audience Winner Wrestles With Real-Life Struggles And Comes Out A Winner For Netflix

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‘Isle Of Dogs’ Review: Wes Anderson’s Weirdly Wonderful Canine Epic Is A Toon Worth Telling

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‘I Can Only Imagine’ Review: Faith-Based Music Biopic Of MercyMe’s Smash Song Hits All The Right Notes

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‘Love, Simon’ Review: Winning Comedy About Gay High Schooler Is One From The Heart

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‘The Looming Tower’ Review: Hulu’s 9/11 Drama Is Magnificent

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‘Seven Seconds’ Review: ‘Killing’ Creator’s New Drama Needs Less Time, Not More

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