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‘Come Play’ Review: The Ghost in the Machine Has a Few Bugs in the Programming

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‘Spell’ Review: A Conventional Hexing Horror in the Hills of Kentucky

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‘Holidate’ Review: Emma Roberts and Luke Bracey Are Better Than This Predictable Netflix Rom-Com

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‘The Craft: Legacy’ Review: Blah Blumhouse Reboot Is Everything the 1996 Camp Classic Rebelled Against

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‘The Craft: Legacy’ Review: Cult ’90s Teen Witch Classic Gets a Clever Modern Sequel

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‘The Craft: Legacy’ Film Review: Teen Witches Tackle Toxic Masculinity in Clever Sequel

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‘The Night’ Review: Farsi-Language Horror Thriller Set in an L.A. Hotel Delivers Classy Scares

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Sarah Cooper’s ‘Everything’s Fine’ Is a 2020 Time Capsule, but not Much More: TV Review

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‘His House’ Review: Remi Weekes’ Thrilling Debut Sees the Immigrant Experience as a Horror Movie

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‘Belushi’ Review: R.J. Cutler’s Documentary Does Justice to the Ultimate Rock ‘n’ Roll Comedian

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