Michael Moore Finally Gives His Full Oscar Speech, 15 Years After Winning Best Documentary

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‘Won’t You Be My Neighbor?’ Wins Best Documentary Critics’ Choice Award

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How Hong Sang-soo’s 66-Minute ‘Grass’ Questions Our Traditional Standards of How Long a ‘Legitimate’ Film Needs to Be

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Camera Buffs: How Two New Films See Photographers Richard Billingham and Bill Cunningham Through Their Own Lens

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Ennio Morricone Calls Quentin Tarantino a ‘Cretin’ Whose Movies Are ‘Trash’

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Kyle MacLachlan Is Rocking a Mustache for a Mystery Project With Luca Guadagnino

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‘Minding the Gap’ Director Bing Liu Reveals the Connection Between Skateboarding and Personal Growth

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Paramount Ranch Burns Down as Guillermo del Toro, Alyssa Milano, and Others Flee California Wildfire

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‘I Am the Night’ Review: Chris Pine and Patty Jenkins Reunite to Light Up TNT’s Newest Dark and Gritty Limited Series

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Michelle Yeoh May Continue Her ‘Star Trek Discovery’ Journey in a New Spinoff

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Mahershala Ali Says Viggo Mortensen’s Use of the N-Word Was ‘Hurtful,’ but Accepts His Apology

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European Film Awards Nominations: ‘Cold War’ Leads, Followed by ‘Dogman,’ ‘Border,’ and ‘Happy as Lazzaro’

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‘The Ballad of Buster Scruggs’: Pushing the Limits of Western Authenticity in Coen Brothers’ First Netflix Movie

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Criterion After FilmStruck: 9 Possible New Streaming Homes for the World’s Greatest Film Library

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‘Patriot’ Review: Season 2 of Amazon’s Cult Spy Series is Darker, Weirder, and Worth the Wait

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‘Homecoming’: The 2-Minute Scene That Should Mean an Emmy Nomination for Julia Roberts

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‘Stranger Things’ is the Top Show in Streaming — and There Hasn’t Been a New Episode for a Year

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‘Green Book’: Even After N-Word Disaster, Viggo Mortensen Is Still a Best Actor Contender

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‘Can You Ever Forgive Me?’ Director Marielle Heller on What Gets Lost When Movies Strive For Clarity

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Which Actress Is the Best Lisbeth Salander: Claire Foy, Rooney Mara, or Noomi Rapace?

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