‘The Hard Problem’ Theater Review: Tom Stoppard Is Soft on Brain Science

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‘Downstairs’ Theater Review: Tyne Daly and Tim Daly Play Siblings Plagued With Demons Past and Present

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‘The Prom’ Broadway Review: Indiana’s Back on the LGBT Chopping Block

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‘Wild Goose Dreams’ Theater Review: When Computers Upstage a North Korean Defector

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‘The Resistible Rise of Arturo Ui’ Theater Review: Raul Esparza Sends Up Hitler in the Age of Trump

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‘King Kong’ Broadway Review: Giant Puppet Upstages the Mere Humans

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‘Days of Rage’ Theater Review: This Revolution Won’t Be Televised

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‘The Waverly Gallery’ Broadway Review: Kenneth Lonergan Remembers a Lost, Eccentric Life

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‘The Ferryman’ Broadway Review: Jez Butterworth and Sam Mendes Unload on the IRA

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‘The Lifespan of a Fact’ Broadway Review: Daniel Radcliffe Stands Up for the Truth

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‘Mother of the Maid’ Theater Review: Behind Every Successful Child There’s a Glenn Close

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‘Apologia’ Theater Review: Stockard Channing and Hugh Dancy Recall What Went Wrong

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‘Girl From the North Country’ Theater Review: Bob Dylan Survives Another Musical

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‘The Nap’ Broadway Review: Nobody Takes a Rest in This Outrageous Comedy

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‘Bernhardt/Hamlet’ Broadway Review: Who’s More Divine, the Bard or Janet McTeer?

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‘I Was Most Alive With You’ Theater Review: Making a Case Against the Book of Job

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‘The True’ Theater Review: Edie Falco Gets Stranded in Albany

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‘Collective Rage’ Theater Review: Dana Delany Switches Teams in an Absurdist Delight

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‘Pretty Woman’ Broadway Review: The Hooker Julia Roberts Made Famous Is Back, and She Can Belt

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‘Gettin’ the Band Back Together’ Broadway Review: They Were Better Off Going Solo

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‘Be More Chill’ Theater Review: This Coming-of-Age Musical Is a Real Pill to Swallow

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