Review: Musical Middle Eastern diplomacy from Daniel Barenboim’s West-Eastern Divan Orchestra in its L.A. debut

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Critic’s Notebook: In two local concerts, Alisa Weilerstein shows why she is the next great cellist

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How Daniel Barenboim’s orchestra of Israeli and Arab musicians is faring in the current political climate

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Review: As L.A. voted, John Cage’s anarchic ‘Europeras 1 & 2’ set the tone for election day

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Review: The power of memory shines through in Bill T. Jones’ remembrance of things past and present

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Review: Major new works by Steve Reich and George Crumb find two leading American octogenarian composers in magnificent old form

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Critic’s Notebook: How the World Series and our orchestras became a soundtrack for the city

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Critic’s Notebook: As anti-Semitic hate crimes rise, a German production of ‘Fiddler on the Roof’ preaches tolerlance

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Review: Los Angeles Opera’s ‘Satyagraha’ lives up to Gandhi’s ideals

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Review: Disney Hall’s hidden corridors became a stage for dancers in Benjamin Millepied and L.A. Phil’s ‘Romeo and Juliet’

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A Japanese Elvis play and a Rosa Parks-inspired jazz ode are connected in surprising ways — no, really.

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Critic’s Notebook: An L.A. Phil festival with Bird, beer, Moby, Hancock and new music galore

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Critic’s Notebook: In Fluxus — making sense of the amorphous anti-art movement’s arrival in L.A.

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Review: L.A. Phil begins season in earnest with Andrew Norman’s game-changing ‘Sustain’

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Review: Enigmatic John Cage in the hands of avant-garde rockers

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Review: The L.A. Phil and CicLAvia brought the city together for a game-changing street party

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Review: L.A. Phil’s 100th anniversary gala spreads good vibrations — and visuals — with Coldplay’s Chris Martin and artist Refik Anadol

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Review: Plácido Domingo is ageless as ever in ‘Don Carlo,’ opening the L.A. Opera season

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LA Phil at 100: How the orchestra rose from humble roots to become one of the world’s best

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