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Author: Inkoo Kang
‘Superfly’ Film Review: Remake Updates Blaxploitation Genre With Wit and Resonance
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‘Book Club’ Film Review: Women-of-a-Certain-Age Sex Comedy Has Poignancy Beneath the Pratfalls
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‘Terminal’ Film Review: Margot Robbie’s Silkiness Wasted in Polyester Movie
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‘Breaking In’ Film Review: Gabrielle Union Battles Burglars and Script Limitations
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‘RBG’ Film Review: Ruth Bader Ginsburg’s Life Makes for a Snappy But Surface-Level Documentary
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‘Disobedience’ Film Review: Two Rachels Don’t Make a Right in Unfocused Drama
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‘I Feel Pretty’ Film Review: Amy Schumer Teaches a Despicable Lesson in Self-Love
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‘Sgt. Stubby: An American Hero’ Film Review: Dog Loves His Doughboys in Animated WWI True Story
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‘Chappaquiddick’ Film Review: Ted Kennedy’s Downfall Makes for Searing Drama
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‘First Match’ Film Review: Netflix’s Female-Wrestler Drama Needs Breathing Room
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‘Paul, Apostle of Christ’ Film Review: Passive Piety Stifles Biblical Drama
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‘Thoroughbreds’ Film Review: Preppie Girls Go Homicidal in Taut, Toxic Comedy
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‘Oh Lucy!’ Film Review: Japanese Woman’s Coming-of-Middle-Age Makes Fascinating Character Study
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‘Samson’ Movie Review: Old Testament Tale Collapses Like a Philistine Temple
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All 7 Aardman Animations Features Ranked, From ‘Wallace & Gromit’ to ‘Chicken Run’ (Photos)
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‘La Boda de Valentina’ Film Review: Mexican Rom-Com Political Satire Nearly Hits Its Marks
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‘A Fantastic Woman’ Film Review: Chile’s Oscar Entry Tells Powerful Trans Tale
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’12 Strong’ Film Review: Chris Hemsworth Leads the Charge in a Powerful Afghanistan Story
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‘Proud Mary’ Film Review: Taraji P. Henson Shoulda Kept Her Good Job in the City
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‘Film Stars Don’t Die in Liverpool’ Film Review: Annette Bening’s Performance Elevates a Tepid Biopic
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