#MeToo one year later: Sorry seems to be the hardest word

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A year after #MeToo upended the status quo, the accused are attempting comebacks — but not offering apologies

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Four decades after Fonzie, Henry Winkler wins his first Emmy for ‘Barry’

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Emmys preview: The five races we’ll be watching on television’s big night

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Emmys preview: The five races we’ll be watching on television’s big night

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Two years after ‘Moonlight,’ Barry Jenkins has another emotional night in Toronto with ‘Beale Street’

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‘Widows’ is a heist thriller unlike any other — making its Oscar prospects uncertain

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‘Beautiful Boy’: Timothée Chalamet and Steve Carell are superb in a moving portrait of addiction and familial love

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TIFF 2018: Great Gyllenhaal, moving ‘Monsters’ and what should be South Korea’s first foreign language film nod

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They’re back: Past Oscar favorites are out in force this fall

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‘Black Panther’ is on the hunt for a best picture Oscar, no matter what happens with the ‘popular film’ prize

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Review: In ‘We the Animals,’ a young man finds his way in a tumultuous world

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Emmy predictions: ‘Versace’ and ‘The Tale’ stand out in the limited series, movie races

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Yvonne Strahovski finds a bubble of safety amid the ‘Handmaid’s’ horrors

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Sandra Oh on making Emmy history, ‘Killing Eve’ and the joy and grief in feeling recognized

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Early Emmy predictions: Look for a ‘Handmaid’s Tale’ repeat and a big night for ‘Atlanta’

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Glenn Close has never done things the easy way, and ‘The Wife’ is just the latest example

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How Elisabeth Moss spent her summer ‘vacation’: Four movies and a floor covering

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Emmy snubs and surprises: New faces are in, old institutions are out and Sandra Oh makes history

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