‘State Like Sleep’ Film Review: Katherine Waterston and Michael Shannon Float Through Enigmatic Neo-Noir

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‘All Is True’ Film Review: Kenneth Branagh’s Shakespeare Biopic Aims High, Falls Flat

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‘Dumplin” Film Review: Jennifer Aniston and Danielle Macdonald Deserve Trophies for Elevating Sentimental Dramedy

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‘Hunter Killer’ Film Review: Gerard Butler Stalks Around a Submarine in Passable Thriller

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‘Johnny English Strikes Again’ Film Review: Rowan Atkinson’s Third 007 Spoof is Shaky, Not Stirring

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‘Mid90s’ Film Review: Jonah Hill Scores Solid Directorial Debut With Coming-of-Age Indie

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‘The Kindergarten Teacher’ Film Review: Maggie Gyllenhaal Blurs Boundaries as an Art-Obsessed Educator

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‘Private Life’ Film Review: Kathryn Hahn and Paul Giamatti Shine as Would-Be Parents

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‘Little Women’ Film Review: Contemporary Take on Literary Classic Feels More Old-Fashioned Than the Original

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‘The Land of Steady Habits’ Film Review: Nicole Holofcener Turns Her Sharp Eye Toward Masculine Identity Crises

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‘Where Hands Touch’ Film Review: Amandla Stenberg Packs Emotion in Earnest Holocaust Drama

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‘Operation Finale’ Film Review: Strong Ensemble Infuses Passion Into Conventional Retelling of Adolf Eichmann’s Capture

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‘Madeline’s Madeline’ Film Review: Experimental Psychodrama Dives Deep, Surfaces With a New Star

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‘The Miseducation of Cameron Post’ Film Review: Chloë Grace Moretz Plays a Rebellious Lesbian Teen

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‘Unfriended: Dark Web’ Film Review: Horror Sequel Tosses Together Cache of Clichés

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‘All About Nina’ Film Review: Mary Elizabeth Winstead Kills as a Stand-Up With Issues

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‘In a Relationship’ Film Review: Emma Roberts and Michael Angarano Try to Liven Up Underwritten Characters

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‘Love, Gilda’ Film Review: Gilda Radner Lives Again in Touching Documentary

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