Why Todd Haynes and Ed Lachman Are the Most Important Collaboration in Cinema

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‘Wonderstruck’ Cinematographer Ed Lachman On Capturing “Mysterious World For Boys” Within Natural History Museum

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‘Wonderstruck’ Editor Affonso Gonçalves On The World You See, And The World You Hear

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‘Wonderstruck’ Production Designer Mark Friedberg On Crafting Film’s Memorable Miniatures Sequence

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Carter Burwell’s Music For ‘Wonderstruck’s Silence & Frances McDormand’s Warpath In ‘Three Billboards’ – Crew Call Podcast

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‘Three Billboards’ and ‘Lady Bird’ Stay Strong at Indie Box Office

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‘Wonderstruck’ Colorist Joe Gawler on How Film’s Multi-Period Look Was Created

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Sounds of Silence Ring Out as ‘Wonderstruck’ Depicts World of Deafness

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‘Wonderstruck’s Todd Haynes On Capturing The Deaf Experience – The Contenders London Video

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Inside the ‘Wonderstruck’ Design Team’s Cabinet of Wonders

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Four Mother-Daughter Movies Could Dominate Awards Season

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‘Wonderstruck’: How Carter Burwell’s Percussive Score Carries Two New York Stories Divided by 50 Years

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‘Wonderstruck’: How Costume Design Superstar Sandy Powell Boosted Todd Haynes’ Cinematic Tour de Force

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‘Wonderstruck’: Todd Haynes Blows Up Cinema, One Genre at a Time

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‘Killing of a Sacred Deer,’ ‘Wonderstruck’ Strike Big at Indie Box Office

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‘The Killing of a Sacred Deer,’ ‘Wonderstruck,’ and ‘Jane’ Lead Weak Specialty Box Office

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‘The Killing Of A Sacred Deer’ Slays Weekend; Doc ‘Jane’ Bows Solid – Specialty Box Office

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Camerimage Film Festival Includes ‘Mother!,’ ‘Wonder Wheel’ and ‘Wonderstruck’ in Main Competition

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‘The Killing Of A Sacred Deer’, Todd Haynes’ ‘Wonderstruck’ Bow This Weekend – Specialty B.O. Preview

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‘Wonderstruck’ Review: Todd Haynes Aims for Magic, But It’s Elusive

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‘Wonderstruck’ Director Todd Haynes Emphasizes Importance of Film’s Score: It’s ‘Almost a Character’

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