Beyond Christopher Nolan: ‘First Man’ Redefines In-Camera VFX

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‘Venom’: Going to VFX Extremes to Animate Tom Hardy’s Unexpected Superhero

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Volume of Effects-Heavy Movies Threatens Perception of VFX

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‘Stranger Things’: How VFX Made Season 2 ‘A Beautiful Hell’ By Introducing New, Scarier Monsters

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‘Westworld’: How the VFX Got Trippy in Season 2

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New Academy Software Foundation Seeks Major Tech Advances

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‘Game of Thrones’: How VFX Achieved the Impossible Mission ‘Beyond the Wall’

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Netflix’s ‘Altered Carbon’: VFX Shaped a Dystopian Cyberpunk World Beyond ‘Blade Runner’

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‘Ant-Man and the Wasp’: VFX Empowered the Clash Between The Wasp and Ghost

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‘The Terror’: Crafting the Perfect Period Monster for the 21st Century

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‘Solo: A Star Wars Story’: How Ron Howard’s VFX Team Realized the Infamous Kessel Run

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‘Lost in Space’: How They Made the Scene-Stealing Robot the Highlight of the Reboot

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‘Avengers: Infinity War’: Thanos is a Marvel VFX Game Changer

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Marvel’s 10 VFX Milestones that Lead to ‘Avengers: Infinity War’

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‘A Quiet Place’: How John Krasinski’s Horror Blockbuster Got its Badass Creature

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Martin Scorsese’s ‘The Irishman’ and Ang Lee’s ‘Gemini Man’ Are Changing the Face of Digital De-Aging

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‘A Wrinkle in Time’: Tackling VFX Was Ava DuVernay’s Most Daunting Challenge

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FilMart: China’s BaseFX Expands to Malaysia (EXCLUSIVE)

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‘Black Panther’: How VFX Helped Build the Afrofuturistic Look of Wakanda

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Visual Effects Oscar Nominees on Their Top Digital Secrets

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Technicolor to Open Major VFX Facility in South Australia

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