Film Review: ‘Ryuichi Sakamoto: Coda’

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Venice’s ‘The Wild Boys’ Acquired by U.S.’s Altered Innocence, MUBI (EXCLUSIVE)

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‘Everest’ Director Baltasar Kormakur Opens Iceland Studio, IMAX India Deals, Venice To Fete David Cronenberg — Global Briefs

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Venice Film Festival to Honor David Cronenberg With Lifetime Achievement Award

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Oscars: ‘Shape of Water’ Win Marks Awards Season Capstone for Venice Film Festival

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Bernardo Bertolucci on Fellow Italian Nonconformist Luca Guadagnino

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Guillermo del Toro Named Jury President of 2018 Venice Film Festival

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Guillermo Del Toro Returning To Venice Film Festival – As Jury President

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Distrib Films US Acquires Iranian Drama ‘No Date No Signature’ (EXCLUSIVE)

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Oscars 2018: Pete Hammond Breaks Down The Winners And Losers Of The Fall Festivals

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‘Three Billboards Outside Ebbing, Missouri’ Movie Review: Frances McDormand Is Bloody Funny

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‘My Generation’: Lionsgate UK Tunes Into Michael Caine’s Starry 60s London Doc

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Film Review: ‘My Generation’

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Film Review: ‘Pin Cushion’

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‘Loveless,’ ‘The Line,’ ‘Under the Tree’ Picked as Foreign-Language Oscar Candidates

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Film Review: ‘Thirst Street’

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Venice Winner ‘Nico, 1988’ Acquired By Magnolia Pictures

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‘Wonderstruck’ Trailer Strikes After Running Festival Gauntlet

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The Oscars Race After the Festivals: Are We Still Just Waiting for Spielberg?

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