‘Westworld’: How the VFX Got Trippy in Season 2

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‘The Crown’ Season 2 Added Color and the Swinging 60s to the Royal Realm

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Spike Lee’s ‘BlacKkKlansman’: Designing the Politics of Space

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From ‘Atlanta’ to ‘Twin Peaks,’ Here Are the Cameras and Lenses That Shot The Year’s Best TV Shows

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‘Game of Thrones’: Season 7 Costume and Production Design Defined Dany’s Quest for Power

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Oscar Changes Marginalize the Crafts, Say Members: ‘It’s a Disgrace!’

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‘Twin Peaks: The Return’: David Lynch’s Production Design Is an Extension of His Deeply Personal Paintings

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‘The Handmaid’s Tale’: Creating a ‘Bitter Earth’ Aesthetic for the Colonies in Season 2

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‘The Marvelous Mrs. Maisel’ Soundtrack Adds Bounce to Rachel Brosnahan’s ’50s Stand-Up Comic

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‘Mission: Impossible — Fallout’: How They Staged That Crazy Helicopter Battle

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‘Game of Thrones’: How VFX Achieved the Impossible Mission ‘Beyond the Wall’

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‘Westworld’: Making Shogun World a Mirror Image of the Western Theme Park

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‘Stranger Things’: Hawkins Gets More Colorful and the Upside Down Grows Darker in Season Two

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Netflix’s ‘Altered Carbon’: VFX Shaped a Dystopian Cyberpunk World Beyond ‘Blade Runner’

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‘Genius: Picasso’: Visualizing the Legendary Artist’s Life as a Painting

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‘Ant-Man and the Wasp’: VFX Empowered the Clash Between The Wasp and Ghost

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‘Patrick Melrose’: Editing and Music Bolstered the Emotional Turmoil of Benedict Cumberbatch’s Drug-Addled Rebel

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‘Timeless’ Embraces Costumes for the Ages, from Glam Hepburn to Abolitionist Tubman

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‘Godless’: The Secret Weapon of Scott Frank’s Netflix Series Is Its Sensitive Score

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‘Sicario: Day of the Soldado’ Director on Adding Violence and Compassion to the Immigration Crisis

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‘Jurassic World: Fallen Kingdom’: How J. A. Bayona and the VFX Team Channeled Classic Horror Movies

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