Gugu Mbatha-Raw’s ‘Fast Color’ Picked Up by Lionsgate’s Codeblack

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Taylor Schilling’s SXSW Comedy ‘Family’ Acquired By Film Arcade

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Garbage’s Shirley Manson and Chvrches’ Lauren Mayberry, Both Outspoken Feminists, to Keynote SXSW

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SXSW Pic ‘Unlovable’ Scores Orion Classics Deal For November Premiere

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Film News Roundup: Megan Griffiths Sets Independent Release for SXSW Teen Drama ‘Sadie’ (EXCLUSIVE)

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Hany Abu-Assad, ‘All Square’ Producers Join War Drama ‘A Brotherhood’

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Elle Fanning-Ben Foster Drama ‘Galveston’ Acquired by RLJE Films

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SXSW Entry ‘Perfect’ Acquired By Blockchain Studio SingularDTV

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Study: Male Indie Filmmakers Outnumber Women 2 to 1 at Major US Film Festivals

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Rachel Bloom on How ‘Most Likely to Murder’ Flips Seeing Women as Objects (Exclusive Video)

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Blue Fox Entertainment Boards Joey King SXSW Comedy ‘Summer 03’

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SXSW Thriller ‘What Keeps You Alive’ Acquired By IFC Midnight

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Film Festivals Face a #MeToo Dilemma: Should Accused Harassers Be Banned?

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‘Gemini’ Film Review: Lola Kirke’s Celeb Assistant Turns Sleuth in Twisty Tinseltown Tale

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SXSW: Emily Blunt, Jeffrey Wright, & More Discuss Their Favorite Underrated Movies

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SXSW Film Review: ‘Elizabeth Harvest’

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SXSW Film Review: ‘Sadie’

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Bill Hader on His ‘Terrible’ Anxiety Shooting ‘SNL’: ‘I Actually Had a Doctor Say, You Should Drink’ (Video)

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SXSW Film Review: ‘First Match’

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‘The New Romantic’ Director Carly Stone, An SXSW Winner, Inks With ICM Partners

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