Brie Larson Calls for More Film Critics of Color: ‘I Don’t Want to Hear What a White Man Has to Say’

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John Cho Hunts for Missing Daughter in Suspenseful First Trailer for ‘Searching’ (Video)

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Study: Male Indie Filmmakers Outnumber Women 2 to 1 at Major US Film Festivals

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Sundance Docs ‘M.I.A’ & ‘Kusama’ Score Distribution Deals In Europe, Asia

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Paul Rudd’s ‘The Catcher Was a Spy’ Picked Up by IFC Films

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‘Tyrel’ Editor Sofia Subercaseaux Explains How Adobe Premiere Helped Her Make Her Latest Sundance Hit With Sebastián Silva

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‘Frankenstein AI: A Monster Made by Many’ Is Here to Assuage Your Fears of Artificial Intelligence — Watch

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Does America Need Its Own Cannes Competition? — Analysis

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Jason Mitchell’s ‘Tyrel’ Sells to Magnolia Pictures

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‘Beast’ Unleashes US Official Trailer Before Theatrical Bow

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‘Roxanne Roxanne’ Film Review: Roxanne Shanté Biopic Celebrates Rapper as Artist, Survivor

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Rachel Song Launches Chinese-Language Label XS Productions

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Sundance Favorite ‘Hearts Beat Loud’ Scores Summer Release Date (EXCLUSIVE)

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Didn’t Get That Theatrical Deal? The Sundance Creative Fellowship Wants You to Consider Self-Distribution

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Sundance, SXSW Comedy ‘Never Goin’ Back’ Sells to A24

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Sundance Award-Winning Doc ‘Shirkers’ Lands at Netflix

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Sundance Award Winners Lead 2018 New Directors/New Films

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‘Black Panther,’ ‘Mudbound’ DP Rachel Morrison on Her Groundbreaking Oscar Nod

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Netflix Acquires Nick Offerman’s Animated Movie ‘White Fang’

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Andrea Riseborough’s ‘Nancy’ Sells to Samuel Goldwyn Films

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