Sebastián Lelio On ‘Gloria Bell’, His English-Language Remake Of His 2013 Breakout Hit ‘Gloria’ – Toronto Studio

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Toronto 2018: Here’s Every Movie Sold So Far, From ‘Wild Rose’ to ‘Stan & Ollie’

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Toronto So Far: ‘First Man’ and ‘A Star Is Born’ Lead a Crop of Films With Heart and Dazzle

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Toronto Film Review: Julianne Moore in ‘Gloria Bell’

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‘Gloria Bell’ Film Review: Julianne Moore Shines Quietly in Remake of Chilean Drama

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Julianne Moore’s ‘Gloria Bell’ Lands at A24 Ahead of Toronto Film Festival

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Paul Greengrass, Jonah Hill Movies Part of Huge Addition to Toronto Film Festival Lineup

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Chile Feels the Oscar Effect After Sebastian Lelio Win for ‘A Fantastic Woman’

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Rachel Weisz Talks Filming Lesbian Sex in ‘Disobedience’: Sebastián Lelio ‘Doesn’t Objectify, He Subjectifies’

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‘Disobedience’ Film Review: Two Rachels Don’t Make a Right in Unfocused Drama

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‘Disobedience’ Star Rachel Weisz On Film’s Depiction Of “Hidden, Secret Community” — Tribeca Studio

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How This Year’s Oscars Became a Feminist Game Changer (Guest Blog)

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‘A Fantastic Woman’ Historic Oscar Win Reignites Gender Identity Bill in Chile

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Oscars: 5 Things You Didn’t See on TV, From Kobe Bryant to Sam Rockwell’s Barney Fife Inspiration

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Oscars: ‘A Fantastic Woman’ Director Sebastián Lelio on Why Casting a Transgender Actress Was Essential

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‘A Fantastic Woman’ Scores Chile’s First Foreign Language Oscar Win

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Three Questions: A Conversation With This Year’s Best Foreign Language Film Nominees

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‘A Fantastic Woman’ Star Daniela Vega Creates History

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‘Shape of Water,’ ‘Three Billboards’ Push Fox Searchlight to Biggest Screen Count in Studio History

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‘Disobedience’ Trailer: Rachel Weisz And Rachel McAdams Get Entangled In Forbidden Love Affair

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‘A Fantastic Woman’ Film Review: Chile’s Oscar Entry Tells Powerful Trans Tale

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