‘Electric Dreams’ Production Designer Julie Berghoff Explains Anthology Series Challenges & Her Visions Of The Future

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How ‘Altered Carbon’ Production Designer Carey Meyer Built Bay City’s Sprawling Main Street For Sci-Fi Series

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‘Black Mirror’: Meet the Only Person Charlie Brooker Trusts to Work on Every Episode

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How ‘The Orville’s Production Designer Created The Two-Story Spaceship For “Aspirational” Series – Production Value Video Series

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Production Designer Dennis Gassner Gets His “All-In,” ‘Lawrence Of Arabia’ Moment With ‘Blade Runner 2049’

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‘Black Panther’: How Wakanda Got a Written Language as Part of its Afrofuturism

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Inside Guillermo del Toro’s ‘The Shape of Water’ Fantastical Production Design: Oscars 2018

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Oscars 2018: The Design Team Behind ‘Darkest Hour’ and ‘Beauty and the Beast’

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Production Designer Jade Healy Brought Her Own Figure Skating Experience To Bear On ‘I, Tonya’

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‘The Shape Of Water’ Production Designer On Crafting Satisfying Visual Experience For Ultimate Visual Storyteller

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‘The Post’ Production Designer Rick Carter On Designing A Working Newsroom For Timely Drama

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Production Designer Chris Jones On Finding Layers Of History Within ‘Lady Bird’s Scouted Environments

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‘The Florida Project’ Production Designer On Tracking Down Dreamy Pastel-Colored Locations For Dark Fairy Tale

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How Production Designer Dennis Gassner Went Back To The Future With ‘Blade Runner 2049’ – Crew Call Podcast

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‘The Post’: Director Steven Spielberg Turned His Journalism Thriller into a Film Production Metaphor

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‘Wonder Wheel’ Production Designer On The Artist Who Has Breathed New Life Into Woody Allen’s Films

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‘Wonderstruck’ Production Designer Mark Friedberg On Crafting Film’s Memorable Miniatures Sequence

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‘The Shape of Water’: Guillermo Del Toro Takes You Inside the Best-Designed Film of 2017

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‘Dunkirk’ Production Designer Nathan Crowley On “Rawness, Simplicity & Brutalism” Of World War II Epic

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‘Suburbicon’ Production Designer On Cobbling Together Idyllic ’50s Suburb Out Of Disparate SoCal Locations

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‘Three Billboards’ Production Designer Inbal Weinberg On Martin McDonagh’s Unique Approach To Screen Language

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