The Key to Israeli Oscar Entry ‘The Cakemaker’: Making Someone Else’s Story Personal

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How the Film School Director of ‘Yomeddine’ Turned 2 Illiterate Amateurs Into Actors

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‘Donbass’ Director: My Film’s Grotesque Corruption Isn’t Just in Ukraine, It Reaches Around the World

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How ‘Crystal Swan’ Told an Edgy Story in a Repressive Country

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How Palme d’Or Winner ‘Shoplifters’ Made ‘The Invisible People’ Visible

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‘Vice’ Screens for Critics; Now, Christian Bale and Amy Adams Will Vie For Awards

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‘Village Rockstars’ Director Says Her Acting Struggles Helped Her Oscar Contending Film

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Why Kosovo’s Gay Rights Film ‘The Marriage’ Shocked Its Own Director When It Was Released

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Oscars: Christian Bale Leaps Into the Lead Actor Race With Adam McKay’s Sobering ‘Vice’

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How Oscar Favorite ‘Cold War’ Turned a Personal Story Into a Sweeping Epic

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‘Champions’ Director Says Disabled Actors Rewrote His Hit Spanish Movie

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How ‘Dogman’ Took a Revenge Story and Added a Touch of Buster Keaton

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Notes On The Season: Oscar Race’s Crazy Weekend; ‘Mary’s’ Two Queen Contenders; Indie Spirits Go Really Indie

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‘The Guilty’ Offers a Recipe for an Unconventional Thriller: One Location and Lots of Imagination

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Women Rule the Indie Spirit Nominations, But Will Oscars Follow?

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‘Roma’: Here’s How Alfonso Cuarón Can Really Disrupt the Oscar Race

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Peter Bart: Oscar Campaign Gurus Already Warning Of Q&A Minefields

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‘The Favourite’ Dominates BIFA Craft Awards With 5 Big Wins

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Filmmaker Teemu Nikki’s Inspiration For Finland’s Oscar Entry ‘Euthanizer’: “I Wanted To Make ‘Dirty Harry’ With Animals”

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‘A Twelve-Year Night’ Director On Exploring How To Stay Human When Your Humanity Is Taken Away – Awardsline Screening Series

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Can Barrier-Breaking ‘Black Panther’ Become The First Superhero Movie Nominated For Best Picture?

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