Refinery29 to Partner With Neon to Expand Into Feature Films

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Neon Buys ‘Apollo 11’ Moon Landing Documentary

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Neon Goes Theatrical With CNN Films Space Event Doc ‘Apollo 11’, First Teaser Trailer

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‘Apollo 11’ Trailer: Moon Landing Documentary Features Never-Before-Seen Footage of the Death-Defying Mission

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Neon Acquires 1986 Tonya Harding Docu ‘Sharp Edges’, Plans One-Week Run

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‘Assassination Nation’ Red-Band Trailer Comes Complete With Trigger Warnings

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Tessa Thompson Western ‘Little Woods’ Roped in by Neon

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‘Border’ Takes Top Un Certain Regard Prize; ‘Girl’s Victor Polster Tapped Best Performance – Cannes

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How 30West Is Fueling Indie Films & Progressive Media Businesses— Deadline Disruptors

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Neon Picks Up Troll Love Story ‘Border’

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NEON Makes First Cannes 2018 Purchase With Ali Abbasi’s Acclaimed ‘Border’

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‘Monsters and Men’ Trailer: Sundance Award-Winner Follows Police Shooting of Unarmed Black Man

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‘Monsters And Men’ Trailer: NEON’s Sundance Drama Captures The Moment

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‘Netflix is My Biggest Competitor’: NEON Founder Tom Quinn on Making ‘I, Tonya’ Into a Hit and the Company’s Future

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‘This One’s For The Ladies’ Docu Scores NEON Deal – SXSW

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Neon Grabs Global Rights to Strip Joint Doc ‘This One’s for the Ladies’

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‘I, Tonya’ Bodyguard Explains Why He Was Kicked Out of Alamo Drafthouse in Funny PSA — Exclusive

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‘Assassination Nation’ Review: A Deranged Teen-Revenge Movie For the #MeToo Age — Sundance 2018

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Neon Lights Up Sundance With Big Money, Big Acquisitions

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Sundance: Neon Buys ‘Three Identical Strangers’

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‘Three Identical Strangers’ Docu Scores NEON Deal – Sundance

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