‘Mudbound’ Producer: ‘The Marketplace is More Receptive to Diverse Content’

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Biggest Oscar Snubs and Surprises Include ‘Lady Bird,’ ‘This Is Me’

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Dee Rees Electrifies While Accepting Robert Altman Award For ‘Mudbound’

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Peter Bart: Ad Spending Soars In Oscar Season Thanks To New Players, Lack Of Frontrunners (And Despite No Harvey)

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All the Oscar-Nominated Movies You Can Watch at Home Right Now

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Dee Rees’ First Post-‘Mudbound’ Project Is a Sci-Fi Short That Reunites Her With Mary J. Blige and Rachel Morrison

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Common, Pasek and Paul, Diane Warren Reveal Inspiration Behind Oscar-Nominated Songs

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‘Mudbound’ Cinematographer Rachel Morrison Makes Oscar History, Capturing Filmic Look Through Digital Processes

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Humanitas Prize Winners Include ‘Mudbound’, ‘The Post’ & ‘Lady Bird’

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Newly Diversified Academy Ranks Favor Inclusion But Does Platform Bias Still Exist?

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Oscars: From ‘Get Out’ to ‘Mudbound,’ Sundance Titles Made a Big Impact This Year

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Oscars: Female Nominees Tie Record For Most In One Year

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‘Mudbound’s Mary J. Blige Reflects On Pair Of Oscar Nominations & #MeToo Era: “Progress Is Happening”

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‘Mudbound’s Dee Rees Makes Oscar History As 1st Black Woman Nominated For Best Adapted Screenplay

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Oscars 2018: ‘The Shape of Water’ Dominates Crafts, But Cinematographer Rachel Morrison Makes History

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Oscars Nominate First Female Cinematographer: Rachel Morrison for ‘Mudbound’

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Oscars 2018: 6 Craft Snubs We Don’t Want to See on Nominations Morning

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Playback: Dee Rees on ‘Mudbound’ and Her Trump-Inspired ‘Electric Dreams’ Episode

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‘Mudbound’ Producer Cassian Elwes Inks First-Look TV Deal at Lionsgate

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USC Scripter Awards Nominations: Ties Make For Loaded Flim & TV Field

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‘Mudbound’: Rachel Morrison’s Cinematography Could Change Oscar History

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