Joaquin Phoenix and John C. Reilly bicker, bond, and chase a bounty as The Sisters Brothers

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Eli Roth, of all directors, brings Amblin magic to the kid-lit horror of The House With A Clock In Its Walls

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For a tale full of blood and sexual tension, Lizzie is awfully dull

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Peter Dinklage and Elle Fanning spin their wheels in the hollow post-apocalyptic drama I Think We’re Alone Now

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‘Life Itself’ Film Review: Dan Fogelman’s Roided-Out Tearjerker Is Darkly Satisfying

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1989 called, and it wants its Predator sequel back

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‘Sunset’ Film Review: ‘Son of Saul’ Director Keeps His Characters, and Audience, Off Balance

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Tradition and technology collide in the spellbinding, bone-dry satire of I Am Not A Witch

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The Nun is loud, lurid, and more than a little silly—and that’s what makes it fun

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The Little Stranger isn’t scary, but it is a supremely elegant riff on Gothic horror

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Puppet jizz movie The Happytime Murders is a comedy with blue balls

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Summer Of ’84 is an undercooked reminder of how good Stranger Things really is

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A teenager uses art as therapy in the arresting, self-devouring Madeline’s Madeline

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Spike Lee’s messy, funny BlacKkKlansman clowns on the dipshit thugs of skinhead America

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Angsty teens deserve better than the bootleg-X-Men melodrama of The Darkest Minds

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Fallout may be the most breathlessly intense Mission: Impossible adventure yet

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Dark Web has more sadistic, inventive fun with Unfriended’s online-horror premise

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Eighth grade sucks. Eighth Grade doesn’t.

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Just in time for Independence Day, The First Purge pulls more thrills from America’s ills

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Leave No Trace is a moving return to backwoods drama for Winter’s Bone director Debra Granik

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Well, at least Uncle Drew isn’t a feature-length Pepsi commercial

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