Eighth grade sucks. Eighth Grade doesn’t.

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Just in time for Independence Day, The First Purge pulls more thrills from America’s ills

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Leave No Trace is a moving return to backwoods drama for Winter’s Bone director Debra Granik

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Well, at least Uncle Drew isn’t a feature-length Pepsi commercial

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The King brilliantly traces the life of Elvis to discover where the country went wrong

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Tag turns male friendship into a petty, elaborate, sometimes amusing game

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The Baltimore ex-con drama Sollers Point may be too realistically restrained for its own good

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The Overboard remake is as romantic as a wine glass of warm tap water

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If only the crime-romance Racer And The Jailbird moved as fast as its cars

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William Friedkin’s ridiculous documentary The Devil And Father Amorth is almost trashy enough to be funny

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Super Troopers 2 is a waste of a high

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A theater hit, the horror anthology Ghost Stories fails to translate its scares to the big screen

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Blumhouse dares to be stupid with the contrived teen horror of Truth Or Dare

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John Krasinski does his best Shyamalan with the shivery good fun of A Quiet Place

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Don’t expect any Black Stallion magic from Lean On Pete’s shatteringly sad boy-and-his-horse story

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Lynn Shelton’s ex-con drama Outside In proves that not all Duplasses are created equal

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Steven Spielberg finds fun and maybe even a soul in the pandering pastiche of Ready Player One

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On an Isle Of Dogs, Wes Anderson uses stop-motion to construct one of his most wondrous worlds

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Roxanne Roxanne takes an unconventional approach to the life of a legendary female rapper

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I Can Only Imagine devoting an entire movie to one bad song

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Turns out that a boring Tomb Raider movie might be worse than a really dumb and silly one

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