‘Star Wars’ Composer John Williams to Quit Franchise After Episode IX

John Williams says that “Star Wars: Episode IX” will be the last movie in the franchise he will score.

“We know J.J. Abrams is preparing one [‘Star Wars’ movie] now that I will hopefully do next year for him,” Williams said on radio station KUSC. “I look forward it. It will round out a series of nine, that will be quite enough for me.”

Williams has scored eight “Star Wars” films to date: “Star Wars,” “The Empire Strikes Back,” “Return of the Jedi,” “Phantom Menace,” “Attack of the Clones,” “Revenge of the Sith,” “The Force Awakens” and “The Last Jedi.”

Also Read: John Williams Earns 51st Oscar Nomination for ‘Star Wars: The Last Jedi’ Score

2016’s “Rogue One” score was scored by Michael Giacchino, while John Powell is set to score this year’s “Solo: A Star Wars Story.”

Williams’ other credits include “Jaws,” “Indiana Jones, “Catch Me If You Can,” “Munich,” “Minority Report” and “Harry Potter.” He has received 51 Oscar nominations for his music, and he won in 1994 for “Schindler’s List,” in 1983 for “E.T. the Extra-Terrestrial” and in 1978 for “Star Wars.” In 1976, he won the Oscar for “Jaws” and in 1972, he received the award for “Fiddler on the Roof.”

Also Read: Composer John Williams to Write Theme for ‘Solo: A Star Wars Story’

“Episode IX” will be directed by Abrams and will serve as the conclusion of the latest “Star Wars” trilogy. Daisy Ridley, Adam Driver, Oscar Isaac and John Boyega are expected to return when the film hits theaters on December 20, 2019.

Listen to Williams’ radio interview here.

Related stories from TheWrap:

11 Things We Learned at AFI Tribute to John Williams

Composer John Williams to Receive AFI Life Achievement Award

John Williams, Howard Shore, ‘Man or Muppet’ Nominated for World Soundtrack Awards

John Williams says that “Star Wars: Episode IX” will be the last movie in the franchise he will score.

“We know J.J. Abrams is preparing one [‘Star Wars’ movie] now that I will hopefully do next year for him,” Williams said on radio station KUSC. “I look forward it. It will round out a series of nine, that will be quite enough for me.”

Williams has scored eight “Star Wars” films to date: “Star Wars,” “The Empire Strikes Back,” “Return of the Jedi,” “Phantom Menace,” “Attack of the Clones,” “Revenge of the Sith,” “The Force Awakens” and “The Last Jedi.”

2016’s “Rogue One” score was scored by Michael Giacchino, while John Powell is set to score this year’s “Solo: A Star Wars Story.”

Williams’ other credits include “Jaws,” “Indiana Jones, “Catch Me If You Can,” “Munich,” “Minority Report” and “Harry Potter.” He has received 51 Oscar nominations for his music, and he won in 1994 for “Schindler’s List,” in 1983 for “E.T. the Extra-Terrestrial” and in 1978 for “Star Wars.” In 1976, he won the Oscar for “Jaws” and in 1972, he received the award for “Fiddler on the Roof.”

“Episode IX” will be directed by Abrams and will serve as the conclusion of the latest “Star Wars” trilogy. Daisy Ridley, Adam Driver, Oscar Isaac and John Boyega are expected to return when the film hits theaters on December 20, 2019.

Listen to Williams’ radio interview here.

Related stories from TheWrap:

11 Things We Learned at AFI Tribute to John Williams

Composer John Williams to Receive AFI Life Achievement Award

John Williams, Howard Shore, 'Man or Muppet' Nominated for World Soundtrack Awards

Oscar Parties 2018: The Top Invites, Events and Nominee Gatherings

This preview focuses on private, invite-only events aimed at a professional industry audience of stakeholders in the Academy Awards.

As soon as Oscar voting closes on Tuesday, Feb. 27 at 5 p.m. PST, the Academy’s prohibition on “non-screening events” ends. Party season begins again. Here’s a first look at the top gatherings of nominees and creative ensembles before and after Jimmy Kimmel hosts the big show on Sunday, March 4.

Also Read: Academy to Eliminate Paper Balloting at Next Year’s Oscars

The Oscar Concert with the Los Angeles Philharmonic
Walt Disney Concert Hall

Logline: The great Michael Giacchino (an Oscar-winning Academy Governor) led a team making fresh arrangements of this year’s nominated scores. The L.A. Phil will perform them live with film clips.

Tickets: Unlike everything else from here down, this is open to the public. Tickets start at $43.

Vanity Fair, Barneys New York, and Sony Pictures Classics’ Cocktail Party
Chateau Marmont

Logline: Cocktail with one of the season’s buzziest films, “Call Me by Your Name,” while servicing one of the mag’s many advertising clients touching Oscar week.

Global Green’s 15th Anniversary Oscar Party
Neuehouse Hollywood

Logline: The CEO of the Leonardo DiCaprio Foundation will be honored but the Oscar-winning environmentalist himself is not expected. Stepping into the spotlight instead: Sophia Bush, Elisabeth Röhm, Sharon Lawrence and Ed O’Neill.

Thursday, March 1

Cadillac Celebrates the 90th Academy Awards
Chateau Marmont

Logline: Michael Patrick’s soiree always draws a mix of familiar faces (Zoe Saldana, Christoph Waltz, Naomi Watts, Joel McHale) and some news ones (Angela Sarafyan, Jay Ellis) at one of the most social industry gatherings of the week.

Connection: As the Academy’s official wheels, Cadillac will be shuttling nominees and presenters across town all week to many of the events listed below.

Gersh Oscar Party
Chateau Marmont Penthouse

Logline: The agency and Tequila Don Julio 1942 will raise a glass to the agency’s nominees Allison Janney, Sam Rockwell and Richard Jenkins.

Lookout: I don’t envy the elegant face of the Chateau, Anya Varda, and her team that night. March is coming in like a lion.

Also Read: ‘Faces Places’ Director JR Explains Agnes Varda Cardboard Cutout at Oscars Luncheon (Video)

Vanity Fair and Lancôme Paris Toast Women in Hollywood
Soho House

Logline: Oscar week doubles as a debut for Graydon Carter’s successor, new top editor Radhika Jones. The high-end cosmetics brand will make a donation to Time’s Up on behalf of the guests, who include Ava DuVernay.

Universal, Focus Features and DreamWorks Animation Oscar Nominee Celebration Dinner
Spago

Gary Oldman and Leo DiCaprio buddied up at the Chateau at a party for “Darkest Hour” earlier this awards season. (Focus Features)

Logline: There’a pile of nominees and nominations here with Focus having a banner year (“Darkest Hour,” “Phantom Thread,” and “Victoria & Abdul”).  A year ago, Universal was not scheduling Oscar week plans for “Get Out,” but after Jordan Peele’s commercial and critical hit took off, that all changed.

Friday, March 2

British Consul General Michael Howells’ Film is Great Reception
British Consul General’s Residence in Hancock Park

Logline: Don’t tell the ultra-nationalist xenophobes. The foreigners are already here.

There are U.K.-born nominees in 17 of the 24 Oscar categories and representation in five of the top races: Best Picture (“The Darkest Hour,” “The Phantom Thread,” “Three Billboards Outside Ebbing, Missouri”), Best Actress (Sally Hawkins), Supporting Actress (Lesley Manvill), Best Actor (Daniel Kaluuya, Daniel Day Lewis, Gary Oldman), and Director (Christopher Nolan).

Feature: Host Michael Howells gave one of the best speeches of this awards season at BAFTA’s Golden Globes weekend Tea Party. Take note and shut up when he addresses his backyard.

Also Read: Royal Wedding Chatter at BAFTA: Hollywood-Royal Merger ‘Is Great News’ (Photos)

Pours: Even the bar is British. Sponsors include Silent Pool Gin, Aberlour Whiskey, Chapel Down (English Sparkling Wine), Seedlip (non-alcoholic spirit) and Fever Tree tonics.

Emma Stone hosts Women in Film’s Celebration of the 2018 Female Oscar Nominees
Crustacean, Beverly Hills

Power Women: Emma Stone and Patty Jenkins in a Party Report file photo from the AFI Life Achievement Award. (Michael Kovac/Getty Images)

Logline: The reigning Best Actress winner (and in the famous flub, also announced as the Best Picture winner) joins Women in Film president Cathy Schulman and the community of female nominees from both sides of the camera.

The industry’s reckoning of institutionalized gender inequality and systemic sexual assault engulfed Hollywood, and Schulman’s been sounding the alarm for years. How WiF addresses the state of the industry on its biggest weekend will set the tone for what happens as as we turn the page to a new “industry year.”

Also Read: ‘Crashing’ Star Jamie Lee on Comedy in the #MeToo Era: ‘Things Are Not That Funny Right Now’ (Video)

WME
Friday evening, Private Residence

Who’s Who: Kobe Bryant, the champ of this year’s Oscars gatherings, should be there. Add nominees Denzel Washington, Octavia Spencer, Laurie Metcalf, Guillermo del Toro, Dee Rees, Christopher Nolan, Luca Guadagnino, Hans Zimmer, James Mangold and Michael Green to the list and call it a top crowd.

Bonus: The agency will also raise a glass to nominated projects “Call Me by Your Name,” “Mudbound” and “The Square,” all of which hail from Endeavor Content.

Saturday, March 3

Film Independent Spirit Awards
A Tent on the Beach: 1550 Pacific Coast Highway Lot 1 North Santa Monica

(Mikey Glazer)

Logline: The industry’s booziest daytime bash of the year. Everyone heeds Film Independent President Josh Welsh’s mantra to “leave the thank-you notes at home,” adding to a celebratory day that begins in the lounges outside the main tent as early as 11 a.m.

Sony Pictures Classics Annual Oscar Nominees Dinner
Nordstrom Local on Melrose Place in West Hollywood

January 2017 at Sundance: Luca Guadagnino, Michael Stuhlbarg, Timothée Chalamet, Armie Hammer, Walter Fasano (TheWrap)

Why they will be smiling: This is the finish line. The “Call Me by Your Name” troika — Timothée Chalamet, Armie Hammer, and director Luca Guadagnino — end the 14-month promotional tour that started back at Sundance 2017.

Other Nominees: SPC will also toast its two foreign language nominees, “A Fantastic Woman” (from Chile) and “Loveless” (from Russia).

MPTF’s Annual “Night Before”
Fox Studios

Logline: The MPTF is where the gatekeepers and power brokers in the industry convene on the night before the Oscars. This is an invite worth fighting for. Make a big donation and step in to Jeffrey Katzenberg’s circle.

Sign of the times: YouTube joins the list of blue-chip corporate sponsors.

Oscars Viewing Parties on Sunday, March 4

*Top Invite* – 2018 Elton John AIDS Foundation Academy Awards Viewing Party
Custom built complext in West Hollywood Park

Logline: The most choice invite if you’re not seated in the first 15 rows of the Kodak Theatre itself.

Do: drink top-shelf champagne and feast on cuisine from a Michelin three-star restaurant in Spain with a great cross section of Hollywood.

Don’t: Don’t try to take any pictures of Sir Elton or stand too close to his head table. You may be excused for asking frequent guest Robert Kraft what happened in the Super Bowl. By 8:45 or so, trophy winners start pouring in as the telecast on screen comes to you.

Charity Component: Contributing to the EJAF mission, presenting sponsor BVLGARI is donating a 13 carat white gold diamond necklace, the “BVLGARI DIVISSIMA” to the live auction.

Wow Booking: Greta Van Fleet. This is a return to prime form for the EJAF, welcoming a big up-and-coming band heralded as a savior of guitar rock, not a nostalgia act. Because all 42 of the headlining dates on their first U.S. tour sold out in advance and they’re headed to Coachella, the four Michigan boys are a choice dessert on the evening.

Byron Allen’s Second Annual Entertainment Studios Gala
Beverly Wilshire

Logline: Katy Perry and Jamie Foxx will perform at the benefit for Children’s Hospital Los Angeles. Last year’s inaugural event raised $1 million, and “Byron hopes to raise even more again this year,” a rep for Entertainment Studios tells the Party Report.

Also Read: Oscars Box Office: Can Best Picture Contenders Turn Nominations Into Big Bucks?

IMDb Live Viewing Party
Neuehouse in Hollywood

Logline: This is part party, part live broadcast. Dave Karger, Kevin Smith and other IMDb talent will provide live commentary on the show that will stream across IMDb platforms.

Guests: About 300 industry types.

Notables: Last year, Issa Rae and Aisha Tyler were among the crowd about a mile away from the actual show.

Mercedes-Benz Viewing Party
Four Seasons, Beverly Hills

Logline: The Four Seasons is an Oscars week base camp, so this is sort of like watching the golf tournament from the clubhouse. Last year was a mixed bag of names from Housewives (Kandi Burruss) to 1980s basketball star Ralph Sampson, to ESPN’s man in L.A., Stan Verrett.

Also Read: Syria Blocks ‘Last Men In Aleppo’ Producer and Subject from Attending Oscars

Nordstrom Local Oscar Viewing Party for the Fashion Industry
Nordstrom Local on Melrose Place in West Hollywood

Logline: With New York’s fashion week two weeks in the rearview mirror, the style set can kick back here before hitting the after parties.

Oscars After-Parties

The Academy’s Governors Ball
Dolby Ballroom above the Dolby Theatre at Hollywood and Highland

Logline: They have a lot of “make-up” homework to do after last year’s Governors Ball drowned in the surreal wake of the Oscars envelope flub.

Vanity Fair Oscar Party
Wallis Annenberg Center in Beverly Hills

Radhika Jones (Larry Busacca/Getty Images)

Logline: It’s the first outing for new Editor-in-Chief Radhika Jones (above). She steps into the bridge of a ship that Graydon Carter built and is already making waves. On Feb. 15, a round of layoffs included Jane Sarkin and Beth Kseniak, two founding mothers of VF Oscar night that has been the “toughest invite in town” over the past 24 years.

Also Read: Editor Purge at Vanity Fair, Glamour: More Than 15 Ousted

On the brighter (or sadder?) side of “recently separated” news, single Jennifer Aniston should be there. Forget the Brad Pitt sequel rumors. Please, let her show up with Angelina Jolie.

Details on other late night soirees to come.

Please send invites, updates, and details to the party and event contributor Mikey Glazer here.

Related stories from TheWrap:

Academy to Eliminate Paper Balloting at Next Year’s Oscars

Syria Blocks ‘Last Men In Aleppo’ Producer and Subject from Attending Oscars

‘Faces Places’ Director JR Explains Agnes Varda Cardboard Cutout at Oscars Luncheon (Video)

Kobe Bryant, Diversity Talk Dominate Oscar Nominees Luncheon

This preview focuses on private, invite-only events aimed at a professional industry audience of stakeholders in the Academy Awards.

As soon as Oscar voting closes on Tuesday, Feb. 27 at 5 p.m. PST, the Academy’s prohibition on “non-screening events” ends. Party season begins again. Here’s a first look at the top gatherings of nominees and creative ensembles before and after Jimmy Kimmel hosts the big show on Sunday, March 4.

The Oscar Concert with the Los Angeles Philharmonic
Walt Disney Concert Hall

Logline: The great Michael Giacchino (an Oscar-winning Academy Governor) led a team making fresh arrangements of this year’s nominated scores. The L.A. Phil will perform them live with film clips.

Tickets: Unlike everything else from here down, this is open to the public. Tickets start at $43.

Vanity Fair, Barneys New York, and Sony Pictures Classics’ Cocktail Party
Chateau Marmont

Logline: Cocktail with one of the season’s buzziest films, “Call Me by Your Name,” while servicing one of the mag’s many advertising clients touching Oscar week.

Global Green’s 15th Anniversary Oscar Party
Neuehouse Hollywood

Logline: The CEO of the Leonardo DiCaprio Foundation will be honored but the Oscar-winning environmentalist himself is not expected. Stepping into the spotlight instead: Sophia Bush, Elisabeth Röhm, Sharon Lawrence and Ed O’Neill.

Thursday, March 1

Cadillac Celebrates the 90th Academy Awards
Chateau Marmont

Logline: Michael Patrick’s soiree always draws a mix of familiar faces (Zoe Saldana, Christoph Waltz, Naomi Watts, Joel McHale) and some news ones (Angela Sarafyan, Jay Ellis) at one of the most social industry gatherings of the week.

Connection: As the Academy’s official wheels, Cadillac will be shuttling nominees and presenters across town all week to many of the events listed below.

Gersh Oscar Party
Chateau Marmont Penthouse

Logline: The agency and Tequila Don Julio 1942 will raise a glass to the agency’s nominees Allison Janney, Sam Rockwell and Richard Jenkins.

Lookout: I don’t envy the elegant face of the Chateau, Anya Varda, and her team that night. March is coming in like a lion.

Vanity Fair and Lancôme Paris Toast Women in Hollywood
Soho House

Logline: Oscar week doubles as a debut for Graydon Carter’s successor, new top editor Radhika Jones. The high-end cosmetics brand will make a donation to Time’s Up on behalf of the guests, who include Ava DuVernay.

Universal, Focus Features and DreamWorks Animation Oscar Nominee Celebration Dinner
Spago

Gary Oldman and Leo DiCaprio buddied up at the Chateau at a party for “Darkest Hour” earlier this awards season. (Focus Features)

Logline: There’a pile of nominees and nominations here with Focus having a banner year (“Darkest Hour,” “Phantom Thread,” and “Victoria & Abdul”).  A year ago, Universal was not scheduling Oscar week plans for “Get Out,” but after Jordan Peele’s commercial and critical hit took off, that all changed.

Friday, March 2

British Consul General Michael Howells’ Film is Great Reception
British Consul General’s Residence in Hancock Park

Logline: Don’t tell the ultra-nationalist xenophobes. The foreigners are already here.

There are U.K.-born nominees in 17 of the 24 Oscar categories and representation in five of the top races: Best Picture (“The Darkest Hour,” “The Phantom Thread,” “Three Billboards Outside Ebbing, Missouri”), Best Actress (Sally Hawkins), Supporting Actress (Lesley Manvill), Best Actor (Daniel Kaluuya, Daniel Day Lewis, Gary Oldman), and Director (Christopher Nolan).

Feature: Host Michael Howells gave one of the best speeches of this awards season at BAFTA’s Golden Globes weekend Tea Party. Take note and shut up when he addresses his backyard.

Pours: Even the bar is British. Sponsors include Silent Pool Gin, Aberlour Whiskey, Chapel Down (English Sparkling Wine), Seedlip (non-alcoholic spirit) and Fever Tree tonics.

Emma Stone hosts Women in Film’s Celebration of the 2018 Female Oscar Nominees
Crustacean, Beverly Hills

Power Women: Emma Stone and Patty Jenkins in a Party Report file photo from the AFI Life Achievement Award. (Michael Kovac/Getty Images)

Logline: The reigning Best Actress winner (and in the famous flub, also announced as the Best Picture winner) joins Women in Film president Cathy Schulman and the community of female nominees from both sides of the camera.

The industry’s reckoning of institutionalized gender inequality and systemic sexual assault engulfed Hollywood, and Schulman’s been sounding the alarm for years. How WiF addresses the state of the industry on its biggest weekend will set the tone for what happens as as we turn the page to a new “industry year.”

WME
Friday evening, Private Residence

Who’s Who: Kobe Bryant, the champ of this year’s Oscars gatherings, should be there. Add nominees Denzel Washington, Octavia Spencer, Laurie Metcalf, Guillermo del Toro, Dee Rees, Christopher Nolan, Luca Guadagnino, Hans Zimmer, James Mangold and Michael Green to the list and call it a top crowd.

Bonus: The agency will also raise a glass to nominated projects “Call Me by Your Name,” “Mudbound” and “The Square,” all of which hail from Endeavor Content.

Saturday, March 3

Film Independent Spirit Awards
A Tent on the Beach: 1550 Pacific Coast Highway Lot 1 North Santa Monica

(Mikey Glazer)

Logline: The industry’s booziest daytime bash of the year. Everyone heeds Film Independent President Josh Welsh’s mantra to “leave the thank-you notes at home,” adding to a celebratory day that begins in the lounges outside the main tent as early as 11 a.m.

Sony Pictures Classics Annual Oscar Nominees Dinner
Nordstrom Local on Melrose Place in West Hollywood

January 2017 at Sundance: Luca Guadagnino, Michael Stuhlbarg, Timothée Chalamet, Armie Hammer, Walter Fasano (TheWrap)

Why they will be smiling: This is the finish line. The “Call Me by Your Name” troika — Timothée Chalamet, Armie Hammer, and director Luca Guadagnino — end the 14-month promotional tour that started back at Sundance 2017.

Other Nominees: SPC will also toast its two foreign language nominees, “A Fantastic Woman” (from Chile) and “Loveless” (from Russia).

MPTF’s Annual “Night Before”
Fox Studios

Logline: The MPTF is where the gatekeepers and power brokers in the industry convene on the night before the Oscars. This is an invite worth fighting for. Make a big donation and step in to Jeffrey Katzenberg’s circle.

Sign of the times: YouTube joins the list of blue-chip corporate sponsors.

Oscars Viewing Parties on Sunday, March 4

*Top Invite* – 2018 Elton John AIDS Foundation Academy Awards Viewing Party
Custom built complext in West Hollywood Park

Logline: The most choice invite if you’re not seated in the first 15 rows of the Kodak Theatre itself.

Do: drink top-shelf champagne and feast on cuisine from a Michelin three-star restaurant in Spain with a great cross section of Hollywood.

Don’t: Don’t try to take any pictures of Sir Elton or stand too close to his head table. You may be excused for asking frequent guest Robert Kraft what happened in the Super Bowl. By 8:45 or so, trophy winners start pouring in as the telecast on screen comes to you.

Charity Component: Contributing to the EJAF mission, presenting sponsor BVLGARI is donating a 13 carat white gold diamond necklace, the “BVLGARI DIVISSIMA” to the live auction.

Wow Booking: Greta Van Fleet. This is a return to prime form for the EJAF, welcoming a big up-and-coming band heralded as a savior of guitar rock, not a nostalgia act. Because all 42 of the headlining dates on their first U.S. tour sold out in advance and they’re headed to Coachella, the four Michigan boys are a choice dessert on the evening.

Byron Allen’s Second Annual Entertainment Studios Gala
Beverly Wilshire

Logline: Katy Perry and Jamie Foxx will perform at the benefit for Children’s Hospital Los Angeles. Last year’s inaugural event raised $1 million, and “Byron hopes to raise even more again this year,” a rep for Entertainment Studios tells the Party Report.

IMDb Live Viewing Party
Neuehouse in Hollywood

Logline: This is part party, part live broadcast. Dave Karger, Kevin Smith and other IMDb talent will provide live commentary on the show that will stream across IMDb platforms.

Guests: About 300 industry types.

Notables: Last year, Issa Rae and Aisha Tyler were among the crowd about a mile away from the actual show.

Mercedes-Benz Viewing Party
Four Seasons, Beverly Hills

Logline: The Four Seasons is an Oscars week base camp, so this is sort of like watching the golf tournament from the clubhouse. Last year was a mixed bag of names from Housewives (Kandi Burruss) to 1980s basketball star Ralph Sampson, to ESPN’s man in L.A., Stan Verrett.

Nordstrom Local Oscar Viewing Party for the Fashion Industry
Nordstrom Local on Melrose Place in West Hollywood

Logline: With New York’s fashion week two weeks in the rearview mirror, the style set can kick back here before hitting the after parties.

Oscars After-Parties

The Academy’s Governors Ball
Dolby Ballroom above the Dolby Theatre at Hollywood and Highland

Logline: They have a lot of “make-up” homework to do after last year’s Governors Ball drowned in the surreal wake of the Oscars envelope flub.

Vanity Fair Oscar Party
Wallis Annenberg Center in Beverly Hills

Radhika Jones (Larry Busacca/Getty Images)

Logline: It’s the first outing for new Editor-in-Chief Radhika Jones (above). She steps into the bridge of a ship that Graydon Carter built and is already making waves. On Feb. 15, a round of layoffs included Jane Sarkin and Beth Kseniak, two founding mothers of VF Oscar night that has been the “toughest invite in town” over the past 24 years.

On the brighter (or sadder?) side of “recently separated” news, single Jennifer Aniston should be there. Forget the Brad Pitt sequel rumors. Please, let her show up with Angelina Jolie.

Details on other late night soirees to come.

Please send invites, updates, and details to the party and event contributor Mikey Glazer here.

Related stories from TheWrap:

Academy to Eliminate Paper Balloting at Next Year's Oscars

Syria Blocks 'Last Men In Aleppo' Producer and Subject from Attending Oscars

'Faces Places' Director JR Explains Agnes Varda Cardboard Cutout at Oscars Luncheon (Video)

Kobe Bryant, Diversity Talk Dominate Oscar Nominees Luncheon

Composer John Williams to Write Theme for ‘Solo: A Star Wars Story’

Veteran composer John Williams is set to write the theme for the Han Solo spinoff “Solo: A Star Wars Story.”

“The present plan is that I’m writing a theme for Han Solo, and John Powell is going to write the score, which he’ll do brilliantly,” Williams told Variety. “Solo” will be Williams’ ninth assignment.

“(Powell’s) assignment is something I’m very happy about,” Williams added. “What I will do is offer this to John, and to [director] Ron Howard, and if all parties are happy with it, then I will be happy. … John [Powell] will complete the score. He will write all the rest of the themes and all of the other material, which I’m going to be very anxious to hear.”

Also Read: ‘Star Wars: The Last Jedi’: What’s the Deal With Those Gold Dice?

“Solo” is Williams’ ninth assignment with the “Star Wars” franchise. The legendary composer has written the complete scores for all eight of the “Star Wars” saga films, winning an Oscar for the 1977’s “A New Hope” and receiving nominations for three of the other seven. Michael Giacchino scored 2016’s “Star Wars” standalone, “Rogue One.”

The American Film Institute named Williams’ score to “Star Wars” as America’s greatest score of all time, and the film’s soundtrack was preserved in the Library of Congress’ National Recording Registry for being “culturally, historically, or aesthetically significant.”

“Solo: A Star Wars Story” opens in theaters on May 25, 2018.

Related stories from TheWrap:

Deadpool Comic Creator Says Movie Sequel Will Clobber Han Solo Movie at the Box Office

‘Star Wars’ Fans Crush Ron Howard Over ‘Lame’ Title for Han Solo Movie

Han Solo Movie: Ron Howard Teases ‘Desperate and Dangerous Times’ in New Photo

Veteran composer John Williams is set to write the theme for the Han Solo spinoff “Solo: A Star Wars Story.”

“The present plan is that I’m writing a theme for Han Solo, and John Powell is going to write the score, which he’ll do brilliantly,” Williams told Variety. “Solo” will be Williams’ ninth assignment.

“(Powell’s) assignment is something I’m very happy about,” Williams added. “What I will do is offer this to John, and to [director] Ron Howard, and if all parties are happy with it, then I will be happy. … John [Powell] will complete the score. He will write all the rest of the themes and all of the other material, which I’m going to be very anxious to hear.”

“Solo” is Williams’ ninth assignment with the “Star Wars” franchise. The legendary composer has written the complete scores for all eight of the “Star Wars” saga films, winning an Oscar for the 1977’s “A New Hope” and receiving nominations for three of the other seven. Michael Giacchino scored 2016’s “Star Wars” standalone, “Rogue One.”

The American Film Institute named Williams’ score to “Star Wars” as America’s greatest score of all time, and the film’s soundtrack was preserved in the Library of Congress’ National Recording Registry for being “culturally, historically, or aesthetically significant.”

“Solo: A Star Wars Story” opens in theaters on May 25, 2018.

Related stories from TheWrap:

Deadpool Comic Creator Says Movie Sequel Will Clobber Han Solo Movie at the Box Office

'Star Wars' Fans Crush Ron Howard Over 'Lame' Title for Han Solo Movie

Han Solo Movie: Ron Howard Teases 'Desperate and Dangerous Times' in New Photo

2018 Oscar Predictions: Best Original Score

Multiple A-list composers are competing with themselves for Oscar slots.

As usual, several of Hollywood’s top composers offer multiple contenders for Best Original Score, among them usual suspects Hans Zimmer and Michael Giacchino. Zimmer’s experimental score for action spectacular “Dunkirk” was inspired by Christopher Nolan’s pocket watch, and an improvised piano riff was the spine for Denis Villeneuve’s dystopian epic “Blade Runner 2049.”

That score was composed in collaboration with his credited protege Benjamin Wallfisch, who also worked on “Dunkirk” along with Lorne Balfe, but only two could be submitted to the Academy, so Zimmer filed alone. Wallfisch also composed “It.”

The creative collaboration between Zimmer and Wallfisch on “Blade Runner 2049” was co-equal (following the departure of Jóhann Jóhannsson because of “creative differences” with Villeneuve). After Zimmer created a haunting theme (which became “The Mesa”), the composers then delivered a 15-minute suite that formed the basis of the score, which, through refinement, blended into the soundscape provided by sound designer Theo Green.

Ever since Pixar’s “The Incredibles,” 49-year-old composer Michael Giacchino has moved freely between animation, sci-fi, and superhero movies, winning the Oscar for Pixar’s “Up.” Music was integral to “Coco” as Lee Unkrich’s love letter to Mexico and Día de los Muertos. Giacchino reached back to his own childhood memories of Mexican music, organizing the animated film around his own flavorful score, traditional source music (popular songs indigenous to the region), and original songs (including the signature ballad, “Remember Me,” by “Frozen” Oscar winners Kristen Anderson-Lopez and Robert Lopez).

Giacchino experimented with two very different scores for Matt Reeves’ haunting and melancholic “War for the Planet of the Apes” and Jon Watts’ recharged Marvel entry, “Spider-Man: Homecoming,” using unorthodox orchestration and instrumentation.

For veteran French composer Alexandre Desplat, Guillermo del Toro’s  “The Shape of Water” provided a rare romantic love story to score, as everything becomes an aquatic metaphor. The composer found a haunting melody that plays like waves, orchestrated in a way that evokes the sensation of being underwater, starting with the opening scene that introduces serenely floating dreamer Eliza (Sally Hawkins).

Three-time Oscar nominee Philip Glass (“Notes on a Scandal,” “The Hours,” and “Kundun”) is also in the running with Brett Morgen’s documentary “Jane,” which would mark the first documentary score to be nominated for the Oscar.

Finally, after being left out for “There Will Be Blood” (deemed Oscar ineligible) and “The Master,” Jonny Greenwood could land his first Oscar nomination, for his score for Paul Thomas Anderson’s music-laden “Phantom Thread.”

This time the scores left out for not having enough original music was “Call Me By Your Name” and “I, Tonya” were also disqualified from Best Original Score as well.

The Oscar contenders are listed in alphabetical order. No film will be deemed a frontrunner unless we have seen it.

“The Shape of Water”

Frontrunners:

Alexandre Desplat (“The Shape of Water”)
Michael Giacchino (“Coco”)
Jonny Greenwood (“Phantom Thread”)
Dario Marianelli (“Darkest Hour”)
Hans Zimmer (“Dunkirk”)

“Coco”

Contenders:

Carter Burwell (“Three Billboards Outside Ebbing, Missouri”)
Michael Giacchino (“War for the Planet of the Apes”)
Philip Glass (“Jane”)
John Williams (“Star Wars: The Last Jedi”)
John Williams (“The Post”)
Hans Zimmer and Benjamin Wallfisch (“Blade Runner 2049”)

Oscars Original Score Category Gives John Williams a Shot at 51st Nomination

John Williams is officially in the running for the 51st Oscar nomination and sixth win of his career, with the veteran composer’s score for Steven Spielberg’s “The Post” and Rian Johnson’s “Star Wars: The Last Jedi” being two of 141 film scores that have qualified for the Academy Award for Best Original Score.

A nomination would place the 85-year-old composer eight awards shy of Walt Disney’s record of 59 Oscar nominations. He is currently in second place, and is the most-nominated living person.

The Academy announced the qualifying composers and film scores on Thursday, with a number of past Oscar winners joining Williams on the list: Alexander Desplat for “The Shape of Water” and “Suburbicon,” Mychael Danna for “The Breadwinner” (with his brother Jeff) and “The Man Who Invented Christmas,”  Michael Giacchino for “Coco “The Book of Henry,” “Spider-Man: Homecoming” and “War for the Planet of the Apes,” Marianelli for “Darkest Hour” and Hans Zimmer for “Dunkirk” by himself, “Blade Runner 2049” with Benjamin Wallfisch and “The Boss Baby” with Steve Mazzaro.

Also Read: 11 Things We Learned at AFI Tribute to John Williams

Alan Menken was deemed eligible for his new score to the live-action musical “Beauty and the Beast,” after winning the Oscar 25 years ago for the score to the animated film on which the new movie is based.

Scores that have already been nominated for both the Golden Globes and the Critics’ Choice Awards include Williams for “The Post,” Zimmer for “Dunkirk,” Desplat for “The Shape of Water” and Jonny Greenwood for “Phantom Thread.” A Golden Globe nomination also went to Carter Burwell for “Three Billboards Outside Ebbing, Missouri,” while Critics’ Choice nominations also went to Marianelli and to the team of Zimmer and Wallfisch for “Blade Runner 2049.”

Of the 141 qualifying scores, 15 are collaborations between two composers. Another, “The Second Coming of Christ,” is credited to three composers, while the Indian film “Lake of Fire” is credited to Qutub-E-Kripa, which is the name not of a single person but of a group of musicians and composers assembled by AR Rahman.

In the past, the Academy made it very difficult for composing teams to be nominated, but the rules have loosened in recent years.

In a sign of just how male-dominated the world of film music is, only six of the 141 scores were written or co-written by women. Two of those were by Rachel Portman and another two by the Academy’s first female governor from the Music Branch, Laura Karpman.

Last year, 145 scores qualified; the three years before that, the total remained between 112 and 114.

The eligible scores:

“Alien: Covenant,” Jed Kurzel, composer
“All I See Is You,” Marc Streitenfeld, composer
“All the Money in the World,” Daniel Pemberton, composer
“Annabelle: Creation,” Benjamin Wallfisch, composer
“Band Aid,” Lucius, composer
“Battle of the Sexes,” Nicholas Britell, composer
“Baywatch,” Christopher Lennertz, composer
“Beauty and the Beast,” Alan Menken, composer
“The Big Sick,” Michael Andrews, composer
“Blade Runner 2049,” Benjamin Wallfisch and Hans Zimmer, composers
“The Book of Henry,” Michael Giacchino, composer
“Born in China,” Barnaby Taylor, composer
“The Boss Baby,” Hans Zimmer and Steve Mazzaro, composers
“Boston,” Jeff Beal, composer
“Brad’s Status,” Mark Mothersbaugh, composer
“Brawl in Cell Block 99,” Jeff Herriott and S. Craig Zahler, composers
“The Breadwinner,” Mychael Danna and Jeff Danna, composers
“Breathe,” Nitin Sawhney, composer
“Brigsby Bear,” David Wingo, composer
“Brimstone & Glory,” Dan Romer and Benh Zeitlin, composers
“Captain Underpants The First Epic Movie,” Theodore Shapiro, composer
“Cars 3,” Randy Newman, composer
“The Circle,” Danny Elfman, composer
“Coco,” Michael Giacchino, composer
“Cries from Syria,” Martin Tillman, composer
“A Cure for Wellness,” Benjamin Wallfisch, composer
“Darkest Hour,” Dario Marianelli, composer
“Despicable Me 3,” Heitor Pereira, composer
“The Disaster Artist,” Dave Porter, composer
“A Dog’s Purpose,” Rachel Portman, composer
“Downsizing,” Rolfe Kent, composer
“Drawing Home,” Ben Holiday, composer
“Dunkirk,” Hans Zimmer, composer
“Earth: One Amazing Day,” Alex Heffes, composer
“A Fantastic Woman,” Matthew Herbert, composer
“The Fate of the Furious,” Brian Tyler, composer
“Father Figures,” Rob Simonsen, composer
“Ferdinand,” John Powell, composer
“Fifty Shades Darker,” Danny Elfman, composer
“Film Stars Don’t Die in Liverpool,” J. Ralph, composer
“First They Killed My Father,” Marco Beltrami and Buck Sanders, composers
“Get Out,” Michael Abels, composer
“A Ghost Story,” Daniel Hart, composer
“Gifted,” Rob Simonsen, composer
“The Glass Castle,” Joel P. West, composer
“Going in Style,” Rob Simonsen, composer
“Good Time,” Daniel Lopatin, composer
“Goodbye Christopher Robin,” Carter Burwell, composer
“Gook,” Roger Suen, composer
“Guardians of the Galaxy Vol. 2,” Tyler Bates, composer
“The Hitman’s Bodyguard,” Atli Ӧrvarsson, composer
“Hostiles,” Max Richter, composer
“Human Flow,” Karsten Fundal, composer
“An Inconvenient Sequel: Truth to Power,” Jeff Beal, composer
“It,” Benjamin Wallfisch, composer
“Jane,” Philip Glass, composer
“Jumanji: Welcome to the Jungle,” Henry Jackman, composer
“Justice League,” Danny Elfman, composer
“Kepler’s Dream,” Patrick Neil Doyle, composer
“King Arthur: Legend of the Sword,” Daniel Pemberton, composer
“Kingsman: The Golden Circle,” Henry Jackman and Matthew Margeson, composers
“Kong: Skull Island,” Henry Jackman, composer
“LA 92,” Danny Bensi and Saunder Jurriaans, composers
“LBJ,” Marc Shaiman, composer
“Lady Bird,” Jon Brion, composer
“Lake of Fire,” Qutub-E-Kripa, composer
“Last Flag Flying,” Graham Reynolds, composer
“The Lego Batman Movie,” Lorne Balfe, composer
“The Lego Ninjago Movie,” Mark Mothersbaugh, composer
“The Leisure Seeker,” Carlo Virzì, composer
“Let It Fall,” Mark Isham, composer
“Life,” Jon Ekstrand, composer
“Logan,” Marco Beltrami, composer
“The Lost City of Z,” Christopher Spelman, composer
“Loveless,” Evgueni Galperine and Sacha Galperine, composers
“Loving Vincent,” Clint Mansell, composer
“The Man Who Invented Christmas,” Mychael Danna, composer
“Mark Felt – The Man Who Brought Down the White House,” Daniel Pemberton, composer
“Marshall,” Marcus Miller, composer
“Mary and the Witch’s Flower,” Takatsugu Muramatsu, composer
“Maudie,” Michael Timmins, composer
“Molly’s Game,” Daniel Pemberton, composer
“Moomins and the Winter Wonderland,” Łukasz Targosz, composer
“The Mountain between Us,” Ramin Djawadi, composer
“Mudbound,” Tamar-kali, composer
“The Mummy,” Brian Tyler, composer
“Murder on the Orient Express,” Patrick Doyle, composer
“My Cousin Rachel,” Rael Jones, composer
“Norman: The Moderate Rise and Tragic Fall of a New York Fixer,” Jun Miyake, composer
“Okja,” Jaeil Jung, composer
“Oklahoma City,” David Cieri, composer
“The Only Living Boy in New York,” Rob Simonsen, composer
“Only the Brave,” Joseph Trapanese, composer
“Our Souls at Night,” Elliot Goldenthal, composer
“Paris Can Wait,” Laura Karpman, composer
“Patti Cake$,” Geremy Jasper and Jason Binnick, composers
“Phantom Thread,” Jonny Greenwood, composer
“The Pirates of Somalia,” Andrew Feltenstein and John Nau, composers
“Pirates of the Caribbean: Dead Men Tell No Tales,” Geoff Zanelli, composer
“The Post,” John Williams, composer
“Professor Marston and the Wonder Women,” Tom Howe, composer
“The Promise,” Gabriel Yared, composer
“Pulimurugan,” Gopi Sundar, composer
“Raw,” Jim Williams, composer
“Roman J. Israel, Esq.,” James Newton Howard, composer
“Saban’s Power Rangers,” Brian Tyler, composer
“Same Kind of Different as Me,” John Paesano, composer
“The Second Coming of Christ,” Navid Hejazi, Ramin Kousha and Silvia Leonetti, composers
“Served Like a Girl,” Michael A. Levine, composer
“The Shack,” Aaron Zigman, composer
“The Shape of Water,” Alexandre Desplat, composer
“Slipaway,” Tao Liu, composer
“Smurfs: The Lost Village,” Christopher Lennertz, composer
“Spider-Man: Homecoming,” Michael Giacchino, composer
“Split,” West Dylan Thordson, composer
“The Star,” John Paesano, composer
“Star Wars: The Last Jedi,” John Williams, composer
“Step,” Laura Karpman and Raphael Saadiq, composers
“Stronger,” Michael Brook, composer
“Suburbicon,” Alexandre Desplat, composer
“Swing Away,” Tao Zervas, composer
“Thank You for Your Service,” Thomas Newman, composer
“Their Finest,” Rachel Portman, composer
“Thelma,” Ola Fløttum, composer
“Thor: Ragnarok,” Mark Mothersbaugh, composer
“Three Billboards outside Ebbing, Missouri,” Carter Burwell, composer
“Tickling Giants,” Paul Tyan, composer
“Tommy’s Honour,” Christian Henson, composer
“Trafficked,” David Das, composer
“Transformers: The Last Knight,” Steve Jablonsky, composer
“XXX: Return of Xander Cage,” Brian Tyler and Robert Lydecker, composers
“Victoria & Abdul,” Thomas Newman, composer
“Voice from the Stone,” Michael Wandmacher, composer
“Wakefield,” Aaron Zigman, composer
“War for the Planet of the Apes,” Michael Giacchino, composer
“Wilson,” Jon Brion, composer
“Wind River,” Nick Cave and Warren Ellis, composers
“Wonder,” Marcelo Zarvos, composer
“Wonder Woman,” Rupert Gregson-Williams, composer
“Wonderstruck,” Carter Burwell, composer
“Year by the Sea,” Alexander Janko, composer

Members of the Academy’s Music Branch will vote for their five favorites between January 5 and January 12, with nominations announced on January 23.

The work of the nominees will be showcased at the Oscars Concert on February 28, four days before the 90th Academy Awards.

Related stories from TheWrap:

Oscar Contenders Elvis Costello, Common on Writing Songs That Leap Off the Screen (Video)

Common, Elvis Costello, T Bone Burnett and 7 More Oscar Songwriter Contender Portraits (Photos)

‘Simpsons’ Composer Alf Clausen Says All 35 of His Musicians Have Been Fired by Show

John Williams is officially in the running for the 51st Oscar nomination and sixth win of his career, with the veteran composer’s score for Steven Spielberg’s “The Post” and Rian Johnson’s “Star Wars: The Last Jedi” being two of 141 film scores that have qualified for the Academy Award for Best Original Score.

A nomination would place the 85-year-old composer eight awards shy of Walt Disney’s record of 59 Oscar nominations. He is currently in second place, and is the most-nominated living person.

The Academy announced the qualifying composers and film scores on Thursday, with a number of past Oscar winners joining Williams on the list: Alexander Desplat for “The Shape of Water” and “Suburbicon,” Mychael Danna for “The Breadwinner” (with his brother Jeff) and “The Man Who Invented Christmas,”  Michael Giacchino for “Coco “The Book of Henry,” “Spider-Man: Homecoming” and “War for the Planet of the Apes,” Marianelli for “Darkest Hour” and Hans Zimmer for “Dunkirk” by himself, “Blade Runner 2049” with Benjamin Wallfisch and “The Boss Baby” with Steve Mazzaro.

Alan Menken was deemed eligible for his new score to the live-action musical “Beauty and the Beast,” after winning the Oscar 25 years ago for the score to the animated film on which the new movie is based.

Scores that have already been nominated for both the Golden Globes and the Critics’ Choice Awards include Williams for “The Post,” Zimmer for “Dunkirk,” Desplat for “The Shape of Water” and Jonny Greenwood for “Phantom Thread.” A Golden Globe nomination also went to Carter Burwell for “Three Billboards Outside Ebbing, Missouri,” while Critics’ Choice nominations also went to Marianelli and to the team of Zimmer and Wallfisch for “Blade Runner 2049.”

Of the 141 qualifying scores, 15 are collaborations between two composers. Another, “The Second Coming of Christ,” is credited to three composers, while the Indian film “Lake of Fire” is credited to Qutub-E-Kripa, which is the name not of a single person but of a group of musicians and composers assembled by AR Rahman.

In the past, the Academy made it very difficult for composing teams to be nominated, but the rules have loosened in recent years.

In a sign of just how male-dominated the world of film music is, only six of the 141 scores were written or co-written by women. Two of those were by Rachel Portman and another two by the Academy’s first female governor from the Music Branch, Laura Karpman.

Last year, 145 scores qualified; the three years before that, the total remained between 112 and 114.

The eligible scores:

“Alien: Covenant,” Jed Kurzel, composer
“All I See Is You,” Marc Streitenfeld, composer
“All the Money in the World,” Daniel Pemberton, composer
“Annabelle: Creation,” Benjamin Wallfisch, composer
“Band Aid,” Lucius, composer
“Battle of the Sexes,” Nicholas Britell, composer
“Baywatch,” Christopher Lennertz, composer
“Beauty and the Beast,” Alan Menken, composer
“The Big Sick,” Michael Andrews, composer
“Blade Runner 2049,” Benjamin Wallfisch and Hans Zimmer, composers
“The Book of Henry,” Michael Giacchino, composer
“Born in China,” Barnaby Taylor, composer
“The Boss Baby,” Hans Zimmer and Steve Mazzaro, composers
“Boston,” Jeff Beal, composer
“Brad’s Status,” Mark Mothersbaugh, composer
“Brawl in Cell Block 99,” Jeff Herriott and S. Craig Zahler, composers
“The Breadwinner,” Mychael Danna and Jeff Danna, composers
“Breathe,” Nitin Sawhney, composer
“Brigsby Bear,” David Wingo, composer
“Brimstone & Glory,” Dan Romer and Benh Zeitlin, composers
“Captain Underpants The First Epic Movie,” Theodore Shapiro, composer
“Cars 3,” Randy Newman, composer
“The Circle,” Danny Elfman, composer
“Coco,” Michael Giacchino, composer
“Cries from Syria,” Martin Tillman, composer
“A Cure for Wellness,” Benjamin Wallfisch, composer
“Darkest Hour,” Dario Marianelli, composer
“Despicable Me 3,” Heitor Pereira, composer
“The Disaster Artist,” Dave Porter, composer
“A Dog’s Purpose,” Rachel Portman, composer
“Downsizing,” Rolfe Kent, composer
“Drawing Home,” Ben Holiday, composer
“Dunkirk,” Hans Zimmer, composer
“Earth: One Amazing Day,” Alex Heffes, composer
“A Fantastic Woman,” Matthew Herbert, composer
“The Fate of the Furious,” Brian Tyler, composer
“Father Figures,” Rob Simonsen, composer
“Ferdinand,” John Powell, composer
“Fifty Shades Darker,” Danny Elfman, composer
“Film Stars Don’t Die in Liverpool,” J. Ralph, composer
“First They Killed My Father,” Marco Beltrami and Buck Sanders, composers
“Get Out,” Michael Abels, composer
“A Ghost Story,” Daniel Hart, composer
“Gifted,” Rob Simonsen, composer
“The Glass Castle,” Joel P. West, composer
“Going in Style,” Rob Simonsen, composer
“Good Time,” Daniel Lopatin, composer
“Goodbye Christopher Robin,” Carter Burwell, composer
“Gook,” Roger Suen, composer
“Guardians of the Galaxy Vol. 2,” Tyler Bates, composer
“The Hitman’s Bodyguard,” Atli Ӧrvarsson, composer
“Hostiles,” Max Richter, composer
“Human Flow,” Karsten Fundal, composer
“An Inconvenient Sequel: Truth to Power,” Jeff Beal, composer
“It,” Benjamin Wallfisch, composer
“Jane,” Philip Glass, composer
“Jumanji: Welcome to the Jungle,” Henry Jackman, composer
“Justice League,” Danny Elfman, composer
“Kepler’s Dream,” Patrick Neil Doyle, composer
“King Arthur: Legend of the Sword,” Daniel Pemberton, composer
“Kingsman: The Golden Circle,” Henry Jackman and Matthew Margeson, composers
“Kong: Skull Island,” Henry Jackman, composer
“LA 92,” Danny Bensi and Saunder Jurriaans, composers
“LBJ,” Marc Shaiman, composer
“Lady Bird,” Jon Brion, composer
“Lake of Fire,” Qutub-E-Kripa, composer
“Last Flag Flying,” Graham Reynolds, composer
“The Lego Batman Movie,” Lorne Balfe, composer
“The Lego Ninjago Movie,” Mark Mothersbaugh, composer
“The Leisure Seeker,” Carlo Virzì, composer
“Let It Fall,” Mark Isham, composer
“Life,” Jon Ekstrand, composer
“Logan,” Marco Beltrami, composer
“The Lost City of Z,” Christopher Spelman, composer
“Loveless,” Evgueni Galperine and Sacha Galperine, composers
“Loving Vincent,” Clint Mansell, composer
“The Man Who Invented Christmas,” Mychael Danna, composer
“Mark Felt – The Man Who Brought Down the White House,” Daniel Pemberton, composer
“Marshall,” Marcus Miller, composer
“Mary and the Witch’s Flower,” Takatsugu Muramatsu, composer
“Maudie,” Michael Timmins, composer
“Molly’s Game,” Daniel Pemberton, composer
“Moomins and the Winter Wonderland,” Łukasz Targosz, composer
“The Mountain between Us,” Ramin Djawadi, composer
“Mudbound,” Tamar-kali, composer
“The Mummy,” Brian Tyler, composer
“Murder on the Orient Express,” Patrick Doyle, composer
“My Cousin Rachel,” Rael Jones, composer
“Norman: The Moderate Rise and Tragic Fall of a New York Fixer,” Jun Miyake, composer
“Okja,” Jaeil Jung, composer
“Oklahoma City,” David Cieri, composer
“The Only Living Boy in New York,” Rob Simonsen, composer
“Only the Brave,” Joseph Trapanese, composer
“Our Souls at Night,” Elliot Goldenthal, composer
“Paris Can Wait,” Laura Karpman, composer
“Patti Cake$,” Geremy Jasper and Jason Binnick, composers
“Phantom Thread,” Jonny Greenwood, composer
“The Pirates of Somalia,” Andrew Feltenstein and John Nau, composers
“Pirates of the Caribbean: Dead Men Tell No Tales,” Geoff Zanelli, composer
“The Post,” John Williams, composer
“Professor Marston and the Wonder Women,” Tom Howe, composer
“The Promise,” Gabriel Yared, composer
“Pulimurugan,” Gopi Sundar, composer
“Raw,” Jim Williams, composer
“Roman J. Israel, Esq.,” James Newton Howard, composer
“Saban’s Power Rangers,” Brian Tyler, composer
“Same Kind of Different as Me,” John Paesano, composer
“The Second Coming of Christ,” Navid Hejazi, Ramin Kousha and Silvia Leonetti, composers
“Served Like a Girl,” Michael A. Levine, composer
“The Shack,” Aaron Zigman, composer
“The Shape of Water,” Alexandre Desplat, composer
“Slipaway,” Tao Liu, composer
“Smurfs: The Lost Village,” Christopher Lennertz, composer
“Spider-Man: Homecoming,” Michael Giacchino, composer
“Split,” West Dylan Thordson, composer
“The Star,” John Paesano, composer
“Star Wars: The Last Jedi,” John Williams, composer
“Step,” Laura Karpman and Raphael Saadiq, composers
“Stronger,” Michael Brook, composer
“Suburbicon,” Alexandre Desplat, composer
“Swing Away,” Tao Zervas, composer
“Thank You for Your Service,” Thomas Newman, composer
“Their Finest,” Rachel Portman, composer
“Thelma,” Ola Fløttum, composer
“Thor: Ragnarok,” Mark Mothersbaugh, composer
“Three Billboards outside Ebbing, Missouri,” Carter Burwell, composer
“Tickling Giants,” Paul Tyan, composer
“Tommy’s Honour,” Christian Henson, composer
“Trafficked,” David Das, composer
“Transformers: The Last Knight,” Steve Jablonsky, composer
“XXX: Return of Xander Cage,” Brian Tyler and Robert Lydecker, composers
“Victoria & Abdul,” Thomas Newman, composer
“Voice from the Stone,” Michael Wandmacher, composer
“Wakefield,” Aaron Zigman, composer
“War for the Planet of the Apes,” Michael Giacchino, composer
“Wilson,” Jon Brion, composer
“Wind River,” Nick Cave and Warren Ellis, composers
“Wonder,” Marcelo Zarvos, composer
“Wonder Woman,” Rupert Gregson-Williams, composer
“Wonderstruck,” Carter Burwell, composer
“Year by the Sea,” Alexander Janko, composer

Members of the Academy’s Music Branch will vote for their five favorites between January 5 and January 12, with nominations announced on January 23.

The work of the nominees will be showcased at the Oscars Concert on February 28, four days before the 90th Academy Awards.

Related stories from TheWrap:

Oscar Contenders Elvis Costello, Common on Writing Songs That Leap Off the Screen (Video)

Common, Elvis Costello, T Bone Burnett and 7 More Oscar Songwriter Contender Portraits (Photos)

'Simpsons' Composer Alf Clausen Says All 35 of His Musicians Have Been Fired by Show

How ‘Coco’ Composer Michael Giacchino Tells Emotional Stories, Musically: Crew Call Podcast

When it comes to his ascent as a blockbuster film composer whose credits total close to $14 billion at the box office, Michael Giacchino has done it his way.
Typically, burgeoning film composers try to find their way into an established maestro’s studio, doing whatever they can from making tea to loading up cue tracks in the studio. But Giacchino’s entree into film music was quite different: As a graduate of the School of Visual Arts, the New Jersey-born Italian American…

When it comes to his ascent as a blockbuster film composer whose credits total close to $14 billion at the box office, Michael Giacchino has done it his way. Typically, burgeoning film composers try to find their way into an established maestro’s studio, doing whatever they can from making tea to loading up cue tracks in the studio. But Giacchino’s entree into film music was quite different: As a graduate of the School of Visual Arts, the New Jersey-born Italian American…

Questions of Diversity Inform the Awards Race for Score

New voices, new musical approaches? Last year, five of the six nominees in Oscar’s original score category were first-time nominees, and one was a woman, seeming to demonstrate that doors to the traditionally white male realm were finally opening to others. Will this year be different? It may be too early to say. An informal […]

New voices, new musical approaches? Last year, five of the six nominees in Oscar’s original score category were first-time nominees, and one was a woman, seeming to demonstrate that doors to the traditionally white male realm were finally opening to others. Will this year be different? It may be too early to say. An informal […]