Focus Features Sets Chloë Grace Moretz-Isabelle Huppert Pic ‘Greta’s Release Date

Greta, the suspense thriller starring Chloë Grace Moretz and Isabelle Huppert that Focus Features acquired at the last Toronto Film Festival for $6 million after winning a bidding battle, now has a release date. The pic will hit theaters on March 1, 20…

Greta, the suspense thriller starring Chloë Grace Moretz and Isabelle Huppert that Focus Features acquired at the last Toronto Film Festival for $6 million after winning a bidding battle, now has a release date. The pic will hit theaters on March 1, 2019. In the film directed by Oscar winner Neil Jordan, Moretz plays a woman who just lost her mother and moves to New York City. She does a kind turn for a recently widowed woman named Greta (Huppert) and the two become fast…

Chloe Grace Moretz’s ‘Greta’ Gets Spring 2019 Release Date

Chloe Grace Moretz’s “Greta” will be released on March 1, 2019, Focus Features announced Friday.

“Greta” stars Moretz and Isabelle Huppert and is described as a film about female obsession. Neil Jordan wrote and directed the film. Focus Features picked up the rights to the thriller following the film’s premiere at the Toronto International Film Festival in September.

Maika Monroe, Colm Feore and Stephen Rea also star. Jordan co-wrote the script with Ray Wright. The film is produced by Sidney Kimmel, John Penotti, James Flynn, Lawrence Bender and Karen Richards.

See Video: Chloe Grace Moretz Lived in Summer Camp While Filming ‘Miseducation of Cameron Post’: ‘It Was Method’

Moretz recently starred in “The Miseducation of Cameron Post” and “Suspiria,” and will next star in “The Addams Family” and “Love Is a Gun.” Her other credits include “Neighbors 2: Sorority Rising” and “The 5th Wave.”

Also slated to be released on March 1, 2019 is Tyler Perry’s “A Madea Family Funeral” and Daisy Ridley’s “Chaos Walking,” co-starring Tom Holland and Kurt Sutter.

Related stories from TheWrap:

Chloe Grace Moretz, Jack O’Connell to Play Bonnie and Clyde in ‘Love Is a Gun’

Natalie Portman, Chloe Grace Moretz Dramas Added to Toronto Film Festival Lineup

Chloe Grace Moretz Wants Louis CK’s ‘I Love You, Daddy’ to ‘Just Kind of Go Away’

Chloe Grace Moretz’s “Greta” will be released on March 1, 2019, Focus Features announced Friday.

“Greta” stars Moretz and Isabelle Huppert and is described as a film about female obsession. Neil Jordan wrote and directed the film. Focus Features picked up the rights to the thriller following the film’s premiere at the Toronto International Film Festival in September.

Maika Monroe, Colm Feore and Stephen Rea also star. Jordan co-wrote the script with Ray Wright. The film is produced by Sidney Kimmel, John Penotti, James Flynn, Lawrence Bender and Karen Richards.

Moretz recently starred in “The Miseducation of Cameron Post” and “Suspiria,” and will next star in “The Addams Family” and “Love Is a Gun.” Her other credits include “Neighbors 2: Sorority Rising” and “The 5th Wave.”

Also slated to be released on March 1, 2019 is Tyler Perry’s “A Madea Family Funeral” and Daisy Ridley’s “Chaos Walking,” co-starring Tom Holland and Kurt Sutter.

Related stories from TheWrap:

Chloe Grace Moretz, Jack O'Connell to Play Bonnie and Clyde in 'Love Is a Gun'

Natalie Portman, Chloe Grace Moretz Dramas Added to Toronto Film Festival Lineup

Chloe Grace Moretz Wants Louis CK's 'I Love You, Daddy' to 'Just Kind of Go Away'

Ira Sachs Drama ‘A Family Vacation’ Starring Isabelle Huppert Gets New Title, Release Date

French producer Saïd Ben Saïd unveiled a new title, poster and release date via Twitter for Ira Sachs’ next movie starring Isabelle Huppert. Previously titled A Family Vacation, Sach’s upcoming pic now goes by the name of Frankie. The pic i…

French producer Saïd Ben Saïd unveiled a new title, poster and release date via Twitter for Ira Sachs’ next movie starring Isabelle Huppert. Previously titled A Family VacationSach’s upcoming pic now goes by the name of Frankie. The pic is set to open in France September 25. The family drama, written by Sachs and his longtime co-writer Mauricio Zacharias (Love Is Strange, Little Men), is about three generations grappling with a life-changing experience during one day of…

Isabelle Huppert to Play Drug Dealer in ‘La Daronne’ (EXCLUSIVE)

Isabelle Huppert is set to star as a drug dealer in Jean-Paul Salome’s “La Daronne,” a crime comedy based on Hannelore Cayre’s popular novel. The film is being produced by Kristina Larsen at Les Films du Lendemain and Jean-Bapti…

Isabelle Huppert is set to star as a drug dealer in Jean-Paul Salome’s “La Daronne,” a crime comedy based on Hannelore Cayre’s popular novel. The film is being produced by Kristina Larsen at Les Films du Lendemain and Jean-Baptiste Dupont at La Boetie Films. Orange Studio has just come on board to handle international sales. […]

Chloe Grace Moretz, Jack O’Connell to Play Bonnie and Clyde in ‘Love Is a Gun’

Chloë Grace Moretz and Jack O’Connell will play Bonnie and Clyde in Kike Maillo’s “Love Is a Gun,” Endeavor Content announced on Tuesday.

“Love Is a Gun” is based on “Go Down Together: The True, Untold Story of Bonnie and Clyde” by bestselling author Jeff Guinn. Oscar nominee Shelton Turner (“Up in the Air”) wrote the screenplay, while Johnny Newman (“Narcos”) added revisions. “Love Is a Gun” follows the emotional story of two of history’s most famous lovers.

Marissa McMahon and Ashley Schlaifer of Kamala Films are producing alongside Sean and Bryan Furst of Skybound Entertainment.

See Video: ‘Suspiria’: Watch Terrifying 1st Full Trailer for Luca Guadagnino’s Horror Remake

“We are excited to reintroduce the iconic story of Bonnie and Clyde. Their story remains ubiquitous in popular culture across the globe, yet few in this generation know the details of their intimate love affair and the circumstances that led to their notorious crime spree that captured the imagination of the world in their time,” said the producing team in a joint statement. “Kike, Chloë and Jack are completely in sync about the character-driven approach we will be taking, and we feel lucky to have a creative team of this high caliber leading us forward.”

Production is set to begin in early 2019.

Endeavor Content is handling the international sales for the film at the 2018 American Film Market. CAA is co-repping the film domestically with the producers.

Also Read: ‘The Miseducation of Cameron Post’ Film Review: Chloë Grace Moretz Plays a Rebellious Lesbian Teen

Moretz recently starred in “The Miseducation of Cameron Post” and can now be seen in Luca Guadagnino’s “Suspiria” costarring Dakota Johnson. She will next be seen in the thriller “Greta” opposite Isabelle Huppert. She is represented by WME and T Squared Entertainment.

O’Connell starred in Angelina Jolie’s “Unbroken” and Jodie Foster’s “Money Monster” alongside Julia Roberts and George Clooney. He is represented by CAA and Conway van Gelder Grant.

Maillo’s feature-length directing debut, “Eva,” starring Daniel Brühl, premiered at the 2011 Venice Film Festival.

Related stories from TheWrap:

Chloe Grace Moretz Wants Louis CK’s ‘I Love You, Daddy’ to ‘Just Kind of Go Away’

Chloe Grace Moretz Is ‘Appalled and Angry’ Over Her Movie’s Body-Shaming Poster

Chloe Grace Moretz to Star in ‘Suspiria’ Remake With Dakota Johnson

Chloë Grace Moretz and Jack O’Connell will play Bonnie and Clyde in Kike Maillo’s “Love Is a Gun,” Endeavor Content announced on Tuesday.

“Love Is a Gun” is based on “Go Down Together: The True, Untold Story of Bonnie and Clyde” by bestselling author Jeff Guinn. Oscar nominee Shelton Turner (“Up in the Air”) wrote the screenplay, while Johnny Newman (“Narcos”) added revisions. “Love Is a Gun” follows the emotional story of two of history’s most famous lovers.

Marissa McMahon and Ashley Schlaifer of Kamala Films are producing alongside Sean and Bryan Furst of Skybound Entertainment.

“We are excited to reintroduce the iconic story of Bonnie and Clyde. Their story remains ubiquitous in popular culture across the globe, yet few in this generation know the details of their intimate love affair and the circumstances that led to their notorious crime spree that captured the imagination of the world in their time,” said the producing team in a joint statement. “Kike, Chloë and Jack are completely in sync about the character-driven approach we will be taking, and we feel lucky to have a creative team of this high caliber leading us forward.”

Production is set to begin in early 2019.

Endeavor Content is handling the international sales for the film at the 2018 American Film Market. CAA is co-repping the film domestically with the producers.

Moretz recently starred in “The Miseducation of Cameron Post” and can now be seen in Luca Guadagnino’s “Suspiria” costarring Dakota Johnson. She will next be seen in the thriller “Greta” opposite Isabelle Huppert. She is represented by WME and T Squared Entertainment.

O’Connell starred in Angelina Jolie’s “Unbroken” and Jodie Foster’s “Money Monster” alongside Julia Roberts and George Clooney. He is represented by CAA and Conway van Gelder Grant.

Maillo’s feature-length directing debut, “Eva,” starring Daniel Brühl, premiered at the 2011 Venice Film Festival.

Related stories from TheWrap:

Chloe Grace Moretz Wants Louis CK's 'I Love You, Daddy' to 'Just Kind of Go Away'

Chloe Grace Moretz Is 'Appalled and Angry' Over Her Movie's Body-Shaming Poster

Chloe Grace Moretz to Star in 'Suspiria' Remake With Dakota Johnson

Film Review: ‘Greta’

With the exception of “Lady Bird” director Greta Gerwig, for whom the slightly antiquated yet worldly sounding moniker nicely reinforces her hipster brand, it seems hardly anyone is called Greta these days. You hear “Greta,” and the mind already starts…

With the exception of “Lady Bird” director Greta Gerwig, for whom the slightly antiquated yet worldly sounding moniker nicely reinforces her hipster brand, it seems hardly anyone is called Greta these days. You hear “Greta,” and the mind already starts to paint a picture, conjuring someone from another generation, perhaps an escapee from one of […]

“She’s A Monster”: Isabelle Huppert On Playing A Psychopath In Neil Jordan’s “Weird” Thriller ‘Greta’ – Toronto Studio

A surprise hit at this year’s TIFF was Neil Jordan’s Greta, a female-centred thriller in which Chloë Grace Moretz plays a young girl who falls prey to an older lady named Greta (Isabelle Huppert) after finding her handbag on the subway. Although the re…

A surprise hit at this year's TIFF was Neil Jordan's Greta, a female-centred thriller in which Chloë Grace Moretz plays a young girl who falls prey to an older lady named Greta (Isabelle Huppert) after finding her handbag on the subway. Although the reviews were kind, none exactly made claims for great art, so it was a relief when Jordan and his cast—Moretz, Huppert and co-star Maika Monroe—arrived at the Deadline studio with a healthy sense of humor about it. Said…

‘The Romanoffs’ Official Trailer: See Isabelle Huppert and Diane Lane in Matthew Weiner’s Epic Anthology Series

“Mad Men” creator Matthew Weiner returns with an anthology series for Amazon Prime about descendants of the infamous Russian royal family.

Amazon has released the first official trailer for “The Romanoffs,” the first series from “Mad Men” creator Matthew Weiner since “Mad Men” went off the air. The anthology series centers around various characters who consider themselves to be descended from the notorious Russian royal family. The independent storylines unfold across eight episodes, allowing “The Romanoffs” to feature a stellar cast of some of prestige television’s most fabled stars. As previously announced, the series includes performances by Isabelle Huppert, Diane Lane, Kathryn Hahn, Radha Mitchell, John Slattery, Amanda Peet, Aaron Eckhart, Corey Stoll, Mary Kay Place, Ron Livingston, Andrew Rannells, and Clea Duvall.

The newly released trailer is scored by rich classical music evocative of the Romanoff era, and offers a glimpse at the wide array of characters and their delusions of grandeur. It promises to tackle themes of class, inherited wealth, and people clinging to the meaning of a “bloodline.” “There are so many people out there with your background, and I guess they’re proud, but they’re really fucked up,” says one character by way of introduction. The trailer also features a touch of Russian dancing, vodka shots, and plenty of salutes of “nastrovia.”

Amazon Prime will premiere the first two episodes of “The Romanoffs” on October 12, with single episodes rolling out on the following six Fridays. In addition to the new trailer, Amazon has also released official key art for the series, found below.

And here is the official key art:

The Romanoffs

Toronto 2018: Here’s Every Movie Sold So Far, From ‘Wild Rose’ to ‘Stan & Ollie’

Buyers are putting down their Momofuku cookies and handing over the cash, as film sales are in full swing at the Toronto International Film Festival.

Saban Films and Neon, who have made waves this past year by acquiring several titles at previous festivals, each secured deals, while usual players Sony Pictures Classics, Magnolia, Focus Features and Netflix have also picked up some titles.

While “Wild Rose,” arguably one of the hottest titles for sale at TIFF, has been snatched up by Neon, there are still various hot films up for grabs. For example, Natalie Portman’s “Vox Lux” still has no distributor, neither does Elisabeth Moss’ “Her Smell.”

Also Read: Neon Acquires Buzzy Toronto Title ‘Wild Rose’

Additionally, many of TIFF’s biggest titles that are coming from immediate festival predecessors Venice and Telluride have distribution in place and are vying for awards attention: Damien Chazelle’s “First Man,” Bradley Cooper’s “A Star Is Born,” Marielle Heller’s “Can You Ever Forgive Me?” Karyn Kusama and Nicole Kidman’s “Destroyer,” Robert Redford’s “The Old Man and the Gun,” Steve McQueen’s “Widows” and so on.

Here’s what’s been picked up in Toronto so far:

“Romans”

As one of the first acquisitions of the festival, Saban Films acquired the rights to the sexual abuse drama “Romans” starring Orlando Bloom.

Directed by Ludwig and Paul Shammasian, the film stars Bloom as a man struggling to cope with the sexual abuse he suffered as a child at the hands of a priest, and who now has the opportunity to demolish the church where his abuse occurred.

Also Read: Magnolia Pictures Acquires Epic Foreign Sci-Fi ‘Aniara’

“Stan & Ollie”

Entertainment One’s “Stan & Ollie” was acquired by Sony Pictures Classics for multiple territories including the United States.

Jon S. Baird directs from a script by Jeff Pope. Steve Coogan and John C. Reilly star as the famed comedic duo, Laurel and Hardy.

“Wild Rose”

Neon, the indie distributor that has been making waves at festivals, landed the domestic rights to “Wild Rose,” arguably the hottest sales title at the festival this year.

The company, co-founded by Tom Quinn and Tim League, landed the finished film in a competitive situation, for roughly $4 million. The movie follows an aspiring country singer who wants to leave her humdrum life in Scotland for a Southern-fried adventure in Nashville.

Tom Harper directs from a script by writer Nicole Taylor. Jessie Buckley, Sophie Okonedo and Julie Walters star.

“Lionheart”

Netflix acquired the global rights to Genevieve Nnaji’s “Lionheart” on Saturday.

Nnaji, a notable Nigerian film star, plays an enterprising daughter competing with her crude and eccentric uncle to control her family business when her father falls ill.

“Greta”

Focus Features landed Neil Jordan’s thriller “Greta” following the film’s premiere at TIFF. It stars Chloe Grace Moretz and Isabelle Huppert and is described as a film about female obsession. Jordan wrote and directed the film.

There were several companies interested in “Greta,” but Focus Features’ deal gives the distributor rights for the film in North America, Australia and China. Universal, Focus’ parent company, already has a deal for the U.K.

“Maiden”

Sony Pictures Classics picked up North American rights to Alex Holmes’ “Maiden,” after the documentary’s world premiere at the 2018 Toronto Film Festival.

“Maiden” tells the inspirational story of Tracy Edwards, a 24-year-old cook on charter boats, who became the skipper of the first all-female crew to enter the Whitbread Round the World Race in 1989.

Also Read: ‘First Man’ Gets Bigger and Bolder in Toronto IMAX Premiere

“Freaks”

Well Go USA landed the English language rights to “Freaks” for around $2 million at the festival. The film made its debut at the festival on Saturday and stars Emile Hirsch, Bruce Dern, Lexy Kolker and Amanda Crew. It follows a girl who discovers a bizarre and threatening new world behind her front door after she escapes from her paranoid father.

Zach Lipovsky and Adam Stein directed the psychological thriller from their script, and the distributor is planning a theatrical release for it.

“The Elephant Queen”

Apple acquired the global rights to the documentary feature film “The Elephant Queen,” directed by Emmy- and Peabody Award-winning wildlife documentarians Victoria Stone and Mark Deeble.

The nature film follows Athena, an elephant matriarch who will go to any length to protect her family when they are forced to leave their waterhole to survive.

Academy Award nominee Chiwetel Ejiofor narrates the film, which was screened Saturday at the Toronto Film Festival.

“Teen Spirit”

Elle Fanning’s “Teen Spirit” was sold to producer and CEO and founder of LD Entertainment Mickey Liddell at the festival. The film is the directorial debut for “Handmaid’s Tale” actor Max Minghella, who also wrote the film’s script.

Liddell will partner with a distributor for “Teen Spirit.” A source familiar with the deal told TheWrap it was in the $8 million range, and bidding was competitive.

“Teen Spirit” follows Violet (Fanning), a shy teenager living in the Isle of Wight, who dreams of pop stardom as an escape from her small town and shattered family life. With the help of an unlikely mentor, Violet enters an international singing competition that will test her integrity, talent and ambition.

Also Read: Apple Picks Up Global Rights to Wildlife Documentary ‘Elephant Queen’

“Aniara” 

Magnolia Pictures acquired rights to distribute Swedish science fiction thriller “Aniara” after the film’s world premiere at the 2018 Toronto International Film Festival.

“Aniara” is meant to present a panoramic view of the possible fate of  the human race after they have destroyed the planet. The film tells the story of one of the many spaceships used for transporting Earth’s fleeing population to their new home-planet, Mars. As the ship, Aniara, leaves the ruined Earth, she collides with space debris and is knocked off course. As the passengers slowly realize that they’ll never be able to return, they continue onwards through an empty and cold universe. In Aniara’s inexorable journey towards destruction there is a warning that cannot be emphasized enough: there’s only one Earth.

“Divide and Conquer”

Magnolia Pictures landed the North American theatrical rights to A&E IndieFilms’ “Divide and Conquer: The Story of Roger Ailes,” at TIFF. Magnolia is planning a Dec. 7 theatrical release date, and A&E will release the film on TV following its theatrical run.

The film, described as “no-holds-barred,” was directed by Alexis Bloom (“Bright Lights: Starring Carrie Fisher and Debbie Reynolds”), who produced alongside Will Cohen of Jigsaw Productions.

“Gloria Bell”

Julianne Moore’s “Gloria Bell” was acquired by A24 ahead of the festival. Sebastian Lelio’s newest film also stars John Turturro, Brad Garrett, Rita Wilson and Michael Cera. Written and directed by Lelio, “Gloria Bell” is a remake of his 2013 breakout Chilean feature of the same name.

The film follows Gloria (Moore), a free-spirited divorcee who spends her days at her office job and her nights on the dance floor. When she meets Arnold (Turturro), she finds herself in the midst of an unexpected romance.

Lastly… “Knives Out”

It’s not a movie yet, sure, but Daniel Craig and Rian Johnson’s murder mystery package “Knives Out” sold to MRC at the festival.

Rian Johnson wrote the script with his producing partner Ram Bergman, and will direct the film that is now fully financed.

The film is described as a modern-day murder mystery in the classic whodunit style infused with Johnson’s original voice that informed films from “Brick” to “Looper.”  Daniel Craig will star as a detective assigned to solve the crime.

Related stories from TheWrap:

Toronto So Far: ‘First Man’ and ‘A Star Is Born’ Lead a Crop of Films With Heart and Dazzle

Will Oscar Season’s Early Contenders Survive the Toronto Film Festival Onslaught?

Toronto Film Festival Market: Will Streaming Giants Spend Big Again and 5 Other Things to Watch

Buyers are putting down their Momofuku cookies and handing over the cash, as film sales are in full swing at the Toronto International Film Festival.

Saban Films and Neon, who have made waves this past year by acquiring several titles at previous festivals, each secured deals, while usual players Sony Pictures Classics, Magnolia, Focus Features and Netflix have also picked up some titles.

While “Wild Rose,” arguably one of the hottest titles for sale at TIFF, has been snatched up by Neon, there are still various hot films up for grabs. For example, Natalie Portman’s “Vox Lux” still has no distributor, neither does Elisabeth Moss’ “Her Smell.”

Additionally, many of TIFF’s biggest titles that are coming from immediate festival predecessors Venice and Telluride have distribution in place and are vying for awards attention: Damien Chazelle’s “First Man,” Bradley Cooper’s “A Star Is Born,” Marielle Heller’s “Can You Ever Forgive Me?” Karyn Kusama and Nicole Kidman’s “Destroyer,” Robert Redford’s “The Old Man and the Gun,” Steve McQueen’s “Widows” and so on.

Here’s what’s been picked up in Toronto so far:

“Romans”

As one of the first acquisitions of the festival, Saban Films acquired the rights to the sexual abuse drama “Romans” starring Orlando Bloom.

Directed by Ludwig and Paul Shammasian, the film stars Bloom as a man struggling to cope with the sexual abuse he suffered as a child at the hands of a priest, and who now has the opportunity to demolish the church where his abuse occurred.

“Stan & Ollie”

Entertainment One’s “Stan & Ollie” was acquired by Sony Pictures Classics for multiple territories including the United States.

Jon S. Baird directs from a script by Jeff Pope. Steve Coogan and John C. Reilly star as the famed comedic duo, Laurel and Hardy.

“Wild Rose”

Neon, the indie distributor that has been making waves at festivals, landed the domestic rights to “Wild Rose,” arguably the hottest sales title at the festival this year.

The company, co-founded by Tom Quinn and Tim League, landed the finished film in a competitive situation, for roughly $4 million. The movie follows an aspiring country singer who wants to leave her humdrum life in Scotland for a Southern-fried adventure in Nashville.

Tom Harper directs from a script by writer Nicole Taylor. Jessie Buckley, Sophie Okonedo and Julie Walters star.

“Lionheart”

Netflix acquired the global rights to Genevieve Nnaji’s “Lionheart” on Saturday.

Nnaji, a notable Nigerian film star, plays an enterprising daughter competing with her crude and eccentric uncle to control her family business when her father falls ill.

“Greta”

Focus Features landed Neil Jordan’s thriller “Greta” following the film’s premiere at TIFF. It stars Chloe Grace Moretz and Isabelle Huppert and is described as a film about female obsession. Jordan wrote and directed the film.

There were several companies interested in “Greta,” but Focus Features’ deal gives the distributor rights for the film in North America, Australia and China. Universal, Focus’ parent company, already has a deal for the U.K.

“Maiden”

Sony Pictures Classics picked up North American rights to Alex Holmes’ “Maiden,” after the documentary’s world premiere at the 2018 Toronto Film Festival.

“Maiden” tells the inspirational story of Tracy Edwards, a 24-year-old cook on charter boats, who became the skipper of the first all-female crew to enter the Whitbread Round the World Race in 1989.

“Freaks”

Well Go USA landed the English language rights to “Freaks” for around $2 million at the festival. The film made its debut at the festival on Saturday and stars Emile Hirsch, Bruce Dern, Lexy Kolker and Amanda Crew. It follows a girl who discovers a bizarre and threatening new world behind her front door after she escapes from her paranoid father.

Zach Lipovsky and Adam Stein directed the psychological thriller from their script, and the distributor is planning a theatrical release for it.

“The Elephant Queen”

Apple acquired the global rights to the documentary feature film “The Elephant Queen,” directed by Emmy- and Peabody Award-winning wildlife documentarians Victoria Stone and Mark Deeble.

The nature film follows Athena, an elephant matriarch who will go to any length to protect her family when they are forced to leave their waterhole to survive.

Academy Award nominee Chiwetel Ejiofor narrates the film, which was screened Saturday at the Toronto Film Festival.

“Teen Spirit”

Elle Fanning’s “Teen Spirit” was sold to producer and CEO and founder of LD Entertainment Mickey Liddell at the festival. The film is the directorial debut for “Handmaid’s Tale” actor Max Minghella, who also wrote the film’s script.

Liddell will partner with a distributor for “Teen Spirit.” A source familiar with the deal told TheWrap it was in the $8 million range, and bidding was competitive.

“Teen Spirit” follows Violet (Fanning), a shy teenager living in the Isle of Wight, who dreams of pop stardom as an escape from her small town and shattered family life. With the help of an unlikely mentor, Violet enters an international singing competition that will test her integrity, talent and ambition.

“Aniara” 

Magnolia Pictures acquired rights to distribute Swedish science fiction thriller “Aniara” after the film’s world premiere at the 2018 Toronto International Film Festival.

“Aniara” is meant to present a panoramic view of the possible fate of  the human race after they have destroyed the planet. The film tells the story of one of the many spaceships used for transporting Earth’s fleeing population to their new home-planet, Mars. As the ship, Aniara, leaves the ruined Earth, she collides with space debris and is knocked off course. As the passengers slowly realize that they’ll never be able to return, they continue onwards through an empty and cold universe. In Aniara’s inexorable journey towards destruction there is a warning that cannot be emphasized enough: there’s only one Earth.

“Divide and Conquer”

Magnolia Pictures landed the North American theatrical rights to A&E IndieFilms’ “Divide and Conquer: The Story of Roger Ailes,” at TIFF. Magnolia is planning a Dec. 7 theatrical release date, and A&E will release the film on TV following its theatrical run.

The film, described as “no-holds-barred,” was directed by Alexis Bloom (“Bright Lights: Starring Carrie Fisher and Debbie Reynolds”), who produced alongside Will Cohen of Jigsaw Productions.

“Gloria Bell”

Julianne Moore’s “Gloria Bell” was acquired by A24 ahead of the festival. Sebastian Lelio’s newest film also stars John Turturro, Brad Garrett, Rita Wilson and Michael Cera. Written and directed by Lelio, “Gloria Bell” is a remake of his 2013 breakout Chilean feature of the same name.

The film follows Gloria (Moore), a free-spirited divorcee who spends her days at her office job and her nights on the dance floor. When she meets Arnold (Turturro), she finds herself in the midst of an unexpected romance.

Lastly… “Knives Out”

It’s not a movie yet, sure, but Daniel Craig and Rian Johnson’s murder mystery package “Knives Out” sold to MRC at the festival.

Rian Johnson wrote the script with his producing partner Ram Bergman, and will direct the film that is now fully financed.

The film is described as a modern-day murder mystery in the classic whodunit style infused with Johnson’s original voice that informed films from “Brick” to “Looper.”  Daniel Craig will star as a detective assigned to solve the crime.

Related stories from TheWrap:

Toronto So Far: 'First Man' and 'A Star Is Born' Lead a Crop of Films With Heart and Dazzle

Will Oscar Season's Early Contenders Survive the Toronto Film Festival Onslaught?

Toronto Film Festival Market: Will Streaming Giants Spend Big Again and 5 Other Things to Watch

Deadline Studio at TIFF 2018 – Day 1 – Timothée Chalamet, Steve Carell, Dev Patel, Isabelle Huppert & More

On Day 1 of the Toronto International Film Festival, the high-powered casts of several TIFF premiering films stopped by the Deadline Studio; including Steve Carell, Timothée Chalamet and Amy Ryan from Beautiful Boy; Dev Patel, Nazanin Boniadi and Jason…

On Day 1 of the Toronto International Film Festival, the high-powered casts of several TIFF premiering films stopped by the Deadline Studio; including Steve Carell, Timothée Chalamet and Amy Ryan from Beautiful Boy; Dev Patel, Nazanin Boniadi and Jason Isaacs from Hotel Mumbai; Isabelle Huppert and Chloë Grace Moretz from Greta; and many more. Click on the photo above to launch the gallery. Stay tuned for more photo galleries and video interviews from the Deadline Studio…

Focus Features Lands Thriller ‘Greta,’ Starring Isabelle Huppert

Focus Features picked up rights to Neil Jordan’s thriller “Greta” following the film’s premiere at the Toronto International Film Festival.

“Greta” stars Chloe Grace Moretz and Isabelle Huppert and is described as a film about female obsession. Jordan wrote and directed the film.

There were several companies interested in “Greta,” but Focus Features’ deal gives the distributor rights for the film in North America, Australia and China. Universal, Focus’ parent company, already has a deal for the U.K.

Also Read: Olivia Wilde’s ‘A Vigilante’ Picked Up by Saban Films and DirecTV

Reviews for “Greta” have largely been positive, with critics basking in the film’s fun tone.

“This is Jordan doing fun, schlocky horror, way beyond the high-toned horror he did in ‘Interview With the Vampire,’” wrote TheWrap’s Steve Pond. “And while the film wallows in the kind of silliness that makes you wonder just what the heck Isabelle Huppert is doing here, by the end it supplies an answer: She’s having fun, dammit, just like the audience at the [Ryerson Theatre in Toronto] did.”

Focus Features closed the deal for “Greta” early on Saturday morning after an all-night bidding battle in which CAA Media Finance and Endeavor Content represented the filmmakers.

Related stories from TheWrap:

Toronto Film Festival Organizers Commit to Gender Parity in Their Ranks

Will Oscar Season’s Early Contenders Survive the Toronto Film Festival Onslaught?

Toronto Film Festival Market: Will Streaming Giants Spend Big Again and 5 Other Things to Watch

Focus Features picked up rights to Neil Jordan’s thriller “Greta” following the film’s premiere at the Toronto International Film Festival.

“Greta” stars Chloe Grace Moretz and Isabelle Huppert and is described as a film about female obsession. Jordan wrote and directed the film.

There were several companies interested in “Greta,” but Focus Features’ deal gives the distributor rights for the film in North America, Australia and China. Universal, Focus’ parent company, already has a deal for the U.K.

Reviews for “Greta” have largely been positive, with critics basking in the film’s fun tone.

“This is Jordan doing fun, schlocky horror, way beyond the high-toned horror he did in ‘Interview With the Vampire,'” wrote TheWrap’s Steve Pond. “And while the film wallows in the kind of silliness that makes you wonder just what the heck Isabelle Huppert is doing here, by the end it supplies an answer: She’s having fun, dammit, just like the audience at the [Ryerson Theatre in Toronto] did.”

Focus Features closed the deal for “Greta” early on Saturday morning after an all-night bidding battle in which CAA Media Finance and Endeavor Content represented the filmmakers.

Related stories from TheWrap:

Toronto Film Festival Organizers Commit to Gender Parity in Their Ranks

Will Oscar Season's Early Contenders Survive the Toronto Film Festival Onslaught?

Toronto Film Festival Market: Will Streaming Giants Spend Big Again and 5 Other Things to Watch

Focus Features Closes $6 Million Deal For Neil Jordan Thriller ‘Greta:’ Toronto

EXCLUSIVE: After an all night auction in Toronto, Focus Features is finalizing a big deal for Greta, a foray into elevated genre by writer/director Neil Jordan with Chloe Grace Moretz and Isabelle Huppert. The auction was feverish, with Netflix, Lionsg…

EXCLUSIVE: After an all night auction in Toronto, Focus Features is finalizing a big deal for Greta, a foray into elevated genre by writer/director Neil Jordan with Chloe Grace Moretz and Isabelle Huppert. The auction was feverish, with Netflix, Lionsgate and NEON also bidding, but Focus stalked the stalker tale hardest. I’m hearing the result is a $6 million deal for North America, Australia and China. And the promise of a splash release next year. All this came…

‘Greta’ Review: Isabelle Huppert Goes Nuts on Chloe Grace Moretz in Neil Jordan’s B-Movie About Female Obsession — TIFF

The filmmaker’s latest exploration of dark fantasies and even darker intentions leans hard on its wacky, campy ideals, and emerges as a bizarre crowdpleaser.

It’s the score that finally gives it away, after an airless first 15 minutes in which it seems like perhaps Neil Jordan — “Crying Game” and “Michael Collins” and “Butcher Boy” Neil Jordan! — has finally lost it and taken Isabelle Huppert and Chloe Grace Moretz along for the ride. It opens as a stilted, awkward drama, complete with the always-delightful Maika Monroe giving literal voice to what appears to be the film’s obvious theme (mommy issues, basically) — and then it takes a surprising flip.

Give thanks to the overwrought instrumental cue from composer Javier Navarrete: This is meant to be campy, a B-movie in disguise. The tension-filled strings cut in first, horror-movie music that wouldn’t be out of place in a “Conjuring” film, and then we see what they’re meant to highlight: Huppert, blithely flipping through Facebook to mine information about her latest prey. It’s a daring little twist, but after its seemingly straightforward first few minutes, that single scene pushes Jordan’s “Greta” somewhere new, and it only gets weirder and wilder from there.

The first big misstep of TIFF 2018: This campy B-movie curiosity should have been programmed in the Midnight Madness, instead hiding in the Special Presentations section where it’s billed as a “nerve-rattling thriller.” It’s that, sure, but it’s also hearty fun, a “bad” movie that’s made suddenly good by the involvement of a game audience and Jordan allowing Huppert to go certifiably batshit on a doe-eyed Moretz.

It’s easy to see why Jordan’s film, based on a story and screenplay by Ray Wright, zips through its opening act with such abandon, because there’s fun stuff to get to once the pieces are lined up. When waitress Frances (Moretz) finds a chic bag on the subway, she does the right thing: looks for identifying information of its owner, takes it home, keeps it safe. Her best friend and roommate Erica (Monroe, the secret MVP of a movie in which Huppert is the obvious draw) wants to rob it for cash to use for colonics or facials or something else they can presumably Instagram. Frances, sweet, dumb Frances, remains firm: that’s not what they do where she comes from. (Boston, if you’re wondering.)

“Greta”

TIFF

The next morning, Frances trundles off to Brooklyn to deliver it to its owner, the eponymous Greta (Huppert), a honey-voiced ex-pat who lives in a charming little carriage house alluringly placed behind an anonymous apartment building. The pair bond immediately, Jordan having already let us in to Frances’ main psychological marker (her mom died a year ago, it’s not okay) and swiftly presenting Greta as a possible surrogate. Erica is mystified by the bond, and more than a little freaked out, but Frances revels in the new attention, and she and Greta zip through their early days, making each other dinner, adopting a dog for the lonely Greta, and intertwining their lives in ways that seem beneficial to both.

Huppert’s tension-laced foray onto Frances’ Facebook page is menacing before the strings kick in, because she’s presented herself as a technological neophyte, and her online trawling speaks to someone with significantly more experience. And then Frances finds something in a cabinet (a wacky reveal too good to spoil) that makes it clear that Greta’s “lost” bag may have been wholly intentional.

As Frances tries to pull away, Greta goes nutty, and Jordan and Huppert stage a batshit stalker film for the ages, a modern tale of obsession that finds its footing in scenes as silly as Greta taking menacing photos (well framed, though!), standing outside Frances’ workplace for hours on end, and eventually flipping a table in a crowded restaurant. Bolstered by Navarrete’s over-the-top score, each scene moves from scary to hilarious in the minimum of time, and that’s well before it really gets to its most bonkers twists.

By the time Greta is all but pirouetting around a dead body and Wright and Jordan’s script tosses in a tiny detail about her being a disgraced nurse with a love of narcotics, “Greta” has gone so fully off the rails that such narrative elements don’t even matter. The joy is just Huppert, desperate and scary and so, so funny, and Jordan making good on early hints about nefarious piano lessons and something called “the box.”

Light on her feet, flying over a body recently dispatched in a tossed-off plot point and Greta’s increasingly addled brain, another film would go for the darker shades, but Jordan opts to turn the cliche and overwrought into unexpected B-movie joy. Greta all but winks at the camera, and “Greta” is very much in on the joke.

Grade: B

“Greta” premiered at the 2018 Toronto International Film Festival. It is currently seeking U.S. distribution.

‘Greta’ Film Review: Neil Jordan’s Psycho Stalker Flick Is Bloody Good Fun

It’s fitting that Neil Jordan’s “Greta” had its Toronto International Film Festival world premiere on Thursday at the Ryerson Theatre, because that venue is home to TIFF’s Midnight Madness section devoted to horror, sci-fi and all things genre. And while “Greta” isn’t actually screening in that section of the festival, it’s definitely the midnightiest thing that the Irish director has ever made.

Between the psycho stalker, the “don’t go in the basement!” moment and the sudden shocks that exist solely to make an audience jump, this is Jordan doing fun, schlocky horror, way beyond the high-toned horror he did in “Interview With the Vampire.”

And while the film wallows in the kind of silliness that makes you wonder just what the heck Isabelle Huppert is doing here, by the end it supplies an answer: She’s having fun, dammit, just like the audience at the Ryerson did.

Also Read: ‘The Nun’ Film Review: Scary Sister Conjures Few Frights

Jordan has made a broad range of films in more than 35 years as a director, from the Oscar-winning “The Crying Game” to the blockbuster “Interview,” from the historical epic “Michael Collins” to the family drama “The Butcher Boy.” But he’s long been drawn to thriller elements, which have figured in a few of his films that have come to Toronto, including his first TIFF entry, 1984’s “The Company of Wolves” and his last one before this year, 2012’s “Byzantium.”

In “Greta,” Chloe Grace Moretz plays a young woman trying to survive in New York City soon after the death of her mother. She does a good deed that places her in the orbit of a recently-widowed pianist named Greta, played by the unstoppable Huppert. And from there, things get stranger and more sinister for a while, before the extent of Huppert’s craziness is unveiled and the whole thing descends into a mess of horror-flick cliches whipped into a frenzy by a skilled director who figures that if you’re gonna do schlock, you’d better do it big.

Also Read: ‘Peppermint’ Film Review: Jennifer Garner Vengeance Saga Lacks Snap

So the blood flows and the jumpy parts get jumpier and the suspense-movie music is so blatant that it almost plays as a parody of those movies. Javier Navarette’s scores all but screams stuff like, “Oh my God, she’s STANDING ACROSS THE STREET!”

In other words, “Greta” is not a high-class riff on the stalker movie — for that, you can always go back to Cate Blanchett and Judi Dench in “Notes on a Scandal” — but an occasionally high-class director riffing on the genre. And while it sometimes feels as if it’s just not enough fun, once you get to the twin switcheroos and then the insane ending, you have little choice but to buy into horror-audience protocol and embrace it for the bloody hoot it is.

Also Read: ’22 July’ Film Review: Paul Greengrass Calms Down but Still Packs a Powerful Punch

Now in her mid 60s, with more than 100 film performances behind her, Huppert has hardly slowed down; in this decade alone, she’s appeared in more than three dozens films, including such notable entries as “Amour,” “Claire’s Camera,” “Louder Than Bombs,” “In Another Country,” “Things to Come” and “Elle,” for which she received her first (!) Oscar nomination.

So while it might be a surprise that Huppert signed on, it’s hardly a shock that her Greta is surpassingly creepy. Moretz makes for an admirable (if occasionally dimwitted in that way that horror protagonists are) damsel in distress, while Maika Monroe as he skeptical roommate has some of the film’s most delicious moments.

“Greta” certainly won’t go down as one of Jordan’s best movies, and it drew a share of groans as it premiered at TIFF. But like a true midnight movie (or maybe a midnight-ish movie), it’s messy, bloody fun if you let it in.

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It’s fitting that Neil Jordan’s “Greta” had its Toronto International Film Festival world premiere on Thursday at the Ryerson Theatre, because that venue is home to TIFF’s Midnight Madness section devoted to horror, sci-fi and all things genre. And while “Greta” isn’t actually screening in that section of the festival, it’s definitely the midnightiest thing that the Irish director has ever made.

Between the psycho stalker, the “don’t go in the basement!” moment and the sudden shocks that exist solely to make an audience jump, this is Jordan doing fun, schlocky horror, way beyond the high-toned horror he did in “Interview With the Vampire.”

And while the film wallows in the kind of silliness that makes you wonder just what the heck Isabelle Huppert is doing here, by the end it supplies an answer: She’s having fun, dammit, just like the audience at the Ryerson did.

Jordan has made a broad range of films in more than 35 years as a director, from the Oscar-winning “The Crying Game” to the blockbuster “Interview,” from the historical epic “Michael Collins” to the family drama “The Butcher Boy.” But he’s long been drawn to thriller elements, which have figured in a few of his films that have come to Toronto, including his first TIFF entry, 1984’s “The Company of Wolves” and his last one before this year, 2012’s “Byzantium.”

In “Greta,” Chloe Grace Moretz plays a young woman trying to survive in New York City soon after the death of her mother. She does a good deed that places her in the orbit of a recently-widowed pianist named Greta, played by the unstoppable Huppert. And from there, things get stranger and more sinister for a while, before the extent of Huppert’s craziness is unveiled and the whole thing descends into a mess of horror-flick cliches whipped into a frenzy by a skilled director who figures that if you’re gonna do schlock, you’d better do it big.

So the blood flows and the jumpy parts get jumpier and the suspense-movie music is so blatant that it almost plays as a parody of those movies. Javier Navarette’s scores all but screams stuff like, “Oh my God, she’s STANDING ACROSS THE STREET!”

In other words, “Greta” is not a high-class riff on the stalker movie — for that, you can always go back to Cate Blanchett and Judi Dench in “Notes on a Scandal” — but an occasionally high-class director riffing on the genre. And while it sometimes feels as if it’s just not enough fun, once you get to the twin switcheroos and then the insane ending, you have little choice but to buy into horror-audience protocol and embrace it for the bloody hoot it is.

Now in her mid 60s, with more than 100 film performances behind her, Huppert has hardly slowed down; in this decade alone, she’s appeared in more than three dozens films, including such notable entries as “Amour,” “Claire’s Camera,” “Louder Than Bombs,” “In Another Country,” “Things to Come” and “Elle,” for which she received her first (!) Oscar nomination.

So while it might be a surprise that Huppert signed on, it’s hardly a shock that her Greta is surpassingly creepy. Moretz makes for an admirable (if occasionally dimwitted in that way that horror protagonists are) damsel in distress, while Maika Monroe as he skeptical roommate has some of the film’s most delicious moments.

“Greta” certainly won’t go down as one of Jordan’s best movies, and it drew a share of groans as it premiered at TIFF. But like a true midnight movie (or maybe a midnight-ish movie), it’s messy, bloody fun if you let it in.

Related stories from TheWrap:

Will Oscar Season's Early Contenders Survive the Toronto Film Festival Onslaught?

Toronto Film Festival Market: Will Streaming Giants Spend Big Again and 5 Other Things to Watch

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‘Crazy Rich Asians’ Star Michelle Yeoh Signs Overall Deal With SK Global Labels

“Crazy Rich Asians” star Michelle Yeoh has entered into an overall deal with SK Global Entertainment and her label Mythical Films , the companies announced Wednesday

SK’s international shop Ivanhoe Pictures was one of the producers on last weekend’s box office winner “Crazy Rich,” a landmark in Hollywood representation and a revival of the romantic comedy genre.

Ivanhoe and its domestic counterpart in the SK Global portfolio, Sidney Kimmel Entertainment, will work on “producing, directing and select acting opportunities” with Yeoh.

Also Read: ‘Crazy Rich Asians’ Sequel in Development With Jon M Chu Planning to Return

“We are thrilled to be in business with such a versatile storyteller. One would be hard pressed to find a more universally loved and supremely talented global star,” SK Global president John Penotti said in a statement.

Yeoh said she’s excited to continue working with both companies  “to develop stories that bridge cultures. The success of ‘Crazy Rich Asians’ has shown us that there are many more wonderful stories to tell from around the globe and I am delighted to partner with this very creative and wonderful team.”

Yeoh has is the star of features like Ang Lee’s award-winning “Crouching Tiger, Hidden Dragon,” winner of 4 Academy Awards, as well as the James Bond title “Tomorrow Never Dies.” She also appeared in Marvel’s recent “Guardians of the Galaxy Vol. 2.”

Upcoming SK content includes the psychological thriller “Greta” from Neil Jordan with starring Isabelle Huppert and Chloë Grace Moretz. Additionally, the Hindi-language television series “Ghoul” will debut on Netflix on August 24 and was developed via Ivanhoe Pictures.

Yeoh is represented by David Unger at Artist International Group.

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“Crazy Rich Asians” star Michelle Yeoh has entered into an overall deal with SK Global Entertainment and her label Mythical Films , the companies announced Wednesday

SK’s international shop Ivanhoe Pictures was one of the producers on last weekend’s box office winner “Crazy Rich,” a landmark in Hollywood representation and a revival of the romantic comedy genre.

Ivanhoe and its domestic counterpart in the SK Global portfolio, Sidney Kimmel Entertainment, will work on “producing, directing and select acting opportunities” with Yeoh.

“We are thrilled to be in business with such a versatile storyteller. One would be hard pressed to find a more universally loved and supremely talented global star,” SK Global president John Penotti said in a statement.

Yeoh said she’s excited to continue working with both companies  “to develop stories that bridge cultures. The success of ‘Crazy Rich Asians’ has shown us that there are many more wonderful stories to tell from around the globe and I am delighted to partner with this very creative and wonderful team.”

Yeoh has is the star of features like Ang Lee’s award-winning “Crouching Tiger, Hidden Dragon,” winner of 4 Academy Awards, as well as the James Bond title “Tomorrow Never Dies.” She also appeared in Marvel’s recent “Guardians of the Galaxy Vol. 2.”

Upcoming SK content includes the psychological thriller “Greta” from Neil Jordan with starring Isabelle Huppert and Chloë Grace Moretz. Additionally, the Hindi-language television series “Ghoul” will debut on Netflix on August 24 and was developed via Ivanhoe Pictures.

Yeoh is represented by David Unger at Artist International Group.

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'Crazy Rich Asians' Sequel in Development With Jon M Chu Planning to Return

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‘The Romanoffs’: Everyone’s a Romanoff in First Footage From Matthew Weiner’s Amazon Series (Video)

Wait, you’re a Romanoff, too?!

The first footage from Matthew Weiner’s new Amazon series has been released and, yeah, the familial connections here are a little confusing. Basically, everyone is positive they are related to the Russian royals in some way, and, uh, is it possible they all are?

From the creator of “Mad Men,” “The Romanoffs” is a contemporary anthology series set around the globe featuring eight separate stories about people who believe themselves to be descendants of the Russian royal family. Starring Aaron Eckhart, Diane Lane, Isabelle Huppert, Christina Hendricks, John Slattery, Amanda Peet, Jack Huston, Kathryn Hahn, Noah Wyle, Paul Reiser, Andrew Rannells and more.

Also Read: Matthew Weiner’s ‘The Romanoffs’ Gets Amazon Debut Date; Teaser Reveals 20 Guest Stars (Video)

The streamer announced “The Romanoffs” would debut this fall during the Television Critics Association press tour last month. The news came as a bit of a shock, as Amazon hasn’t said a word about the long-gestating project for months, following accusations of sexual misconduct posed against the “Mad Men” creator last fall by a writer who worked on the AMC series.

Along with its A-list core cast, Amazon revealed a laundry list of guest stars will drop by this season, including: Noah Wyle (“Falling Skies”), Kathryn Hahn (“Transparent”), Kerry Bishé (“Halt & Catch Fire”), Jay R. Ferguson (“Mad Men”), Ben Miles (“Collateral”), Mary Kay Place (“Big Love”), Griffin Dunne (“Imposters”), Cara Buono (“Mad Men”), Ron Livingston (“The Conjuring”), Jon Tenney (“Hand of God”), Clea DuVall (“Veep”), Radha Mitchell (“Silent Hill”), Hugh Skinner (“Mamma Mia! Here We Go Again”), Juan Pablo Castañeda (“The Debt of Maximillian”), Emily Rudd (“Electric Dreams”), Adèle Anderson (“Company Business”), Annet Mahendru (“The Americans”), Louise Bourgoin (“I Am a Soldier”), Hera Hilmar (“Two Birds”) and Inès Melab (“Agathe Koltès”).

The series is written and executive produced by Weiner and “Mad Men” alum Semi Chellas. Co-executive producers include Kriss Turner Towner (“The Bernie Mac Show”), Blake McCormick (“Mad Men”) and Kathy Ciric (“Z: The Beginning of Everything”). Also joining the series from the old “Mad Men” team are Andre Jacquemetton and Maria Jacquemetton, who will act as consulting producers and writers.

Also Read: ‘Mad Men’ Producer Calls Matthew Weiner ‘Emotional Terrorist’ After Harassment Accusation

Watch the teaser footage above.

“The Romanoffs” will debut Friday, October 1 on Amazon Prime.

Related stories from TheWrap:

Matthew Weiner’s ‘The Romanoffs’ Gets Amazon Debut Date; Teaser Reveals 20 Guest Stars (Video)

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Wait, you’re a Romanoff, too?!

The first footage from Matthew Weiner’s new Amazon series has been released and, yeah, the familial connections here are a little confusing. Basically, everyone is positive they are related to the Russian royals in some way, and, uh, is it possible they all are?

From the creator of “Mad Men,” “The Romanoffs” is a contemporary anthology series set around the globe featuring eight separate stories about people who believe themselves to be descendants of the Russian royal family. Starring Aaron Eckhart, Diane Lane, Isabelle Huppert, Christina Hendricks, John Slattery, Amanda Peet, Jack Huston, Kathryn Hahn, Noah Wyle, Paul Reiser, Andrew Rannells and more.

The streamer announced “The Romanoffs” would debut this fall during the Television Critics Association press tour last month. The news came as a bit of a shock, as Amazon hasn’t said a word about the long-gestating project for months, following accusations of sexual misconduct posed against the “Mad Men” creator last fall by a writer who worked on the AMC series.

Along with its A-list core cast, Amazon revealed a laundry list of guest stars will drop by this season, including: Noah Wyle (“Falling Skies”), Kathryn Hahn (“Transparent”), Kerry Bishé (“Halt & Catch Fire”), Jay R. Ferguson (“Mad Men”), Ben Miles (“Collateral”), Mary Kay Place (“Big Love”), Griffin Dunne (“Imposters”), Cara Buono (“Mad Men”), Ron Livingston (“The Conjuring”), Jon Tenney (“Hand of God”), Clea DuVall (“Veep”), Radha Mitchell (“Silent Hill”), Hugh Skinner (“Mamma Mia! Here We Go Again”), Juan Pablo Castañeda (“The Debt of Maximillian”), Emily Rudd (“Electric Dreams”), Adèle Anderson (“Company Business”), Annet Mahendru (“The Americans”), Louise Bourgoin (“I Am a Soldier”), Hera Hilmar (“Two Birds”) and Inès Melab (“Agathe Koltès”).

The series is written and executive produced by Weiner and “Mad Men” alum Semi Chellas. Co-executive producers include Kriss Turner Towner (“The Bernie Mac Show”), Blake McCormick (“Mad Men”) and Kathy Ciric (“Z: The Beginning of Everything”). Also joining the series from the old “Mad Men” team are Andre Jacquemetton and Maria Jacquemetton, who will act as consulting producers and writers.

Watch the teaser footage above.

“The Romanoffs” will debut Friday, October 1 on Amazon Prime.

Related stories from TheWrap:

Matthew Weiner's 'The Romanoffs' Gets Amazon Debut Date; Teaser Reveals 20 Guest Stars (Video)

Christina Hendricks, John Slattery Reunite With 'Mad Men' Boss Matthew Weiner for Amazon Series

Isabelle Huppert Has a Brilliant Response to Question About Her Best Kiss: ‘You Dare Ask This Of Someone’ You Just Met?

The legendary French actress isn’t going to talk about her personal life with strangers.

Isabelle Huppert is no stranger to talking to the press having starred in over 100 features, but that doesn’t mean she’s going to spill the beans on her personal life with journalists she’s never met. An interview between Huppert and The Guardian has gone viral on social media for the actress’ blunt answers to the reporter’s questions. When asked about the best kiss of her life, for instance, Huppert shot the reporter down and responded, “You dare ask this question of someone you meet for the first time?”

The interview also featured Huppert revealing a rather interesting guilty pleasure: “Imagining myself as a sadistic and manipulative murderer, like something out of a book by Agatha Christie.” No wonder the actress has shown an affinity for tapping into her extreme emotions in films like “Elle” and “The Piano Teacher.” Huppert was similarly blunt when asked about her greatest love. “He knows,” she said, “they know.”

Huppert also gained attention for referencing Trump and Brexit when asked about what she would choose as her superpower. “Being able to reverse Brexit,” Huppert answered. “And to reconcile Mr. Trump and Kim Jong-un, even if I had to play golf with them.”

Huppert most recently appeared in “Eva,” the Benoît Jacquot-directed drama that competed at the Berlin International Film Festival earlier this year. Her upcoming roles include Neil Jordan’s “The Widow,” which co-stars Chloë Grace Moretz and Maika Monroe.

You can read Huppert’s interview in its entirety on The Guardian.

Isabelle Huppert on Her Best Cannes Memories and the Lack of Female Jury Presidents

French star Isabelle Huppert, whose role in Paul Verhoeven’s “Elle” earned her an Oscar nomination and a Golden Globe last year, served as president of the Cannes Film Festival jury in 2009. Huppert was reportedly at odds with fellow juror James Gray o…

French star Isabelle Huppert, whose role in Paul Verhoeven’s “Elle” earned her an Oscar nomination and a Golden Globe last year, served as president of the Cannes Film Festival jury in 2009. Huppert was reportedly at odds with fellow juror James Gray over awarding the Palme d’Or to Michael Haneke’s “The White Ribbon” and was […]

Isabelle Huppert gets mixed up in a love triangle in the playful, spontaneous Claire’s Camera

Many filmmakers begin their career with a rush of productivity and then gradually slow down, but Korea’s Hong Sang-soo, after more than two decades in the business, only seems to be getting more insanely prolific. Claire’s Camera is the second of his three 2017 features to get a U.S. release (following On The Beach At

Read more…

Many filmmakers begin their career with a rush of productivity and then gradually slow down, but Korea’s Hong Sang-soo, after more than two decades in the business, only seems to be getting more insanely prolific. Claire’s Camera is the second of his three 2017 features to get a U.S. release (following On The Beach At

Read more...

Film Review: ‘Souvenir’

Peerless French actress Isabelle Huppert chooses her roles differently than most American stars, betting almost exclusively on the chance to work with directors she admires. It’s a strategy that has, by and large, paid off in a filmography full of provocative projects from the likes of Paul Verhoeven (“Elle”), Michael Haneke (“The Piano Teacher”), and […]

Peerless French actress Isabelle Huppert chooses her roles differently than most American stars, betting almost exclusively on the chance to work with directors she admires. It’s a strategy that has, by and large, paid off in a filmography full of provocative projects from the likes of Paul Verhoeven (“Elle”), Michael Haneke (“The Piano Teacher”), and […]

‘Claire’s Camera’ Trailer: Isabelle Huppert Teams With Hong Sangsoo For Charming Comedy About a Magical Piece of Machinery

The lauded actress teams up with Kim Minhee for an unexpected detective story involving a maybe-magical camera.

“Taking a photo is something very important,” the eponymous Claire (Isabelle Huppert) tells a new friend in the opening of the latest trailer for Hong Sangsoo’s “Claire’s Camera,” setting the stage both for the film’s tone and the happy mystery that drives it. Huppert leads the feature as a woman who might be in possession of a magical camera, and who uses that wacky piece of machinery to possibly change the fortunes of her newest acquaintance.

In the film, “Huppert plays Claire, a school teacher with a camera (that might be magical) on her first visit to The Cannes Film Festival. She happens upon a film sales assistant, Manhee (Kim Minhee) recently laid off after a one-night stand with a film director (Jung Jinyoung). Together, this unlikely pair become detectives of sorts, as they wander around the seaside resort town, working to better understand the circumstances of Manhee’s firing — and developing new outlooks on life in the process. Intricately plotted with wit and charm to spare, ‘Claire’s Camera’ explores the power of images to transform us.”

“Claire’s Camera” was actually filmed during the 2016 Cannes Film Festival, when Huppert was in attendance to debut her work in “Elle.” It also served as a long-gestating reunion between star and director, as the pair had previously vowed to work together again after their 2012 feature “In Another Country.” Minhee, of course, recently starred in Hong’s “Right Now, Wrong Then.”

The film then went on to debut at Cannes last year and screened at AFI FEST last fall. Check out our exclusive trailer for “Claire’s Camera” below.

“Claire’s Camera” opens March 9 at New York City’s Film Society of Lincoln Center.

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