Delirious Anime, Jazzy Erotica, and Radiohead-Obsessed Teenagers: Five Must-See Films at JAPAN CUTS 2018

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Juliette Binoche, Ethan Hawke, Catherine Deneuve To Star In Cannes Winner Hirokazu Kore-eda’s ‘Truth’

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Juliette Binoche, Ethan Hawke Confirmed for Hirokazu Kore-eda’s ‘Verite’

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Cannes Winner ‘Shoplifters’ Sets Kore-eda Record In Japan As Socially-Conscious Pic Continues Remarkable Box Office Run

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Japanese Film Makers Find Opportunities in International Co-Productions

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Hirokazu Kore-eda’s Cannes Winner ‘Shoplifters’ Continues Japan Box Office Surge, Crosses $16M In Second Week

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‘The Third Murder’ Trailer: Palme d’Or Winner Hirokazu Kore-eda Breaks From Humanist Cinema for Icy Courtroom Drama

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Cannes Film Market ‘Healthy’ as New Players Fill Streaming Giant Void

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Why ‘Shoplifters’ Director Hirokazu Kore-eda is Cannes’ Favorite Japanese Auteur

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Japanese Director Hirokazu Kore-eda Returns To Exploring Family Dynamics In Surprise Palme D’Or Winner ‘Shoplifters’ – Cannes Studio

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Japanese Director Hirokazu Kore-eda’s ‘Shoplifters’ Wins Palme d’Or at Cannes

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Magnolia Pictures Pinches Japanese Drama ‘Shoplifters’

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‘Shoplifters’ Review: Kore-eda Hirokazu Returns With a Heart-Shattering Drama About Love and Theft — Cannes 2018

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‘Shoplifters’ Teaser: Hirokazu Kore-eda’s Latest Family Drama Could Be Cannes-Bound — Watch

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‘The Third Murder’ Wins Six Japan Academy Prizes

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Film Review: ‘The Third Murder’

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Busan: Hirokazu Kore-eda Boards ‘Ten Years’ Spin-off Project

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‘Sweet Country’ Leads Asia Pacific Screen Awards Nominations

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Venice Facetime: Japanese Director Hirokazu Kore-eda

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‘After the Storm’ Review: Hirokazu Kore-eda Crafts Another Masterpiece

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‘After The Storm’ Review: Hirokazu Kore-eda Only Makes Great Movies, But This Tender Drama Is One of His Best

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