Oscar Hopefuls Cross Thresholds: ‘Shape Of Water’ At $57M, ‘Darkest Hour’ At $55M, ‘Three Billboards’ At $52M, ‘Lady Bird’ At $48M — Specialty Box Office

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Specialty Box Office Heads for Cliff After Oscars

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Stanley Tucci Has Teachable Moment In ‘Submission’; Josh Hartnett Charms in ‘Oh Lucy!’ – Specialty Box Office Preview

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Hong Kong Festival Sets Debut Features as Opening Film Pair

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Berlin: Asian Brilliant Stars Hands out Talent Awards

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Israel Boycotts Opening of Film Festival in Paris Over ‘Foxtrot’

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5 movies to see in theaters this weekend and Christmas

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‘Foxtrot’ Film Review: Israel’s Oscar Entry Doesn’t Dance Around the Complexities of War

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How ‘Foxtrot’ Angered Israel’s Minister of Culture — and Became the Country’s Oscar Submission, Anyway

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‘Foxtrot’ Director Samuel Maoz On The Nature Of Israel’s “Collective Trauma”

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Sony Pictures Classics Closes Israeli Foreign Language Oscar Entry ‘Foxtrot’

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Sony Pictures Classics Buys ‘Foxtrot,’ Israel’s Ophir Winner and Oscar Entry

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‘Foxtrot’ Is a Brilliant Portrait of Israeli Frustrations — Telluride Review

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