‘Barry’: Bill Hader Is Fulfilling His Directorial Dreams After Being Sidetracked by ‘SNL’ – Toolkit Podcast

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‘Halt and Catch Fire’: How Two Green Creators Blew Up Their ‘Mad Men of Tech’ Premise to Discover Something Special

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‘Dear White People’ Creator Justin Simien’s New Horror Film Will Be a Tribute to Black Women and Shoot This Summer

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‘The Good Place’ Creator Michael Schur Forgets Nothing — Filmmaker Toolkit Podcast 55

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‘The Terror’ Creator on Building an Arctic Expedition on a Soundstage and His Decision Not to Return for Season 2

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‘Atlanta’: Lakeith Stanfield Didn’t Even Know Donald Glover Was Playing Teddy Perkins

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Paul Schrader On Writing ‘First Reformed’ and ‘Cracking Open the Audiences’ Skulls’ Like He Did in ‘Taxi Driver’

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‘The Rider’ Director Chloé Zhao Treats Non-Actors Like Pros: ‘Once Upon a Time, Our Greatest Actors Were Discovered’ – Podcast

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Guillermo del Toro Wears His Cinematic Influences On His Sleeve in ‘The Shape of Water’

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Steve James Creates Incredible Character-Driven Documentaries by Building On-Camera Relationships – Toolkit Podcast

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‘Strong Island’: Yance Ford’s Journey To Find the Cinematic Voice Needed To Tell the Story of His Brother’s Murder – Toolkit Podcast

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‘Lady Bird’: How Greta Gerwig Found Her Unique Rhythm in the Written Word – Filmmaker Toolkit Podcast

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Darren Aronofsky: “Keeping Audiences on the Edge of Their Seat is Our Job, Especially in Today’s World” – Toolkit Podcast

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Jordan Peele Talks About His Worst Fear in Making ‘Get Out’ – Filmmaker Toolkit Podcast

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‘Call Me By Your Name’ Director Luca Guadagnino Hates Actors Who ‘Act’: ‘It’s Almost Pornographic’ – Toolkit Podcast

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‘Mudbound’ Director Dee Rees Breaks the Rules of Narrative and Finds Truth in the Cracks — Filmmaker Toolkit Podcast

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Sean Baker Cut Up Paul Thomas Anderson Long Takes To See if a Doc-Style Steadicam Would Work on ‘The Florida Project’

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