Young Abe Lincoln Leaps to the Screen in ‘These Honored Dead’ (EXCLUSIVE)

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London Film Review: Peter Jackson’s ‘They Shall Not Grow Old’

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Mipcom: Turner Latin America’s Tomás Yankelevich on its Build as a Full-On Multi-platform Producer

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Movistar Plus Makes Major Wager on Original Series

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Mipcom: Viacom’s Pierluigi Gazzolo on Latin America’s TV build, Ramping Up Originals, Producing for Third-Parties

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Gaspar Noé’s ‘Climax’ Takes Top Honors at Sitges

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Jane Fonda: One of Hollywood’s Strongest Leading Ladies

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HFPA to Partner with Lumière Festival on Lumière Brothers’ Films Restoration

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10th Lumière Festival Opens with Bardem, Bellucci, Dujardin, Del Toro, Lelouch

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Lumiere Market Honors Poland, Eyes Africa, Looks to International

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Film Review: ‘Happy New Year, Colin Burstead’

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Steven Yeun, Awkwafina and Wong Kar-wai Head to Hawaii Festival (EXCLUSIVE)

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‘The Peak’ Wins Slamdance Awards Screenwriting Grand Prize

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AFI Fest Gala Screenings Include Susanne Bier’s ‘The Bird Box,’ Chuck Lorre’s ‘The Kominsky Method’

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AFI Fest Adds Gala Screenings ‘Green Book’, ‘Widows’, World Premiere Of Sandra Bullock’s ‘Bird Box’ And ‘The Kominsky Method’ TV Series

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DOC NYC 2018 Lineup: ‘Documentary Now!’ Premiere, Lizz Winstead’s ‘Lady Parts Justice in the New World Order,’ and More

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South Africa’s Showmax Takes Leap of Faith with ‘St. Agnes’

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Roberto Ricci Raises the Mask on ‘Red Harlequin’

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