‘Dunkirk’ Editor Lee Smith On Crafting Larger-Than-Life Experiences For The Eyes & Ears

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‘Call Me By Your Name’: Editing Was Crucial to the Year’s Best Love Story

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‘Detroit’ Editors William Goldenberg & Harry Yoon On Three-Camera Cuts & “The Magic Of Kathryn Bigelow”

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‘Mudbound’: Editing Dee Rees’ Complex Shifting Narrative Was an Award-Worthy Challenge

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‘Get Out’: How Jordan Peele Balanced Horror and Satire in Hitchcockian Oscar Contender

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‘Blade Runner 2049’ Was First Cut Into A Four-Hour, Two-Part Epic (But We’ll Never See This Version)

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