Jumping in Time Works for ‘Beautiful Boy’ Storytelling Structure

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An Insider’s Look at Hollywood’s Diversity Efforts and How Far It Still Needs to Go

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Oscars: Trio at the Top in the Lead Actress Race

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The Crucial Mistake of ‘The Front Runner’: It Turns Gary Hart Into a Poster Boy for Idealism (Column)

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How the ‘Dragon Tattoo’ Movie Franchise Lost Its Mojo, But Can Still Get It Back (Column)

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Late Night Hosts Keep Tackling Their Own Parent Companies. Good. (Column)

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Oscars: Disney Makes Up for Lost Time With ‘Black Panther’

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Why ‘American Horror Story’ Should End This Season (Column)

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Intellivision’s Amico Might Be first Adult Console … Why That’s a Problem

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Rock Biopics: Why the Bar Is So High for ‘Bohemian Rhapsody’ (Column)

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‘The Romanoffs’ Loses the Plot in Bizarre #MeToo Episode (Column)

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The Streaming Era Owes Thanks to ‘House of Cards’ (Column)

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What the Dark Side of Working in Esports Can Teach Us About Capitalism

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RIP ‘American Vandal,’ TV’s Best Depiction of Generation Z

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Megyn Kelly’s Blackface Misstep Proves She’s Out of Step With NBC (Column)

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The Big Three Fall Film Festivals Dominate Awards Season

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The Rockstar Effect: How Mega-Budget Games Change Release Dates For Everyone Else

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‘The Hate U Give’: A Racial Drama So Honest Every American Should See It

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‘First Man’ Blues: How 40 Years of ‘Star Wars’ Killed the Mystery of the Moon Shot

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