The Debate Over ‘The Affair’ Star Ruth Wilson’s Awkward Exit (Column)

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Emmys: Comedy Too Close to Call? (Column)

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The Diminishing Returns of TV Reboots and Revivals (Column)

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The Case for Further Separating Some Emmy Categories (Column)

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No Film Has Channeled the Hateful Pulse of Our Moment Like Spike Lee’s ‘BlacKkKlansman’

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Popular Film Category Violates Everything the Oscars Are Supposed to Be About

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Hollywood Needs to Include People With Disabilities on Both Sides of the Camera (Guest Column)

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ABC and NBC Executives’ TCA Absence Is a Risky Choice (Column)

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TV Reboots Have a Long Way to Go on Inclusivity (Column)

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What CBS Still Needs to Learn About Taking the Moonves Allegations Seriously (Column)

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‘Eighth Grade’ Is the First Movie to Nail Youth Culture in the Digital Age

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FX’s Expansion in the Face of Challenges is an Evolution, Not a Revolution (Column)

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PBS: An Appreciation for the Vegetables of TV (Column)

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Don’t Count Out These Emmy Contenders (Column)

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Why It Matters That Stephen Colbert, CBS Company Man, Made Time for the Leslie Moonves Allegations

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Why Tom Cruise’s Stunt Fever Has Become the Measure of His Stardom

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The Revolutionary Happiness of ‘Pose’ (Column)

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The Secret Majesty of ABBA: They Were the Feminine Pop Opera of Their Time

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How the Stars of ‘Pose’ Created Ryan Murphy’s Most Fully-Formed Vision Yet (Column)

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‘Yellow Submarine’: A Dazzling Revival Everyone Should See (Especially the New Leaders of Pixar)

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