ICG Publicists Awards Set For February

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‘First Man’: Shooting the Moon in IMAX to Heighten Neil Armstrong’s Death-Defying Journey

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‘A Star Is Born’: Shooting Bradley Cooper and Lady Gaga Singing and Falling in Love

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‘The Hate U Give’: Visualizing How Amandla Stenberg’s Starr Is Trapped Between Two Worlds

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‘Madeline’s Madeline’: Why the Dreamy Movie’s Surreal Imagery Took Six Years and Many Experiments to Get Right

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‘Ozark’ Cinematographer Ben Kutchins Wades Into Highly Cinematic, Extremely Dark Realism With Netflix Crime Drama

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From ‘Atlanta’ to ‘Twin Peaks,’ Here Are the Cameras and Lenses That Shot The Year’s Best TV Shows

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‘BlacKkKlansman’: Spike Lee Sought Out the Radical Cinematographer Who Shot Beyoncé’s ‘Lemonade’

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Ronnie Taylor Dies: Oscar-Winning ‘Gandhi’ Cinematographer Was 93

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11 Great Female Cinematographers Who Subvert the Male Gaze

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‘Stranger Things’: Hawkins Gets More Colorful and the Upside Down Grows Darker in Season Two

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‘Genius: Picasso’: Visualizing the Legendary Artist’s Life as a Painting

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Three Shows That Are Changing the Look of Half-Hour Comedy

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‘The Rest Of Us,’ Female Driven Babe Nation Creations Feature, Starts Shoot

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AFI and Fox Launch Two Cinematography Programs for Women

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Darren Aronofsky’s ‘One Strange Rock’: Capturing Beauty and Wonder

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Cannes 2018: Here Are the Cameras Used To Shoot 32 of This Year’s Films

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‘Black Panther’ Cinematographer Rachel Morrison to Be Honored by AFI

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‘Thoroughbreds’ Created a Colorful Noir Using Natural Light and the Latest LED Technology

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Ralph Woolsey Dies: Emmy-Winning ‘It Takes A Thief’ & ‘Batman’ Cinematographer Was 104

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Roger Deakins Explains Why He Insists on Operating the Camera Himself — Watch

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