Canneseries Winner ‘When Heroes Fly’ to Be Adapted for U.S. (EXCLUSIVE)

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Federation, Drama-Team Join Forces on Omri Givon’s ‘The Grave’

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Nico Moolenaar Talks Netflix Canneseries Contender ‘Undercover’

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‘The Sources of Evil,’ ‘Whatever, Linda’ Take Top Honors at Canneseries, MipTV In Development

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Israel’s ‘When Heroes Fly’ Wins Best Series At Canneseries – Full Competition Winners Revealed

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‘When Heroes Fly,’ ‘State of Happiness’ Top Canneseries

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‘Bite Size Horror’: Watch the Terrifying Horror Short Films That Will Screen at Inaugural Canneseries TV Festival

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Director Zoé Pelchat Ouellet on Canneseries Digital Player ‘Dominos’

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Abortion Clinic-set ’Angelica’ Taps into Rise of Timely Issue-Driven Drama (EXCLUSIVE)

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David Mandil’s MoviePlus Prepares ‘Silent Fighters’ Documentary, Dudu Topaz Drama (EXCLUSIVE)

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Michelle Dockery Receives First Variety Icon Award for Canneseries

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Modernized ‘Les Miserables’ Series to Pitch at Canneseries

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Canneseries: Jean-Jacques Annaud on His TV Debut, Hitchcock, and Sean Connery’s Socks

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Canneseries: ‘The Typist’s’ Nina Grosse on German Drama Series’ New Edge

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‘Embrace of the Serpent’ Co-Writer Jacques Toulemonde Shifts Gears on Digital Series ‘Camionero’

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Spain’s Cesc Gay Drills Down on Canneseries Competition Entry ‘Félix’

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Mip TV 2018: What International Buyers Are Buzzing About Ahead Of Cannes

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Michelle Dockery Talks Trio of TV Shows That Led to Icon Award

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Prestige TV Dramas Face Off in Inaugural Canneseries Competition

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‘Versailles’ Season 3 Ups Tempo, Bontemps, Maintenon, and Yes, There’s a Man in an Iron Mask (SPOILERS)

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