Japanese Director Hirokazu Kore-eda Returns To Exploring Family Dynamics In Surprise Palme D’Or Winner ‘Shoplifters’ – Cannes Studio

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Jaime Rosales Brings Greek Tragedy To Modern Cinema In Directors’ Fortnight Thriller ‘Petra’ – Cannes Studio

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Debra Granik On Bringing Sundance Hit ‘Leave No Trace’ To The Screen After An Eight-Year Hiatus – Cannes Studio

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Saudi Arabia’s GCA Chief On Building An Industry, Avoiding China’s Pitfalls & Changing Perceptions – Cannes Studio

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Keshet Films’ Mandy Tagger & Adi Ezroni On The Hunt For Projects – Cannes Studio

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‘Climax’ Director Gaspar Noé Shakes Up The Festival With A Heady Cocktail Of Sex, Drugs And Violence – Cannes Studio

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‘Sink Or Swim’ Director Gilles Lellouche On Testing The Limits Of Comedy – Cannes Studio

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After Seeing Her Gay Love Story ‘Rafiki’ Banned In Her Homeland, Kenyan Director Wanuri Kahiu Calls For Artistic Solidarity – Cannes Studio

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Steven Yeun On The “Kismet” Of His Role In Lee Chang-Dong’s ‘Burning’ – Cannes Studio

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Michael Shannon And Sofia Boutella On The Social Media Era Updates To HBO’s ‘Fahrenheit 451’ – Cannes Studio

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‘Treat Me Like Fire’s Stacy Martin, Tahar Rahim & Marie Monge On High-Stakes Addiction Thriller – Cannes Studio

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‘The World Is Yours’ Vincent Cassel & Romain Gavras Riff On Fortnight Comedy – Cannes Studio

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The Renaissance Of Topher Grace: Two Movies In Cannes & A Feted Turn As David Duke In ‘BlacKkKlansman’ – Cannes Studio

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‘Sir’ Director Rohena Gera On Pushing Boundaries As A Female Filmmaker: “I’ve Had To Work Very Independently” – Cannes Studio

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Wim Wenders On The Power Of Pope Francis, ‘A Man Of His Word’ In The Fake News Era – Cannes Studio

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Spike Lee On The Stranger-Than-Fiction Tale Behind ‘BlacKkKlansman’ – Cannes Studio

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Director Luis Ortega On The Real-Life Horror Of ‘El Angel’ – Cannes Studio

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‘Shéhérezade’ Director Jean-Bernard Marlin On Working With Marseilles Street Kids And The Need To Be Real – Cannes Studio

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Pawel Pawlikowski On His Postwar Romance ‘Cold War’: “It’s A Matrix Of All Love Stories” — Cannes Studio

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‘The Eyes Of Orson Welles’ Director Mark Cousins On Movie Legend’s Legacy: ’The Other Side Of The Wind’ Really “Should Have Been In Cannes” — Cannes Studio

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Christophe Honoré On Exploring The “Deep Trauma” Of A Generation With His Love Story ‘Sorry Angel’ – Cannes Studio

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