Christine Baranski Has a Donald Trump Hangover – and So Does Her ‘Good Fight’ Character

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‘How to Talk to Girls at Parties’ Film Review: Punks Meet Aliens in Messy Mash-Up

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Cannes Film Market ‘Healthy’ as New Players Fill Streaming Giant Void

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The Cannes – Oscar Connection: How Strong Will It Be This Year?

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Asia Argento Condemns Harvey Weinstein During Cannes Awards: ‘This Festival Was His Hunting Ground’ (Video)

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Is the Cannes Film Festival in Decline? Not to the French

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Netflix Lands Cannes Award Winners ‘Happy as Lazzaro’ and ‘Girl’

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‘Shoplifters’ Wins Palme d’Or at 2018 Cannes Film Festival

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Critics’ Groups Give Top Cannes Awards to Korean Drama ‘Burning’

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‘The Wild Pear Tree’ Film Review: Cannes Competition Ends With Exasperating, Talky Drama

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‘The Man Who Killed Don Quixote’ Film Review: Terry Gilliam Finally Delivers Messy Fun

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Cannes Report, Day 10: What Will Win the Palme d’Or?

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Troll Sex Movie ‘Border’ Wins Top Prize in Cannes’ Un Certain Regard Section

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‘Knife + Heart’ Film Review: Gay Porn Murder Story Pays Tribute to Exploitation Cinema

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Magnolia Pictures Pinches Japanese Drama ‘Shoplifters’

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‘Capharnaum’ Film Review: Nadine Labaki’s Searing Drama Brings Tears, Ovations

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‘Whitney’ Cannes Review: Beyond the Bombshells Is a Straightforward Music Documentary

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Gasper Noe’s Polarizing ‘Climax’ Wins Top Prize at Cannes Directors’ Fortnight

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‘Dogman’ Film Review: Good Man Goes Bad in Muscular Italian Drama

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Cannes Report, Day 9: Lars von Trier Responds to Criticism, ‘Burning’ Has Critics Fawning

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‘Burning’ Film Review: Korean Auteur Lee Chang-dong Returns With Breathtaking Drama

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