Jane Campion’s Croisette Return With ‘Top Of The Lake’: “Anything Seen On A Big Screen Is Right For This Festival”

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Korea’s Leading Exhibitor CJ-CGV Poised to Boycott Netflix’s ‘Okja’

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‘I, Daniel Blake’ Review: Ken Loach’s Touching Character Study Is Fueled by Righteous Indignation

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Chloe Moretz ‘Appalled and Angry’ Over ‘Red Shoes & the 7 Dwarfs’ Marketing

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Netflix Boss Reed Hastings Loved Cannes Heat, Says Demise Of Theatrical Windows Inevitable

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