Magnolia Pictures Takes U.S. Rights on Cannes Prizewinner ‘Dogman’ (EXCLUSIVE)

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Film Review: ‘Little Tickles’

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Film Review: ‘Our Struggles’

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Film Review: ‘3 Faces’

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Marion Cotillard’s Drama ‘Angel Face’ Bought by Cinema Libre (EXCLUSIVE)

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Annecy Film Review: ‘Mirai’

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Strand Releasing Scoops U.S. Rights to Christophe Honoré’s Cannes Player ‘Sorry Angel’ (EXCLUSIVE)

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Cannes’ Animation Title ‘Another Day of Life’ Sails to Foreign Territories (EXCLUSIVE)

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The Orchard Nabs Crime Drama ‘El Angel’ Out of Cannes (EXCLUSIVE)

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Film Republic Adds ‘Aleksi’ to Slate (EXCLUSIVE)

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Film Review: ‘Be Natural: The Untold Story of Alice Guy-Blaché’

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Distrib Films US Acquires 2017 Cannes Competition Title ‘Jupiter’s Moon’ (EXCLUSIVE)

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‘How to Talk to Girls at Parties’ Film Review: Punks Meet Aliens in Messy Mash-Up

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Cannes Winner ‘Sicilian Ghost Story’ Bought by Strand Releasing (EXCLUSIVE)

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Asia Argento exorcises Harvey Weinstein from Cannes in powerful closing-night speech

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The Cannes – Oscar Connection: How Strong Will It Be This Year?

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Does Cannes Have a Future? Yes, But the Festival Needs to Change

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Variety Critics Name the 12 Best Movies From Cannes 2018

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Why ‘Shoplifters’ Director Hirokazu Kore-eda is Cannes’ Favorite Japanese Auteur

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