Dakota Fanning Talks ‘The Alienist’, Empowerment & Allure Of Binge TV – Next Generation TV

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‘Patrick Melrose’ Review: Benedict Cumberbatch Brilliant As Damaged & Decadent Toff In Showtime Limited Series

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‘The Seagull’ Review: Annette Bening & Saoirse Ronan Lead Sterling Cast In Smart Take On Chekhov Classic

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‘Safe’ Review: Dodgy Accent Aside, Michael C. Hall’s UK Thriller Is Uneventful

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‘Vida’ Review: Starz’s Latinx Drama Is Supernovela TV That’s Truly Full Of Life

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‘RBG’ Review: A Truthful, Inspiring & Relevant Docu About The One And Only Ruth Bader Ginsburg

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‘Avengers: Infinity War’ Review: The Most Surprising Marvel Movie Yet Is Also One Of The Best

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‘I Feel Pretty’ Review: Amy Schumer’s Comedy Tries To Be Like ‘Big’ But Falls Short

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‘Come Sunday’ Review: Chiwetel Ejiofor’s Performance Main Reason To See Netflix’s Preachy Religious Drama

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‘Rampage’ Review: Can Dwayne Johnson Save Chicago From Raging Monsters? Do You Have To Ask?

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‘Beirut’ Review: Jon Hamm Delivers Best Work Yet In Compelling International Thriller

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‘First Match’ Review: SXSW Audience Winner Wrestles With Real-Life Struggles And Comes Out A Winner For Netflix

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‘Isle Of Dogs’ Review: Wes Anderson’s Weirdly Wonderful Canine Epic Is A Toon Worth Telling

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‘I Can Only Imagine’ Review: Faith-Based Music Biopic Of MercyMe’s Smash Song Hits All The Right Notes

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‘Tomb Raider’ Review: Alicia Vikander’s In On The Action In Far-Fetched But Fun Reboot

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‘Love, Simon’ Review: Winning Comedy About Gay High Schooler Is One From The Heart

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‘The Looming Tower’ Review: Hulu’s 9/11 Drama Is Magnificent

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‘Seven Seconds’ Review: ‘Killing’ Creator’s New Drama Needs Less Time, Not More

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‘Good Girls’ & ‘McMafia’ Review: NBC Series Is Aces; No Nutrition In AMC Drama

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‘Early Man’ Review: Cavemen & Soccer A Match In Aardman’s Latest Delight

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‘Homeland’ & ‘Our Cartoon President’ Review: Spy Drama Returns On Point; Colbert’s Trump Comedy Flounders

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