‘Touch Me Not’ Review: Adina Pintilie’s Berlinale Winner Is a Sexual Odyssey Stuck Between Purity and Prurience

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Memo to Distributors: Buy These 9 Movies from the 2018 Berlin International Film Festival

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‘Grass’ Review: Hong Sang-soo’s First Movie of 2018 Is a Beguiling 66-Minute Charmer for Hardcore Fans Only — Berlinale 2018

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‘7 Days in Entebbe’ Review: Rosamund Pike Stars in a Hijacking Docudrama that Never Takes Off — Berlinale 2018

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Susan Lynch Stars as Female Crime Boss in ‘Cold Blow Lane’ (EXCLUSIVE)

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‘U-July 22’ Review: An Almost Unbearably Horrifying One-Take Recreation of Norway’s Deadliest Mass Shooting — Berlinale 2018

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‘Daughter of Mine’ Review: Alba Rohrwacher Shines in Laura Bispuri’s Riveting Maternity Drama — Berlinale 2018

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‘Eva’ Review: Not Even Isabelle Huppert Playing an Irritated Prostitute Can Save this Limp Melodrama — Berlinale 2018

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‘Profile’ Review: Timur Bekmambetov’s Immersive Thriller About a Journalist Catfishing ISIS — Berlinale 2018

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‘Transit’ Review: Christian Petzold’s Beguiling Refugee Romance Is Like a Kafkaesque ‘Casablanca’ — Berlinale 2018

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‘Black 47’ Review: Hugo Weaving Is a Fierce Killer in this Violent Western About the Irish Potato Famine — Berlinale 2018

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‘Isle of Dogs’ Review: Wes Anderson Delivers a Stop-Motion Stunner About the Garbage World We Live In — Berlinale 2018

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As Sundance, Berlin, and Other Major Film Festivals Hire Top Positions, Women Are Ideal Candidates

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10 Must-See Films at the 2018 Berlin International Film Festival

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Berlin: First Look at ‘The Sonata,’ Starring Rutger Hauer, Freya Tingley (EXCLUSIVE)

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Berlin: Kew Media Boards Adam Huss Thriller ‘Painkillers,’ Adds Docs

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Berlin: Patra Spanou Picks Up ‘La Omisión,’ Launches Trailer (EXCLUSIVE)

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German Films Focuses on Directors for Third Edition of ‘Face to Face’ Campaign

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Altitude Strikes German Deal for Berlin-Bound ‘Black 47’

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Berlinale Director Dieter Kosslick Will Step Down After 2019 Festival

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‘Wallay’: Film Review

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