‘Can You Ever Forgive Me?’: How They Recreated an Analog Pre-Amazon Literary World for Melissa McCarthy’s Forger

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Asian World Film Festival Showcases 14 Foreign-Language Oscar Contenders

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‘First Man’: Claire Foy Heads for First Oscar Nomination by Shattering the ‘Wife Waiting at Home’ Stereotype

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‘First Reformed,’ ‘The Favourite’ Lead Gotham Awards Nominations for Independent Film

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2018 Gotham Awards Nominations: ‘The Favourite’ and ‘First Reformed’ Lead the Pack

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At 3,000 Feet, Shooting ‘Free Solo’ Was More Like ‘Mission Impossible’ Than a Documentary

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‘Can You Ever Forgive Me?’: How Melissa McCarthy Replacing Julianne Moore Turned a Troubled Production into a Triumph

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Jennifer Fox to Produce Oscars Academy’s 2018 Governors Awards

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India’s ‘Soni’ and China’s ‘The Crossing’ Share Pingyao Festival Awards

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‘Shoplifters’ Leads Asia Pacific Screen Awards Nominations

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Richard Masur to Receive SAG-AFTRA President’s Award

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‘First Man’ Composer Justin Hurwitz Is the Real Obsessive Musician at the Heart of Damien Chazelle’s Films

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AFI FEST World Cinema Lineup Boasts Seven Foreign-Language Oscar Contenders

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Oscars Give More Power in Foreign Language Voting to LA Members (Exclusive)

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Beyond Christopher Nolan: ‘First Man’ Redefines In-Camera VFX

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‘The Favourite’ Finalizes 2019 Oscar Plan: Olivia Colman Enters Best Actress Race, Stone and Weisz Go Supporting

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‘Free Solo’ Leads Critics’ Choice Documentary Awards Nominations

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‘Free Solo’ Leads 2018 Critics’ Choice Documentary Awards Nominations

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Critics’ Choice Documentary Awards Nominees Announced: ‘Free Solo,’ ‘Minding the Gap,’ and ‘Wild Wild Country’ Lead Nods

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With ‘First Man,’ Damien Chazelle and Ryan Gosling Found Big Drama in a Repressed Hero

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