Stan Lee Appreciation: Marvel Comics Mogul Was Interactive Long Before the Internet

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‘Dr. Seuss’ The Grinch’ Film Review: Benedict Cumberbatch Helps Make Third Time Charming

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‘Nobody’s Fool’ Film Review: Tyler Perry Makes Tiffany Haddish Do All the Work

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‘The Nutcracker and the Four Realms’ Film Review: This Sugarplum Is Rancid

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‘Bohemian Rhapsody’ Film Review: Queen Bio Won’t Exactly Rock You

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‘Stan & Ollie’ Film Review: Steve Coogan and John C. Reilly Capture Laurel & Hardy Onstage and Off

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‘Can You Ever Forgive Me?’ Film Review: Melissa McCarthy Forges Strong Performance

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‘The Hate U Give’ Film Review: Teen Drama Unflinchingly Examines Racism

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‘Venom’ Film Review: Tom Hardy Gets Buried in CG Goo, as Does the Plot

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‘Assassination Nation’ Review: Verve Carries the Day in Scattershot Satire

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‘Smallfoot’ Film Review: Fun Ideas Get Buried Under Avalanche of Mediocrity

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Burt Reynolds Appreciation: A Classic Movie Star With a Modern Sense of Humor

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‘The Sisters Brothers’ Film Review: John C. Reilly and Joaquin Phoenix Saddle Up for an Extraordinary Western

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‘Suspiria’ Film Review: Luca Guadagnino’s Misguided Horror Remake Falls Flat

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‘The Ballad of Buster Scruggs’ Film Review: Coen Brothers Western Anthology Makes for an Uneven Binge

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‘A Star Is Born’ Film Review: Bradley Cooper and Lady Gaga Reinvigorate a Classic

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‘Non-Fiction’ Film Review: Olivier Assayas Comically Mourns the Death of Literature

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‘The Favourite’ Film Review: Emma Stone Plays an 18th Century Eve Harrington in a Twisted Historical Farce

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‘Roma’ Film Review: Alfonso Cuarón’s Intimate Epic Proves Less Is More

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‘First Man’ Film Review: Ryan Gosling and Damien Chazelle Slip the Surly Bonds of Earth

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‘Support the Girls’ Film Review: Regina Hall Uplifts Observant Workplace Comedy

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