Burt Reynolds Appreciation: A Classic Movie Star With a Modern Sense of Humor

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‘The Sisters Brothers’ Film Review: John C. Reilly and Joaquin Phoenix Saddle Up for an Extraordinary Western

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‘Suspiria’ Film Review: Luca Guadagnino’s Misguided Horror Remake Falls Flat

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‘The Ballad of Buster Scruggs’ Film Review: Coen Brothers Western Anthology Makes for an Uneven Binge

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‘A Star Is Born’ Film Review: Bradley Cooper and Lady Gaga Reinvigorate a Classic

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‘Non-Fiction’ Film Review: Olivier Assayas Comically Mourns the Death of Literature

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‘The Favourite’ Film Review: Emma Stone Plays an 18th Century Eve Harrington in a Twisted Historical Farce

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‘Roma’ Film Review: Alfonso Cuarón’s Intimate Epic Proves Less Is More

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‘First Man’ Film Review: Ryan Gosling and Damien Chazelle Slip the Surly Bonds of Earth

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‘Support the Girls’ Film Review: Regina Hall Uplifts Observant Workplace Comedy

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‘The Happytime Murders’ Film Review: Melissa McCarthy Valiantly Plays Along in One-Joke Comedy

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‘The Children Act’ Film Review: Emma Thompson Grapples with Conscience in Sluggish Legal Drama

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‘The Meg’ Film Review: Jason Statham Swims With Really, Really Big Sharks

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‘Christopher Robin’ Film Review: A.A. Milne’s Young Hero Has a Hundred-Acre Mid-Life Crisis

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‘Scotty and the Secret History of Hollywood’ Review: Sex Abounded in Hollywood’s Golden Age

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‘Teen Titans GO! to the Movies’ Film Review: TV Adaptation Sticks It to Big-Screen Superheroes

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‘Skyscraper’ Film Review: Dwayne Johnson Checks All the Boxes in a Satisfying Summer Thriller

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‘Hotel Transylvania 3’ Film Review: Adam Sandler’s Groovy Ghoulies Take a Wacky Vacation

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‘Sorry to Bother You’ Film Review: Boots Riley’s Ambitious Debut Throws a Lot at the Wall

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‘Ant-Man and the Wasp’ Film Review: Paul Rudd’s Shrinking Hero Returns for Buzzier Sequel

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‘Hereditary’ Film Review: Family’s a Horror in Brilliant Indie Debut

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