Diana Ross Reigns Supreme Dodging Usual Setlist for Hollywood Bowl Opener

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‘Henry IV’ Review: Tom Hanks & Hamish Linklater Give Charismatic Pulse To Shakespeare Classic

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‘Sunday’s Illness’ Review: Netflix’s Brilliant Mother-Daughter Drama Is Like ‘Hereditary’ Without the Horror

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Album Review: Sophie’s ‘Oil of Every Pearl’s Un-Insides’

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Annecy Film Review: ‘Mirai’

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Album Review: Christina Aguilera’s ‘Liberation’

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Film Review: ‘Eating Animals’

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‘Set It Up’ Review: Zoey Deutch and Glen Powell Charm in Netflix’s Best Original Rom-Com Yet

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‘Tag’ Film Review: Entertaining Action Comedy Chases in Too Many Directions

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‘Tag’ Review: Sinister Jeremy Renner Leads a Summer Comedy About Friends in Game Only

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TV Review: ‘Deep State’ on Epix

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‘Eating Animals’ Review: Natalie Portman and Christopher Quinn Make a Convincing Case that Meat Is Murder

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‘Superfly’ Film Review: Remake Updates Blaxploitation Genre With Wit and Resonance

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TV Review: ‘The Break With Michelle Wolf’ on Netflix

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‘Incredibles 2’ Film Review: Pixar’s Superhero Family Is Back, Baby – and What a Baby

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