Cristin Milioti Admits She Had Never Seen ‘Star Trek’ Before ‘Black Mirror: USS Callister’ Role

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How Antonio Banderas Overcame His Fear of Playing Hometown Legend Pablo Picasso

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Kyle MacLachlan: Yes, Even I Was Confused by David Lynch’s Return to ‘Twin Peaks’

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Alfred Molina, Susanne Bier Elected to Motion Picture Academy’s Board of Governors

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‘Power’ Creator Courtney Kemp: ‘There Is a Financial Consequence to Not Opening Doors’

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Christine Baranski Has a Donald Trump Hangover – and So Does Her ‘Good Fight’ Character

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‘The Deuce’ Star Maggie Gyllenhaal Says Show Exposes Our ‘Broken, Misogynistic Culture’

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Rachel Bloom on Why ‘Crazy Ex-Girlfriend’ Was Driven by Anger This Year

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‘SMILF’ Star and Creator Frankie Shaw on How #MeToo Made the Show More Resonant (Video)

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The Cannes – Oscar Connection: How Strong Will It Be This Year?

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‘Shoplifters’ Wins Palme d’Or at 2018 Cannes Film Festival

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Critics’ Groups Give Top Cannes Awards to Korean Drama ‘Burning’

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Cannes Report, Day 10: What Will Win the Palme d’Or?

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Troll Sex Movie ‘Border’ Wins Top Prize in Cannes’ Un Certain Regard Section

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‘On Chesil Beach’ Film Review: Saoirse Ronan Drama Only Starts Out Like a Sex Comedy

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‘The House That Jack Built’ Film Review: The Real Shocker Is How Dull Lars von Trier’s Film Is

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‘Asako I & II’ Film Review: Leisurely Japanese Drama Explores Nature of Love

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‘BlacKkKlansman’ Cannes Review: Spike Lee Looks Back – and Forward – in Anger

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Cannes Film Festival Signs Pledge for More Women Directors, More Transparency

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‘Happy as Lazzaro’ Film Review: Alice Rohrwacher Charts the Course of a Holy Fool

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