‘I Am Not a Witch’ Overcame Shooting Challenges in Africa

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Oscars: A Guide to the 2018 Foreign-Language Entries Accepted by the Academy

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Oscars: Why the Gap Is Closing Between Foreign-Language and Documentary Categories

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Why Asia Could Be a Dark Horse in Oscar’s Foreign-Language Race

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Will One of Africa’s Eight Submitted Films Bring Home Its Third Oscar in Nearly 50 Years?

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European Films Fill Oscar Foreign-Language Race (Analysis)

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SCAD Savannah Film Fest Prizes ‘Tomorrow,’ ‘Human Element’

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Asian Distributor Tangren Cultural Film Turns 20

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Variety Highlights 2018’s 10 Assistants to Watch

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Movistar Plus Makes Major Wager on Original Series

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Movistar Plus’ Drive Into Fiction Is Centered on Women

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Movistar Plus’ ‘Gigantes’ Gets Giant Rollout at Mipcom

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Rome’s MIA Finds Niche in Global Entertainment Business

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How Las Vegas Got Its Groove Back

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Native American Bet on Gambling Enriches California and Reservations

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‘Smoke Signals’ Film’s Effect 25 Years Later Topic of Discussion

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Movistar + Has a Very Good Year for Scripted Productions

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San Sebastian Completes Festival Triangle

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How Carrie Underwood Got Over Her Lyrical Shyness, With Help From a Label President

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