Review: Robert Schwentke’s German drama ‘The Captain’ makes a wrong turn in its assessment of evil

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Review: Beautifully wrought Brazilian drama ‘Araby’ takes us on a worker’s lyrical journey

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Review: Anime trilogy ‘Flavors of Youth’ deftly highlights the melancholic hold of the past

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Review: Amandla Stenberg leads the charge in the been-there, done-that dystopia of ‘The Darkest Minds’

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‘Never Goin’ Back’ Film Review: Texas Teenagers Take a Bumpy Ride in Wild Indie Comedy

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‘The Spy Who Dumped Me’ Film Review: Kate McKinnon Shines in Joke-and-Dagger Pairing With Mila Kunis

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Review: Kirby Dick and Amy Ziering expose FDA, $400 billion-dollar medical devise industry in wrenching doc ‘The Bleeding Edge

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‘Dark Money’ Film Review: Campaign-Finance Doc Uncovers Secret Corruption

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Review: ‘Killer Bees’ doc shows high school basketball in the Hamptons is not what you’d expect

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‘Hot Summer Nights’ Film Review: Timothée Chalamet Sweats Through Derivative Potboiler

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Review: Riveting documentary ‘Path of Blood’ explores terror through video

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Review: ‘Generation Wealth’ examines extreme consumerism with a self-probing eye

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‘Mission Impossible: Fallout’ Film Review: Cruise-ing for Bruising Action in This Jam-Packed Six-Quel

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Review: ‘Marsha Hunt’s Sweet Adversity’ shows how not even the blacklist could stop the actress and activist

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‘Eighth Grade’ Film Review: Bo Burnham Captures Middle School Angst

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Review: Jean Cocteau’s masterful 1948 ‘Les Parents Terribles’ is a treat for movie lovers

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‘Eating Animals’ takes thoughtful approach to food supply

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‘Boundaries’ Film Review: Vera Farmiga-Christopher Plummer Road Trip Has Its Limits

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Brazilian filmmaker beautifully captures a friend’s journey in ‘Gabriel and the Mountain’

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Spanish drama ‘Sunday’s Illness’ artfully navigates mother-daughter reunion

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