‘Boundaries’ Film Review: Vera Farmiga-Christopher Plummer Road Trip Has Its Limits

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Brazilian filmmaker beautifully captures a friend’s journey in ‘Gabriel and the Mountain’

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Spanish drama ‘Sunday’s Illness’ artfully navigates mother-daughter reunion

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‘Incredibles 2’ Film Review: Pixar’s Superhero Family Is Back, Baby – and What a Baby

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Simon Baker’s coming-of-age surf drama ‘Breath’ effectively captures emotional turbulence

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Claire Danes, Jim Parsons grapple with parenting challenge in domestic drama ‘A Kid Like Jake’

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‘Hotel Artemis’ Film Review: Jodie Foster Heals Criminals, but This Dystopian Thriller Still Ails

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‘American Animals’ Film Review: Entertainingly Fizzy Heist Movie Defies Expectations

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‘Adrift’ Film Review: Shailene Woodley Helps Steer Fact-Based Tale of Sea Survival

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‘All Summers End’ wastes strong cast with bad choices

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‘Sollers Point,’ a fresh take on working-class struggles and race in Trump country

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Globe-hopping documentary ‘The Most Unknown’ links scientists through ideas

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‘Summer 1993’ Film Review: Sensitive Debut Follows Motherless Girl to New Family

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‘Show Dogs’ Film Review: Sloppy, Unfunny Comedy Merely a Collection of Pet Peeves

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‘The Day After’ adds another wonderfully understated chapter to Hong Sang-soo’s rapidly expanding oeuvre

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Crime noirish ‘Angels Wear White’ takes on the plight of women and girls in China

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‘Boom for Real’ dives into a teenage Basquiat’s energetic, emergent brilliance

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‘Life of the Party’ Film Review: Melissa McCarthy Goes to College, But This Class Is Easily Dismissed

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