Review: Aussies unite to repel alien invasion in nimble sci-fi thriller ‘Occupation’

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Review: Psychological drama ‘Broken Star’ burns out in the end

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Review: Anthology ‘A.I. Tales’ features four artificially linked shorts

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Review: Nothing new in arty French zombie drama ‘The Night Eats the World’

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Review: Irish found-footage horror film ‘The Devil’s Doorway’ can’t escape clichés

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Review: Mashup of cameos and mismatched footage doesn’t fly in weird vampire flick ‘Sunset Society’

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Review: Awkward father-son bonding lacks punch in modest ‘Legacy of a Whitetail Deer Hunter’

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Review: Actors make the most of seaside suspense in Welsh two-hander ‘The Lighthouse’

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‘The Icarus Line Must Die’ maintains its punk rock cred

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Christina Ricci excels in otherwise dull thriller ‘Distorted’

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Korean comedy ‘The Accidental Detective 2: In Action’ is a smooth, if unmemorable, ride

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New video: ‘Unsane’ may be shot on an iPhone, but it’s a slick paranoid thriller

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Mike Tyson fighting Steven Seagal is a mere sideshow in the strange action flick ‘China Salesman’

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New video: ‘Love, Simon’ and ‘Year of Spectacular Men’

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Katee Sackhoff stands up for humanity in ‘2036 Origin Unknown’

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Tough guy Scott Adkins is the right fit for ‘The Debt Collector’

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Julianne Nicholson and Emma Roberts embrace formidable roles in indie drama ‘Who We Are Now’

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In a role she co-wrote, Natalie Dormer’s star power brightens crime thriller ‘In Darkness’

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