A festival’s final concert brings the microtonal outsiders in

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‘Das Paradies’: A giant globular tear as ticket to heaven

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Dudamel untangles the strangeness of Schumann’s symphonies

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Walt Whitman’s operatic America in ‘Crossing’ gets its West Coast premiere

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Opera UCLA proves Susan B. Anthony, more than ever, remains ‘The Mother of Us All’

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From 19th Century Memphis to modern-day L.A.: Master Chorale time-travels through ‘dreams of the new world’

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Mark Morris mines the Beatles’ ‘Sgt. Pepper’ for an irresistible ‘Pepperland’

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Becoming John Luther Adams: The evolution of one of America’s hottest composers

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Jennifer Koh and the ‘Shared Madness’ of coming between a violinist and her violin

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Music goes multimedia, but why? Three concerts point the way

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Karina Canellakis, back in L.A. with a hire-wire act

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Four radical and radically original pieces of music that blew up the modernist status quo in 1968

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The L.A. Phil’s Bernstein and Beethoven peace project

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